Lesson Info
45. Adjusting Skin Tones
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Adjusting Skin Tones
getting good at photo shop. For me, at least when it comes to adjustments is getting comfortable with the most powerful adjustment. The most powerful adjustment is curves by far, but so many people are not comfortable with it because they never have good instruction in it. And they never have time to practice that they don't get very good at. Well, if you want to see the kind of change you can make once you actually practice enough that you're comfortable, let me show you what I did to this particular picture, which is of my wife. Happy ever Face down on the pavement, I do a series of photographs of my wife doing yoga around the world. If you want to see that Siri's It's called The World is my yoga mat in its on instagram. He'd find pictures like this, but I'm gonna turn off a series of adjustments to show what the original picture looked like after I was done in camera raw. Then I wanted it to be quite different, so I ended up adjusting it primarily using curbs, and this is what I was...
able to end up with. Let's just take a look at what's in there. I'm gonna turn off a bunch of adjustment layers. You'll find that every single adjustment layer is a curves adjustment layer. I'm gonna show you this mask is an overlay. I don't think we've done that yet. But if you ever have an adjustment layer that's active and it has a mask with some paint in it on your keyboard right above the returner, enter key will be the backslash key, and if you press it, you'll get a colored overlay. Anything is covered in red is what's not being affected by that adjustment. So in this case, this adjustment effects the background. Not my wife, Karen. I'm gonna turn on its eyeball and let's see what it does to the image, all right, looks to me like it's adding contrast most of the time. Contrast is two dots, one for a bright part, one for a dark part. Make them further apart. Let's look at this curve and see if that happens to be the case. It is exactly two dots. If I were to hover my mouse over the dark portion of this picture, you would see a circle and curves, and it is exactly on top of a dot that was there too dark in this picture that dot was moved down to darken. Then I move my mouse under the bright portion of the picture, and it's very close to a dot that's already in their that Dot's been moved up the slightest bit to Brighton to make a bigger difference between the brightness of those two areas. The next curve up has the same mask, but that one, if I turn it on, makes the colors between those two areas look more different. Doesn't the lighter areas look more bluish when I'm done? Well, that is most likely two dots, one for the bright area, one for the dark and on the blue curve. I betcha. I move part of it up to make it more blue to see that more blue. This one hasn't moved, so it didn't change the amount of blue in the dark areas, and I might have tweaked green or red. But I think it's primarily in the blue. Go to the next one up, turn on its little overlay with backslash key. Anything covered with red will not be affected. So this is affecting my wife skin. If I turn on the adjustment layer, do you see my wife skin changed in color? That's because they didn't like the way it was looking in. Often times. What I do is I find another picture of a person, and I have hundreds of pictures of my wife doing yoga. So I just open up a bunch of references and I can write down the RGB numbers for the skin I like and shift her skin to that the next one up effects on Lee her feet. If I turn it on and off, it's making her feet more colorful. It's making them closer and color to the color of her skin again. Write down the numbers of the skin tone and change the area. Want tohave match it. The next one up is affecting just her head. If I turn on its eyeball, do you see? It's adding contrast. That is two dots on a curve, one for the bright area, one for the dark and the bright one was moved up. You can see it right there, just two dots. Then we have this one, which is working on Lee on the dark pants when it comes to black objects, you can cheat, and I changed the color of my wife's black pants. How the heck did I do it? Well, all I did was hero at a curves adjustment layer to show you, you just click on the color that you're thinking of. Do you want to add more blue? For instance? Move your mouse onto the brighter area of a black object and just pull up, and if you pull up, you should end up changing the amount. But in this case, I actually have. This has gotta down pointing arrow. It doesn't need there, and we'll be able to change the color of a black object. You just need to leave the the lower left dot alone, click on the main brightness of the image and move it up. If I came over here and did the same with let's Say Red, then we're gonna end up with instead of blue pants kind of purple ones. But we can do that with black objects, but in the end, it's getting comfortable with two main adjustments. They are curves and hue and saturation, and I hope that I've started you down that path today
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!