28 Days of Portrait Photography

 

28 Days of Portrait Photography

 

Lesson Info

Day 3: One Composition - Five Poses

this challenge is one of my favorites it's about showing you that you can get one competition and then create five different images by flowing the pose of the hands I call it one composition five poses even without moving from side to side or ford and back you can still create five different images by changing the flow and the body language of the hands so today we're going to teach him or about hands flowing this is a challenge that you're going to have to practice over and over again to get right because I want to believe all of the images I want to believe the body language this is a hard one but when you mastered this you will be a master of flow posing and we all know that when you take more than one image in one pose you sell more than one image of one pose so what we're going to do now is we're gonna take five shots before we move on this is a simple pose directly to the camera just drop it chin forward towards me alan and down a little bit more perfect I want you to put your el...

bows behind you said push your hands out yes go go now to the outer side of your hips with your hands but lower good girl and the idea here is that I pinch your elbows in at the back very good now very gently just push your booty back just a little way but without leaning forward I want your body to go back and your chin comes forward and down stop and chin this way just a tiny little stuff absolutely beautiful now I want you to give me the most tiny little gorgeous smile through your eyes head to the one right there so I want you now to hold your elbows in the front so I want you to cross rounds and hold on to your elbow so it's like hugging yourself now push to the outer sides of your albums with your hands very good like hold tighter let's see if you can squeeze your boot that's it okay now from there I just want you to bring that hand up on the side like a hug so it's coming up on the side that not not too high down a bit more now kick your booty back a little bit more that's the one and long chin down a little bit more that's the one I'm just going to take that shot here like that okay from here I want you to drop your hands to your sides and without moving just put your feet apart that's it and what I want you to do now is just push out on one hip and this hand on this side that's exactly right let the other one fall behind you that's it no don't tuck it behind just did a fall loose now I want more kick on this hip more that's it now you took your head down to straighten up to me this way and I want you to go chin down a little weed but here that's it perfect okay now from here I just want you to straighten up just give me a little bit of is yushin you here this way that's it more like bigger together it's perfect from here I just want you to keep your hips back and I just want you to kick back this way so kick your baby back and kick it away from me that's the one a little bit more a little bit more stop now engage your chin towards me don't move that's absolutely beautiful stadia I love that okay from this position here then I want you to turn side on to may this way so it's about okay don't move now I love what you're doing I just want you to transfer this hand around the back of your waist there in a bit lower now arch into that could go beautiful work that front shop perfect bring your chin down to the shoulder don't move I absolutely love that don't move anything perfect now from here I want you to hold your elbows again so this time you're holding them this way so when you hold your elbows maybe put this hand underneath and just hold there now I want you to pull us albert back a little weak but elbow yeah not shoulder and that should afford that someone now straight and you hit out this way and bring your chin and shoulder together so bring your chin down with that shoulder forward now transfer the weight on your feet and kicked the beauty back this way so that's perfect now if you want your mom to go back so it's an arch that's the one now you put your head back then tip your head forward bring your chin and that's the one stay exactly here and work that shoulder in nice easy smile go I could kill that was beautiful perfect I've got it right on the upbeat smile so now what I want you to do here is I want you to bring this hand here and this hand here behind you that's one drop it down okay now I want you to open your shoulder up to me this way that's it don't move beautiful pull that albert beckett just a time but not your shoulder just your alphabet google not so far and from here with the shoulder up that's it and then long chin towards me and down down stuff right there now reelection mouth real supermodel mouth so I want the bottom that's it and now chin up half and you got it okay from there I want you to go lips together I want you to work this shoulder a little bit more I want you to bring your chin down I want you to look down to the ground I want you to kick your booty back and I want you to give me a huge big smile looking down go what we're gonna do here is I want you to take all of the weight on your other foot swell good and I want you to kick back to the wall so lean back with your upper body that's it I know it feels weird but it looks great so lean back into your whole upper arm is touching the wall very good okay I'm going to move around because I am quite not quite in frame here that's exactly right and now what I want you to do is talk watch the back of your sort of thigh bum there with the beg your hands that keeps down the wall and a night with your arm down the wall with your upper arm that's it now just touched down the back very good now from here I want your backhand just tio go onto the outside of your hip elbow back and I want a little bit more action to your back there it is now you'll hit instantly went up site that's it I want you to bring your chin towards me and I really just want you to bring your elbow towards because your arm I can see is penned your elbow that's it I could see your arms pinned back now lean back onto the warm or with your upper arm make ago long chin towards me and down that's exactly right so right from here I just want you to give me a tiny little smile