Lesson Info
111. Faux Sunset Action
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Faux Sunset Action
Well, let's make an action that creates a fake sunset, meaning that if you don't like getting up early for sunrise and your need to work at sunset, you're taking pictures in the middle of the day. Ah, that we can still make it look like sunset here on the open to images. And I have two images open. I'm gonna make it so I can see them both at the same time, but using a range and then choosing tiled to up horizontal and I'll click on the image that's underneath because that's the one I'd like to work with. And I want to create a fake sunset, you could say. So what I'm going to accomplish here is I want to, um, do an adjustment that is called a Grady INT map. So I'm gonna come into my actions first, I'm going to create a new action, and I'm going to call it faux sunset. Click on record in. All we're gonna do down here is creates a where is it Grady int map adjustment layer. And before we make any changes to this adjustment layer, I'm gonna go into my layers panel in the problem with the G...
rady int map adjustment is, it will end up changing the brightness of your picture. I want to prevent that from happening, So I'm gonna change the menu that's found at the top of my layers panel. It's usually set to normal, and I'm gonna set it to color. And that means the only thing that this adjustment layer will be able to do is change the color of the image, and it will not be able to change the brightness. Now let's explore what ingredient map adjustment layer is. What Grady it map does is it acts as if your picture is black and white. And then it's gonna replace whatever was black in your picture with whatever shade appears right over here, and then replace what was 50% gray with what's in the middle in to replace what was white with what's on the far right and the same is true for everything else in between. And it's only because we have this set to color mode that things that used to be black don't end up being this bright. Then you can click on the little arrow to the right, and you could pick any choice you want as faras colors go, But what I'm gonna do is actually to edit the colors that make this up. So I'm gonna start off with the choice on the far left and we'll make our own. If you click within this preview that's here, you're going to get an editor. That allows you to choose what colors things were going to be made out of. And let's take a look at what we can do. You're gonna notice at the bottom here there is a little stop here that's full of white, and over here is in the little stop full of black. And what I'm gonna do is double click on one of those. And that's gonna bring up color picker in that. Instead of coming in here and blindly choosing a color, I'm gonna come in and choose a color out of the image that's above. If you just move your mouse into this area in click on an area, I find you usually have to click twice to get it to choose a color. Then I'll click OK, and I should make sure that I'm not messing up because I was thinking black was what's on the left. It could be the exact opposite of that. We'll find out if it is. I should be starting with the dark portion of the picture instead. But then I'm gonna click on the opposite side. That's over here. I'm gonna double click, and I'm gonna choose from the dark area of the picture. Just double click in there and it should grab the color. Then if I want to choose what it looks like a little bit brighter than black, I'm gonna click, maybe about here and then I'll double click. I was just clicking just below that horizontal bar. I'll come in here and say, What does it look like when we're little bit brighter than black? What color is it? Well, I gotta click twice in there. Grab it. I mean, at a color in the middle, just by clicking below this bar right in the middle. Then double click on it. And now I'm gonna choose the middle brightness I see in this image. Then I'll continue working my way over here. I'll add another one double click, and I'll choose something that's close to the bright area. And I might add one more really close to white. Double click and go for something really close, Whatever color is there. And so here we have all these colors and I think I might have them reversed where I need these colors over on the other side. I'm not absolutely certain, though. I think I'm gonna find out by just manually moving them around. It's only going to record these once, and that is when I click. OK, so it doesn't matter if I kind of mess up and move things around here, but you can reverse all these by moving them around. You can always shift them around. And yes, I was off for white. Needs to be on the right, just mentally got shifted there. And the only thing with this particular picture is the highlights Might I need to be toned down so you don't have the white areas, but I'll click. OK, then I'm going to change the name of this layer by double clicking on it in. There we go. I'm going to go to my actions panel. I'm gonna hit the stop button, and then I'm just gonna look at my action to see. Is there anything that could mess this up is going to make an adjustment layer. Okay, It's going foreground to background color in all sorts of others settings in there, but it looks like just black and white. Er what's defined, Then set current layer to the mode code color. That's fine. And then here set the current mode. This is when I was starting to experiment. I went toe foreground to background. Then there's another one after that where I went and did a custom one. And then I made something visible. And then I said, the current layer to its name. So it looks like all these steps will work. There is one additional step in here that's really not needed. I think it's this one. And that's when I was just describing things and I switched from one of the preset Grady INTs to one that foreground to background so that a slowdown the action a little bit, but it will work just fine. It's just a matter of if this action was going to be applied to, like, you know, 1000 images a day. It's part of my production thing. I would want to get rid of any extra steps but I think that'll work out just fine. So now anytime it wants something, have the look of a sunset feel. I can click on the name of this action, hit the play button and end up with.
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Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
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