Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Sharing with the Client
so we have our shot. But now what if the client happened to be somewhere else? Let's say the client is in New York City and I'm in Phoenix, Arizona, and they want me to shoot this old watch, and I say, Yeah, I'll do it. Just you don't need to come here. I'll I'll just include you in the shoot. So what I'm gonna do is I'm gonna go back to the library module and I'm gonna scroll down to my collections. And there's the collection that I made on the way in. When I was making the Tethered shoot, I added, This collection on this collection is you can see based on that little lightning bolt is already synchronizing to the cloud. If it wasn't synchronizing cloud, you would see a little box instead. So it's already sinking to the cloud. And if I click on that and look at the grid mode, there are three images inside of this tethered shooting. I remember a collection is a virtual location. It's not a real locations virtual and so anything that's in here is being synchronized to the cloud and show...
n to whoever I give a link to on a website. So I can I can click the first image and delete it, and it's going to ask me, Do I want to keep this in the cloud? I'm going to say no, I don't need it in the cloud. So now I'm on Lee giving them two shots. So anything that I show inside of this But remember, the original images are still here. There are three of them, so I still have all the original images in the folder because the folder is where the actual photos are. The collection is just simply a reference to those images and so I can remove anything I want there, and I'll still have originals in the file. So if I right click this, if I right click the tethering collection and I go down to the light room links, I can make that collection a public collection. So now that it's a public collection, anybody I give a link to concur come in and see those files. I'm gonna right click that again, and this time I'm in a view it on the Web. So now we're viewing this on the Web, and there are two shots now. This is my portal. This is what I see. But I can go in. And I can either create just a simple website like this that a client can look at everything coming in or more importantly, for commercial shooting. I can click on this link here, which is to make a proofing site. So if I click on the proofing site and I come up to this little person plus image right here, if I click on that plus image, it's gonna ask me if I want to enable proofing. I'm going to say yes. And now here's the link and I can limit my client and say I only want you to choose one photo, copy this link, and then I'm going to send that link to my client. There we go. So the client is looking and could be anywhere on earth and look at what I'm shooting. And as I shoot, they will come in here. They'll just need to refresh every time, every couple minutes or whatever, because the websites only gonna feed in what was there when they were looking last. And so just tell him. Okay, refresh every couple of minutes and keep looking at what we're shooting, and if you have any comments, let us know and it'll take it. Takes maybe a second and 1/2 for it to get from the camera to the computer. And then it takes maybe, ah, 30th of a second to get it into the collection. And then it takes maybe five seconds to get it up to the cloud. And so, within about 30 seconds of you taking the photo, if they refresh, they'll see the photo here probably less than 30 seconds, depending on your Internet speed and so they can see almost in real time what you're shooting anywhere on earth. And then they could just say, Oh, this one's the one I want, so they collect it. Then they say, Hey, I just selected the one I want. You were done with the shoot. I think it's perfect, and they just if they want to look at him big, they can click on the image itself, and they can see him nice and big. And so that's how quickly you could have your shoot done because your client could be looking in on the shoot. Um, this could also be something you could do for friends and family that want to peek in on a photo shoot you're doing. You could just say if you want to see this cool thing I'm doing or if you want to teach and you're doing, ah, live, shoot And you're saying, Hey, anybody that wants to look at these images, just click on this link below and say, You're doing a Facebook live thing. You're taking pictures and they click on the link and it takes them to a website. They can see the images in real time. If I choose a website, not only can I let them see it in, you know I can change, you know the look and the feel of the Web site, but I can also go up to the little plus symbol up here with the with the little guy, that silhouette click on it and in the settings Aiken say, allow downloads of J pegs. So if you happen to be doing like a party and you're doing a photo shoot, that's kind of like a photo booth. You could just give him the link, and then they can go home and download their favorite picture. So it's really, really a useful way to share your images from a tethered shoot
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!