through the eyes could go have this beautiful exactly right okay from here now what I want you to do is I want you to lean back a little bit more so tune mohr side onto may but keep your arms back and lean back here to keep their arch through that arm theater's perfect now your chin comes all the way around to me this way okay don't move that absolutely perfect I'm going to the shift a few inches this way and shoot down that line that's perfect okay don't move may now I just need youto work that shoulder up and give me a little we smirk just a good girl nicely done okay from there I want you to hold your elbows in the front exactly like you did when you were out in the center hold them but I want your elbow to come back that's it now I want you to work the shoulder forward perfect and I want your back foot to come right up onto its toe right there so that kicks your booty back and now work the shot good girl not too far open it back up to me and we're doing that to slim down that I make that front I'm look beautiful I can't perfect okay from here alan I want you to drop your chin down a little more and give me that little smirk gorgeous don't move okay that was a little too friendly and so I just want a little smoke in the eyes so I want the chin to go this way herr said give me that magic right twinkle in the eyes you got it absolutely perfect okay from here what I want you to do is tune exactly where you are and face the wall I want you to touch here and slide down and I want you to kick your booty back this way it might be easier if you're on your front foot that's it I want you thin to work the shoulder forward and up and I want you to bring your chin and engage it around to me chin around this way now what I want you to do is open your body very good and tipped towards the wall with you here that's it so open your body up that's the one and then bring your chin down here it is okay from here with that shoulder only towards your chin very good and chin down and tip towards the wall a little bit more just a little cute to mueller shot right there that's it x men love that okay from here I want you just to open your body up and just come into here all right so I just want this hand to come up I really want this to sit sort of ford so high I want the fingertips to touch here I want you to get closer that's the one maybe bunch of a little bit of here all right whenever I bring their arm up like this if I don't think it's working I just take it down immediately I don't see the point if it's not working so what I'm gonna do is I'm going to drop it straight down it's a perfect example for me off doing a pose on someone that doesn't work I mean I want to get five different shots from one pose but if I bring a hand up or an arm up and it doesn't look right I'm not going to shoot it so I will try everybody moves differently everybody has different shaped limbs length limbs some people suit hearing the hands in the frame some people don't if it doesn't look good move on from here you shall be here nice and big for me and instead just turned back to side on but let go of you here and just put your hands here behind your bum that now what I want you to do is I want you to tip towards may that's the one and I just want you to come forward off the wall perfect and I want you to just bring your chin around now so now you're moving into my frame I'm going to move around this way I'm going to come place of t u I want you to bring you a chin forward and down more now bring that shoulder up in this elbow back a little good good good perfect now from here I want you to give me a beautiful big smile right there gotcha it's absolutely gorgeous google and then I think I would tip your head up a little bit more not so far half way I'm going to take a step towards you stay here bring your chin around into this frame I'm going to focus that chin down and what I want you to do here tip into that frame that way stop okay chin down just a touch you've got it that is such a beautiful expression on what I want you to do now is work your shoulder forward okay and give me a massive smile there and then I want you to look straight down the camera I want youto work your shoulder up good girl I want you to lift your chin up half an inch supermodel election mouth just give me those magic eyes chen dat het set long chin towards may okay you got it perfectly right there love it so without moving we have managed to that without moving we have managed to get to be back we are at one two three love that four five six even now same shop different expression I think lowe supermodel face on and I don't think the leaning towards the wall one worked and so I just wouldn't show her I've got five shots I've got five different crops and now I can change my position the idea here is that we get five shots and we move on okay I do not want to take teen shots in one position with different expressions if I do that she will take one so learn this flow and everybody's different I make people do poses and I don't think they are not going to work until I see that they're not working if it's not working just move on presently different remember I've done that without moving and she hasn't moved either really all she's doing is shifting her body weight back and forward and changing her arms so I haven't even moved here on a full full round yet and I haven't stepped forward or moved around her either we still have a hundred options let's quickly go on do some more when you stretch your elbows out forward that's exactly right now keep your hands board district albert's bring your hands forward just spring it others in that's it for this way to talk to you not towards may I'm often angle so ford from your perspective your hands not your mother's bringing our perfect that stretched it out a little bit more more more more more at the one now that shoulder there in the front comes up towards your chin here it is set up nice and tall on your posture and then bring your chin towards me and down don't move there now ice into the camera here and chin down a little weak but more don't move with that shoulder a little bit more more war war more kick kick kick stop very very gently I want you to just drop down this way good girl now bring your shoulder forward even more no to your chin forty year that's