Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Keywords
Now the question is, what do we keyword? And, ah, so it's just a matter of knowing what's on the card and adding that keyword to it. So if it's a wedding, I would put wedding comma. And then I put the location of the wedding comma Arizona comma Phoenix comma, uh, the hotel comma, maybe the person who was planning the wedding, those kind of things. Things that are always available on all of the on everything. So you're not gonna put in, like, bride or groom or, uh, woman or man or something like that, because that's not common to every image. You're only going to put keywords in here that could logically be applied toe every image on the entire shoot. So if you're traveling in Italy and the shot of the shoot that you did is in Rome, you could put Rome, But tomorrow shoots on a different card, and so you're gonna import a different card, so that might be in Sienna. So do it. You're gonna have one card as you import it. It's gonna be Rome common Italy comma travel, comma, personal comma. ...
You know, summer, whatever, Something like that. But you're not going to put in Coliseum and ST Peter's Cathedral stuff like that. You'll add that stuff later. Okay, so in this case, I know that this isn't in Michigan, and you can see that as you are working in your catalog. If you've used a key word before those keywords Aaron, a big, long list of keywords. So as I start typing in this keyword, you can see that it's already figuring out. Oh, he's used this keyword before and so all I have to do is just click the comma and it will automatically import that. So ah, so Mackinac Island is also word that I've used when in relation of Michigan. So I hit the comma and that accepts that one. And then I put travel and look as I there. I don't have to type in the whole word cause it knows light room becomes smarter and smarter and smarter as you work. And that's one reason why you don't want to create a new catalogue for every single job. It's better to actually have one big catalogue and work within that one catalogue because it starts to remember stuff, and it makes your job easier. So um, personal. So there's personal and click on that comma. So I'm just adding keywords that will help me find these images whenever I want to. So, personal travel. Mackinac Island, Michigan. Okay, so that is what I'm going to add as my keywords. And now I'm done here. Now, one thing you should note, um, is that anything that you're adding to these settings here? If you do it all the time, you should also know that you can create presets way down here at the bottom. There's this little dark bar. This is import presets, and you can actually create a preset here. I don't have any because I'm constantly working on different things, But, um, you can create a preset here, so that will just automatically Phil everything and for you. And you only have to do much of this stuff. So the last thing that we're missing here is where we getting the files, So I'm gonna go over to the left hand side, go to the source, and I know that they're inside of my raid one system in the Jobs folder, and it's right here in this personal folder boom. That's everything for me. and I am. I'm seeing a preview of everything. Now it's important to note there is a little thing over here that you should know about. And it says don't import suspected duplicates. If I were to check that box right now, they would all go dark on me. See that they get grayed out. And the reason for that is that they're already inside my catalogue. So I already have these inside the catalog because they're already there. And I'm just showing you how I'm importing these images, these air, not new images that I shot. Um, but I want to import them, so I'm going to uncheck that so that they will actually come in. But if you're putting images into your catalog, especially for those of you who have lots of images in a catalog already and you have a whole bunch of say you have on entire folder or an entire drive of images that you want to organize, but you're not sure if they're in light room or not in light room, you just want to bring in all these new photos that you just happen to find on this mess of hard drive plug the hard drive in, import the entire hard drive and just click this. Don't import suspected duplicates and it will import everything except for the files that are already inside a light room. So I'll help you to organize yourself. And then once you've done that, you could then take those images from within light room and move them around to where you want the organize them. They could take that driving, Chuck it, get rid of it, or port it, put it in storage, but right on it with a Sharpie marker that this is a drive that's no longer useful, like all the images are somewhere else. That what? You don't have to go through it again sometime when you forgot that you did it. Okay, so we're gonna leave that unchecked, and now we're going to click the import key, and it's going to start building are job. So it's pulling in all those images. You can see that it's already imported them. And because it's using the embedded in sidecar previews, they're already there. So I could start looking through these files right now. Just like this. No problem. Very easy to get through. Um, so I have. No, It's very easy for me to get through all these files while I'm looking at while they're importing, and it's building smart previews right now. But I'm able to do that because I did the embedded inside car. If I was building one for once, I would have to walk away from the system because it really taxes the system, so it's it's working hard on that system.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!