Light Painting: Composing The Scene
Once you get your equipment gathered up, the next step is to, well, you gotta make a composition. And, when we started off earlier, we started off right at dusk, during civil twilight and it was pretty easy to set our composition up because we had lots of light. But, in this situation, it's really quite dark. My initial exposures will probably show that I've got a very bright sky and I see pitch black in the foreground. And that's what we need to illuminate. So, this makes it kind of difficult to actually compose your shots. So, a very bright flashlight, like this Coast HP7R, is going to allow us to kind of throw some light on the scene while I actually put on my live view on the camera. And it's going to help me compose. Now, right now it's pretty dark so what I'm gonna do is try opening up my aperture a little bit and see if I can get some more light in there. And, there we go. So now, with this light on the scene, I'm able to make subtle compositional changes. Ya, maybe I don't like...
this corner here or maybe there's too much over here, too little sky, is there anything in the foreground? A nice bright flashlight aids in composition. Now, of course I'm not gonna want to white paint right from this angle, but it really does help us get that initial composition. Also, it helps us focus. So I'm pretty happy with where I guessed my composition to be set up right here, so what I'm going to do is I'm going to use my flashlight to focus the scene. Alright, so we throw a little bit of light out there and what I'm actually going to do is I'm going to zoom in and use my live view. This is a great way to focus. I don't like to spend a lot of time auto focusing at night although I will if need be. But ultimately we're gonna want it in manual focus so that our subsequent shots don't keep re-focusing. So what I'm gonna do is I'm gonna move my little cursor right over this bridge and I'm going to zoom in and I'm going to manually focus. And that's looking pretty good. Now at this point I could also zoom up and make sure that my bridge is gonna be sharp and that looks maybe a little out of focus and part of that reason is because I opened up my aperture to about F4. So, as I pull my aperture down, that will start to get sharper and sharper and sharper. And that's probably looking pretty good right around in there. And let's see where that puts us. Ya, somewhere around 6.3. Ah, that's good. Let's just round it off to 8. Alright, so, we've got our initial composition with the aid of a bright flashlight and we also focused our scene. The next step now is to insure that the camera is put back onto manual focus.
Creating night images poses unique challenges, particularly for those who are more accustomed to daytime photography. From focusing in the dark to calculating long exposures, night photography requires the photographer to build new skills and polish off some old ones. But there’s more to night photography than just capturing the image in the field. Like with other photographic disciplines, post-processing often plays a vital role in crafting the final image. Join photographer, author and National Parks at Night instructor Tim Cooper as he shares what you’ll need to know while you’re in the field, including lens choice, camera settings and exposure, as well as how to use Adobe® Photoshop® and Adobe® Lightroom® to create a night image that dazzles.
Adobe Photoshop CC 2018, Adobe Lightroom Classic CC