it now chin down stop right there now I want you to take your back hand your right hand and put it behind you here stretch your elbow out a little bit more and push your here up in our like give me nice beautiful big here now straight and you hit up very gently I'm just going to move a little weave it and I want you to work that showed up away for hex it now I need a little tiny gorgeous smith right there that was gorgeous I want you to fall onto that hand okay and open it shoulder up a little bit to meet not to match that's exactly right now I want you to do is going to get my focus here there it is I want you to bring your chin down tip this way bring that children now and give me a huge big smile that was absolutely beautiful okay from here I want you to put both hands forward and then keep your elbows in tight uh and now the right hand tune it in and underneath your alibi said don't want it on top yeah to stretch this out no no yeah stretch the salvo out a little bit more kugel now I want you now lift up nice and tall through your neck and shoulders and I want you to bring your chin forward and down now work your shoulder in here ok I love that now what I want you to do is put both hands forward and elbows together that's it now I want you to stretch right out with your elbows and now put both hands to the other side of you here they go to bring you here forward that's it and I'm going to come in a little with that close and get a nice tight shot and I just want you bring your chin and shoulder this way good girl don't move from there now are you able I know that you're just leaning on their automobile you able to tune onto your side more so come up on your side that's it put this hand put this albert down in the front that's the one now bring your elbow away from your boobs so that you're not squash google makes a big difference now you're right down low I just wanted to touch the back of your neck with your fingertips and that puts you up nice and high and they opened your shoulders right up to the front of the camera now push your chin away towards me now that's the one I'm just going to focus there and I want a little we smile here beautiful smoke don't move the cape from here I'm just going to turn my camera up into portrait here and I just want you to sit up nice and tall elbows forward fled on to stomach again okay now bring that albert away from you bruce sign again so it's not squashing and google and nice and tall and showed him all the way forward good guilt nice and tall and bring your chin forward and down and that's it there we are right there I love that and now I'm just gonna follow this line in just even so slightly tio here and I just want you to tip this way perfect not quite so far it's worked that shoulder forward excellent right the chin down okay now I want you to bring your outside hand back up but this time bring the album back in and just touch into here so yes there's exactly right now just pull your fingertips and you're here bring your chin around to me this way don't move that perfect work that front shoulder in work that front shorter in sorry I just got you wantto playing and bring your chin down a little bit more okay now I can't see your hand so to me it looks like you're what I call talking on the phone so you've got two choices you can either come down and cut the face here so you can bring your heel palm to the inside of your chin not your chin to your hands your hands your chin that's a girl so I want you to bring your albert closer here it is right there so I want you to cut your face and then bring your chin down into it now stop now would that shoulder beautiful tiny little smoking the eyes a little bit more a little bit more little bit more of a smile attached on the lips could guild it's beautiful stadia and the other one is to come out with you here like this and fall into it okay I don't want you to make a hole in the back of you here it's just in the side here that's it chin down a little bit more about fall into it and stretch out that leaf down a little bit more so albert note not towards me towards their that's it but work the shoulder that's it and now with shoulder more down a bit and give me a beautiful big smile right there okay now look down your body line bring both hands out of you here and straight down cross over that's it not that's it now look down your body line and I'm going to turn back this way and this time this is the only time I ever shoot down is don't put your chin on your shoulder just put it down towards it bring it albert back a little weak but in the front work that front shoulder looked down your body line and I just want a beautiful big huge smile right there they got bigger than that that's when I love that stop okay I just want to talk to camera for a bit what I did there was I started in what I think is your typical ottoman shot I was shooting it horizontally and I started just to move her arms I just feel like you can get so many shots by just moving these simple movements every single time I moved your hand I re engaged to chin with his shoulder and then is I bought the are bo and I always I watched two rules one wass I'm shooting under her eye line so have a look right now where my camera is in relation to where she is my camera is below her eyes if I shoot down on her I'm going to see too much of the ottoman I'm always going to shoot lower and I was constantly asking her toe lift up lift up again for me allie that's it the more I asked you to lift up the longer she looks in my frame and then I would always say pushing your chin forward pushing it forward then she would extend up out of that pose I need you now to start looking at when you have somebody sit in one position how many times can you move them how many different times can you move them and how many times can you make them look really good and I really need you to think about just all you have to do is to really think about how you're moving the hands and just re engaging their pasture all of the time and also then at the same time you're thinking about going in and out and around and around so you can see now how we just have thousands of options imposing and this flow this little one pose five one competition five poses makes an extreme difference to your final result and the amount