Top Tips: #3 Direct The Feel & Energy
Directing the feel and the energy we've discussed this a lot how can you make on an image that you delivered to your client that's everything that they already see their children as, but you're going to direct it so that you can convey that in the way that they want to see and they could see pretty naturally I've got a little clip here of working with a she's about a six six year old sixty seven year old girl thank you sticks on dh the clip is about this's was cold this day I want to say is most freaky cold late days eso february march time frame and we're outside and I'm trying to get the shot where I show her on the move and having fun and kind of dancing, but I have to make it into something that's a lot more fun for her she was a very intense little girl, beautiful, very intense as in like you give us some direction she's got it, which I loved and you'll see some of that, but because of that intensity I was having a hard time getting a carefree look have you had that experience whe...
re if you give a direction people take it and say I will do that and then you get what I want to be a little looser, okay? You know, like I know you know so the only way to do that is back to what I've been saying all along which is getting out of your head you get out of your head you get them out of their head and a method similar to something like this it's a little video okay soft no robot heading towards me let's go go what you got she's got okay hands dropping now fans dropping yeah on and then we end up getting that which is what I wanted I wanted it loose as she's coming out me I'm shifting where I'm going she's just doing her thing on guy wanted to see something I'm gonna go back and show that it's only like twenty seven second clip I want to show one more time because I want you to look at a couple things first and foremost if you missed it the amazing man intensity issue brought to this casual cool shoot right it's fantastic secondly is that I'm able to keep her going but shifting her as we go so I didn't have these really tight risks askew can see right here I don't mind the snapping but I didn't want this so I had to shift that I had to loosen that up and I didn't want her down or up too much which we were naturally getting as she's getting super into this and of course we started out but I mean mirroring it showing her exactly what I wanted okay socked no robot heading towards me let's go girl what you got she's got okay hands dropping now fans dropping yeah, good so you can see how you get to there if I had just said to her do me a favor and walk to be in a casual, fun spirited way nothing I would have gotten nothing on and that's true even with adults a lot of the times so basically by digging in there by showing her what I wanted by encouraging her the whole way I'm buying in tow everything and the more I'm buying in the more they are my subjects constantly tim, I have some questions coming in on this subject matter so my com says do you always know how you will pose your subject or do you go right on the spot and improvise improvise? Yeah, is it or is it a combination it's about twenty eighty okay, twenty percent I have an idea of what I want to do actually my posing playbook is the whole compilation opposes that I love that will really help me start with things. Andi, I have that you might have even seen me pull out my phone and show some subjects do that straight all maybe I didn't show it but I glanced at right before I started I'm like, ok, these are the things I'm thinking I might want to do on ben apes at the time I'm so lost in my subjects that I'm doing what seems to be them and I'm saying how do I get that out in a way that's going toe appear more relaxed and comfortable on camera just like I did with her okay that's awesome to know what that balance is it's about that yeah I mean obviously I'm not stacking it up I always think about what I want to do is I'm going in and when we're on those laws you know how the shoot's air like this and we have this energy going up and we have this energy comin down when I'm gonna calm down I'll probably pull my phone and just glance at a couple ideas if I'm in a stuck place at who here has been in a place where you're halfway through the shoot you like what I do next the room okay eso when I'm in a place that's exactly why I created the posing playbook because I'll show these images of iowa's stuff this is exactly what I did tio to shift it to shift the lighting to ship the energy to get out the mood to try some new poses and looks on dh so that I have a whole right up with it along with photographs and it reminds me all the time so it's really nice yes this posing playbook you speak of e feeling I need it for you spartacus where is it that way, people opposing playbook. You can see that on my website, so you got a term like e dot com there's, a section called for photographers right on the header. You click that you'll see the posing playbook. Thank you. Yes, you're welcome.
The best family portraits are those that capture the true spirit and personalities of their subjects. In Children and Family Photography, Tamara Lackey will teach you how to photograph individual children, sibling groups, and complete families in an authentic and exciting new way.
Tamara is a celebrated family and lifestyle photographer. In this class, she’ll teach you how to beautifully light, naturally pose, and creatively photograph children and their families. You’ll learn about:
Through instruction and demonstration shoots, Tamara will share her top tips on posing and lighting and she’ll teach you how to get everyone into a great group shot. You’ll also learn about what goes into her sales sessions and how she handles prints and portrait albums.Whether you are a parent who wants to take better photographs for the family album or an experienced photographer hoping to expand into the family photography business – this class will equip you with the insights and skills you need to produce photographs that feel natural and look great.
- The gear that’ll help you get you great shots
- Which lights to use and when to use them
- How to integrate the location into the shoot
- Digital workflow and album design