Archiving Images for Storage
Lesson 115 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Archiving Images for Storage
Lesson 115 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Archiving Images for Storage
once you're finished with a set of images, say a job or some place that you've traveled or maybe did a portrait session and all of your images that you brought in are in a specific album. Then you want to export those images to an archive because you don't want to keep piling on new images, new images, new images without getting rid of some of the old images. And so we want to get rid of images that we're never going to use again. We can keep the images that we want to keep for our portfolio, but the images that we've already delivered, and in my case, because I'm a wedding photographer, I'll bring in an entire wedding into an album I'll sort through. I'll find the selects and have the rejects, and I'll adjust all the selects and then I'll deliver all of those is J pegs. And remember, you just simply go over to the share option and export high resolution J pegs and send him the client or put them on a website. However, your however you are delivering, delivering your images as J pegs i...
s fine, but once your images air delivered to the client or say they If if you're not working professionally, if you're just sharing them once, you've actually delivered those images and you know Okay, the vast majority of these images I don't really need to ever look at again. I just want to look at my selects my favorite images. Um, that's when you need to get rid of the bulk of the images. And so what we're gonna do is I'm gonna show you how to get rid of a set of images, and you can do it either as an entire bulk of images. So you could say I'm done with this whole thing and I want to get rid of it because it was just a portrait session. I'm not really interested in keeping any of the images. I just did it for the client. Get rid of them. Or you could say, you know, I'm going to keep on Lee the very best images. So instead of keeping all of this stuff here, these are all just the basic images. And remember, I've got the HD ours that I created on the panels I created somewhere else. And so these are the images that I don't necessarily need I put all the HD ours up here, so let's see. Where are they? Say, there they are right there. That's one of the HD. Ours is right there. So I'm gonna go back to the images that I don't need any more. I've collected them into a collection, and I'm gonna highlight all of those images. The first step in archiving is just to get rid of not to get rid. The first step in archiving is just to make a duplicate copy somewhere on an archive drive for me. I have an archive drive once a year. I buy a new drive and I just plug it in. Once it's plugged in, I can put anything on it. So 2020. I'll just put all of the images that I shot 2020 on that archive drive. You could also put them on, say, an unlimited Google drive, and you would have it in the cloud as storage. Um, but remember, you only have a terabyte, generally speaking with adobe, and then you have to buy each new terabyte, so that can get fairly expensive. So it's better to either have a drive to put all of your rejected photos on or the photos that you don't necessarily want to look at. But you want to keep him just in case your client comes back for him. So you're gonna put those on an external drive, and the way you're going to do is you're gonna highlight the entire set, and then you're gonna go to the share icon, and you're gonna come down and export the original. But instead of exporting, I mean, you can export the original press plus settings if you'd like, because that's faster. But my preference would be toe export through the dialogue box. So when I click on it, it gives me the dialog box on the right hand side. And I would prefer to export the D and G's because if I export D and G's, all the settings that I've used go with him, and so it goes out together. So each image has its own little database that has all the changes that I've made to it. However, the downside to that is that it's gonna take a little longer because I asked export F a different image instead of just copying the information out actually has to make a new file. So to save time, we're actually going to just export the original plus settings, which again is just like exporting a DMG, but faster. So I'm gonna click on that export original plus settings. It's gonna ask me where to put it, and I'm gonna go in and find a drive to put it in as an archive drive. And we'll just pretend that this traveling drive is my archive drive, and I'm gonna create a folder that has the name of the job on it. So I'm just going to say this is 2020 02 To underscore Platt underscore HDR and Pano images. So that was kind of the job. Um And then I'm gonna hit, create and hit export. And it's simply taking all of these images taking all of the settings and changes that we made to them. Stars, flags, adjustments. And it's sending him out. And it's done. So now that it's done, I could find those images just by going here. Ah, and there's the job, and there's all the settings you can see. The original file is here. And then here's the ex MP data, which is the changes that we made to it. So now that we have all of that imagery that is backed up somewhere else so we don't need it anymore, then all we have to do is come back into light room and we just need to get rid of these images. So if we right click these images, we can delete all photos right here. Delete 35 photos and the dot dot dot means it's gonna ask you a question when it opens. When you click on that, it's gonna ask you a question. So any time you see something, dot, dot dot there's gonna be some kind of a dialogue box. So I'm gonna click on that and it's gonna ask me, Do you really want to delete these? Okay, it's gonna delete him from your albums. It's gonna delete him from your photos. It's going to delete him from everywhere. So be careful. The only place it's not going to delete them is if you have light room classic running in the ego system. If it delivered those images toe light room, classic light room classic is gonna hold on to him because light from classic protects all images. It won't let images get deleted without you specifically telling it. I want to delete these images, and so it's going to delete it from the Web. It's gonna delete it from all my ipads is going to delete it from all of my from my light room desktop catalog, but it's not gonna delete it from light from classic, if that's in your ecosystem. So I'm gonna click, delete and scroll out. And now those photos are gone and notice that the collection is synchronizing because it's now saying, I'm going up to the cloud and I'm deleting all these files and then it's done. They're all gone. But if I need to find them again, they're right here in the deleted images and they'll be there for 30 days. I think that's what it said. 30 days anyway. Maybe it was 60. I can't remember. I never can remember, cause I know if I delete something, I don't want it anymore, but it will be there for a certain period of time, and then you can always go back and get it and pull it back or after the whatever the way grace period is, it's going to just drop off. So you have about 30 days, I guess Teoh to make sure that you meant to delete it. So just to recap the archive process you're going to, you're going to go to an album that you already have for the job. So you have this job and you have an album. You're gonna go to that album. You highlight everything and you go over to this share option and you export the original images, plus their settings to an archive. Dr Put them in their own unique folder. Once that has happened, then you can do whatever you want with these images because you have an archived copy of it. So at that point, I'm going to collect the images that I want for my website or that I want to keep in my portfolio. And those are the images that I will take and move over to another album so that I have them saved in a different album. Once I have the my favorites saved in a different album, I want to remove them from this current album just by hitting the delete key. That way everything that's left over is totally delete. Herbal immense. When I'm going to right, click it and I'm going to go down to the delete option, which is right here. And then when I click that delete option, it's going to ask me if I'm really sure that I want to delete all of those images and they will all be deleted from the cloud. They will all be deleted from all of my devices. Except if I happen to have light from classic involved, they will still be in light room classic as a on additional copy. So that's how you archive.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!