of images that people buy let's change up again I really love the stress to let's do one more shot of that okay so I just need you to bring your chin towards me and down that's it sitting up nice and tall I want this elbow to come in good gil you convert that hand around your arm bring this arm into the reason I'm bringing your alibi's towards the center of your body is because I want to show off the hourglass now you've just lost the tip of your here now pushing food and down down down stuff okay absolutely beautiful I love that don't move okay from here I think what's really really um important in this pose is that the hands are asymmetrical do a symmetrical pose for mai were both of your hands are exactly the same looks wrong now stretch them out so both elbows on your knees but they're still symmetrical and down that's it that looks wrong to also when you start moving the hands notice how allen completely restates beckoned to her comfortable chin position which is chin chin up and hit back so I think that's a really neat thing to see it makes a really significant difference so let's go again from here what I want you to do is I want this hand to come out and go on the inside that's it I want this elbow to come right to the edge of the nie I want you to sit up nice and tall and I want you to push your chin towards may and down now I'm going to crop this a little bit more asymmetrically after the side and I want a gorgeous little smile in your eyes there so I'm absolutely perfect okay from here I now want you don't bring this elbow up and I want you to touch down here so instead of being on here I want you just to pull back and make sure you still cupping beer that's it now I need you to sit up tall I need you to bring your chin forward and I need you to give me a tiny little smile here that's beautiful okay from there I want to move I want you to bring come you hear just didn't they stop see how you naturally tipped into their now what I want you to do is fall into that more stop a cajun ford and down now that is gorgeous don't move don't move I want exactly that with a huge big smile go okay don't move I'm going to come closer to you right now because I'm loving what's going on here and I want you to straighten you hit out more I'm going to find my focus there is I want you to bring your chin forward and straight down okay and I just want you to relax your bottom lip I can't now bring your chin up half an inch stop love that absolutely perfect now from here I want you to put your foot on that little box there in the front I want you to bring it towards you that's it very good process that's the one perfect yes you can tuck it right in there in fact can you sit on that foot and said ok if you can sit up on it that's great now what need across the knee over here it is so now I want you to sit up nice and tall and bring your elbows here now the reason I'm going to move my camera here because I love this low eye line is she just got higher cross hit me over yet keep it there she just got considerably higher when she said on her foot so I am going to bring this up because I feel like I'm looking up at her leagues instead of down I'm going to give a very gentle tip forward so the idea here and and I'm gonna pull back so I can get a little bit more of this frame what I don't like hear is I need you to point the toe and I need you across the knee over more more that's it this hand maybe focus that so I can show you ok I'm not liking the foot you're sitting on so pull it out and just did attack down onto here so I can't get it now cross that knee over that's it all right from here I want you to lift up really tall with the neck and shoulders and bring your chin forward can this league go under any more this one that's it keep this one across that's the one point this toe for may the more you point this tow the longer this front league logs ok sitting up nice and tall through the back I still don't think I've got my angle here so now I'm gonna push the chin all the way forward forward forward forward there it is it's like that now I feel like that um on here right is short so what I'm gonna do is I'm gonna swap the arms over so hack the league here have the league the front sit around that tip now put this one across now slide this hell towards me in the front more more and that's going to drop her down into the post you watch this as she comes down her legs go down in her upper body gets taller and it's absolutely perfect now you are right on the money right here now chin towards may good girl wow that was absolutely beautiful from there right from here I want very very deeply for you to tune this way everything everything goes this way everything together that's it stay in the position just move your whole body and I want you to bring your chin away back don't move I won't need a tip back this way long chin towards me and just this hand here just let it go flat so I can't see it that's the one long chin long chin langton more more more and more shoulder in the front perfect give me from there they say the biggest mind of god okay without taking too many more still I just want to show you a couple of things I could get her to sit up onto that cheer I could get here too sit right up onto this tear and this position I could get here to tune into this position I could get here to sit on it with her back towards mei what we're trying to do here is we're trying to teach you just multiple direction in one pose a one composition so a composition is when I sit I compose bye image and then I move her pose around that composition if I can teach you had analysis direction I know that I can give you another hundred shots in your folio and your repertoire because the more you can control post and direct your client the more poses in shots that you can get and then the more you can sell and the more you can show the more diversity you can show in your folio so we could just keep going doing there so we'll do a couple more scenario so you can see standing and I'll try a free styling and I'll just keep going until you learning multiple poses this is your challenge today ok what I'm going to do now if I'm going to move and I'm going to get you to move so I'm not going to be stuck to one composition but I'm not going to move from side to side I'm only going to move towards you in bed because I'm shooting on a prime millions right now fifty mil fifty million at two point eight and you're going to move side to side when I move you but I'm going to start directly flat directly to the backdrop so I am facing you you're facing the backdrop is completely fled we have got no forty five degree angles going either way so I'm going to shoot straight down the line this is really fashion and really good flow movement so this is something I want you all to practice your client needs to be directly on to you with the chin forward and down the elbows go back it's to go to the outside of your hips very good and shoulders down I know it looks awkward from the out camera position but from my position looks fantastic the chin always pushes forward and down first thing I'm going to do is a couple of covergirl shots now I am shooting asymmetrically I am a two point eight I'm at fiftieth at one sixty time just gonna bump my eyes folks were getting later in the afternoon my s o is it three twenty and there I am there nice and I made a hundred shutter speed now chin forward towards may now lots of sparkle in your eye good girl nice uh election mouth a little weak bit that's the one not so much lips together though there we go don't steer it may I need you to soften your eyes down and less my girl right there beautiful face shot I'm going to pull back and do at top of the head to the bottom of the brace line just push your chin ford and there's lots of smoke into the eyes to go that was perfect I'm going to pull back one more I need you to kick your hip out in one direction and let this hand for good that's exactly right so from here on up half an inch because we're getting more cover girl and now I'm gonna pull back even further I'm going to get you to kick back even further like that push down okay and I'm going to get you to lift your chin up but straight okay and completely re election mouth there and chin ford and desktop there it is and I want that to be really cover go now I'm going to kick back into this line here and I want this hand to be straight that's it let it for lead with that shoulder good girl now for the hour it'll work that shoulder the art it back a little wee bit chin towards me and down and you have to do that with a huge big smile goes it's the one perfect from here I want you to hold your albums like he didn't very fierce pose and I want you to move here stop don't lean towards me upright with that shoulder okay now open your body up stop okay from here I'm going to move around here I want you to look down so look like you're looking at your own booty kick your booty back luck to shape and a huge big smile gorgeous right from there I want you to straighten up to me here I want your hands to go down behind you I want you to kick your booty back I wanted push or respect that's exactly right long chin towards me stay there I'm coming in closer I want you here exactly right now our election mouth real supermodel mouth chin up half and end very good soften your eyes to me though that rome or more softened that the one that was great okay from here I want you to inflict to may I want your hands to go into your waist I want you to kick your hip out I want your hands to come in nice and tight I want you long chin towards me give me tip this way we get and sit up nice and tall and now chin just your chin not your nick so don't come down right there that's it this excess here this one down that's it soft and low eyes to me good gil that's beautiful and shooting there on that back angle is absolutely perfect okay chin app bottom lip laugh that cover go sharp so perfect every single one of those shot let's just look at that I love I think they're beautiful I think they flow I've got one two three four five six seven eight nineteen eleven twelve again live in I took eleven shots in maybe two or three minutes the idea here and I think that this is really important for anybody time even a curvy body like me it's really easy to move um elaine body because you know you can move a lean body in just about any position but you remember that as you have learned to shoot curvy bodies the same rules apply and I really need you to just practice this flow so when you go back through this sequence of eleven shots what I want you to do is practice the hands here you could do this with me hands here and then elbows back now for both their body types this makes us both look good so it's the same thing then for may I would put more of a kick back in the body because I'm trying teo slim down my lower half whereas I didn't need to do that with elaine then from here I did three different angles on that as I pulled back follow me through I said straighten this hand and make the booty out this way so both her and I are looking for shaping our body now both times they keep saying pushing the chin forward both times they keep asking for expression in her eyes and mouth and then as we started to move and then move into this powers and in turn into this pose and as we said it to turn into those poses the same rules apply now the difference between shooting a curvy body and shooting a lean body in this position is what actually we're going to be shooting in this next programme we're going to be shooting so many curves so you're going to get to see it but I just don't want you to look at this flow and think it's not for everybody because I'm going to show you how to do the exact same flow with a curvy body but what I want you to do is shoot multiple images in a sequence I want you to practice that I want you to get good at it it's not machine gun I'm not just saying hey eileen you freestyle and I'm just going toe shoot shoot shoot shoot shoot machine gun and hope that I get ten shots I want to make sure that she changes teen times that she has teen incredible shots and I can move on so this is where I need you to be in terms of your flowing in your direction this is where I need you to be with every single composition you're getting at least five gorgeous shots to sell so you've got lots of work to do today lots of practice you're going to need a practice model for this I enjoy it and I hope you're not too sore tomorrow because it's like a police work out right on and thank you so much you were absolutely amazing

Class Description


Sue Bryce's 28 Days is the all-in-one portrait photography class that teaches you posing, shooting, marketing, selling, and everything else you need to know to run a successful contemporary portrait photography business. 

This series begins with two sessions of intense instruction on business, pricing, and overcoming your fears. Following the kickoff, Sue delivers short sessions exploring 28 different topics essential to any successful portrait photography studio. Sue covers flow posing, connecting with clients, posing and shooting groups, marketing to your key demographic, sales, and more.

In this comprehensive series you'll learn Sue's inspiring approach to styling, posing, marketing, selling and so much more!

Lessons

1Teaching 2 Photographers in 28 Days
2First 2 Years: The Truth
3Rate Your Business
4Year One in Business
128 Challenges
2Fear
3Price & Value
4Checklist, Challenges, and Next Steps
1Day 1: The Natural Light Studio
1Day 2: Mapping Your Set and Outfits
1Day 3: One Composition - Five Poses
1Day 4: Flow Posing
1Day 5: Posing Couples
1Day 6: Capturing Beautiful Connection & Expression
1Day 7: The Rules - Chin, Shoulders, Hands
1First Weekly Q&A Session
2Day 8: Rules - Hourglass, Body Language, Asymmetry, Connection
1Day 9: Styling & Wardrobe
1Day 10: Shooting Curves
1Day 11: Posing & Shooting - Groups of 2, 3, and 4
1Day 12: Posing & Shooting Families
1Day 13: Products & Price List
1Day 14: Marketing & Shooting the Before & After
1Day 15: Phone Coaching & Scripting
1Second Weekly Q&A Session
2Day 16: Posing Young Teens
1Day 17: Marketing & Shooting - Family First Demographic
1Day 18: The Corporate Headshot
1Day 19: Glamour Shoot on Location & Shooting with Flare
2Photoshop Video: Glamour Shoot on Location & Shooting with Flare
1Day 20: Photoshop - Warping & the Two Minute Rule
1Day 21: Posing Mothers & Daughters
1Third Weekly Q&A Session
2Day 22: Marketing & Shooting - 50 & Fabulous Demographic
1Day 23: Shooting into the Backlight
2Bonus: Shooting into the Backlight
1Day 24: Marketing & Shooting - Girl Power Demographic (18-30s)
2Photoshop Video: Girl Power Demographic (18-30s)
1Day 25: The Beauty Shot
2Bonus: Vintage Backdrop
1Day 26: Marketing & Shooting - Independent Women Demographic
1Day 27: Sales & Production
1Day 28: Posing Men
1Bonus: Pricing
2Introduction
3Photography, Style, Brand, and Price Part 1
4Photography, Style, Brand, and Price Part 2
5Marketing Part 1
6Marketing Part 2
7Money: What's Blocking You?
8Bonus: The Folio Shoot
1Photo Critiques Images 1 through 10
2Photo Critiques Images 11 through 27
3Photo Critiques Images 28 through 45
4Photo Critiques Images 47 through 67
5Photo Critiques Images 68 through 84
6Photo Critiques Images 85 through 105
7Photo Critiques Images 106 through 130
8Photo Critiques Images 131 through 141
9Photo Critiques Images 142 through 167
10Photo Critiques Images 168 through 197
11Photo Critiques Images 198 through 216
1Identify Your Challenges
2Identify Your Strengths
3Getting Started Q&A
4Rate Your Business
5Marketing Vs Pricing
6Facing Fear
7The 28 Day Study Group
8Selling Points
9Interview with Susan Stripling
10Emotional Honesty
1Sue's Evolution
228 Days Review
3Student Pitches
428 Days Testimonial: Mapuana Reed
5How to Pitch: Starting a Conversation
6Your Block: Seeing is What You're Being
7Your Block: Valuing and Receiving
8Building Confidence: Your Own Stories
9Building Confidence: Your Self Worth
10Pitching An Experience
11Pitching An Experience: Your Intentions
12Pitching An Experience: Social Media
13Final Thoughts