Creating Your Reality with Composite Photography

 

Creating Your Reality with Composite Photography

 

Lesson Info

Goal Setting for Digital Artists

We make pixels, we're not saving lives (laughs). Pixels can save lives, right? I mean I've met so many people who have been in you know horrible accidents or have had you know, lots of health problems and the thing that saved their life was making images cause it was the only thing they could do whether it was drawing, or writing, or you know photography, or whatever else. I mean photography was the thing after my motorcycle crash that was the way that I could feed myself, and it was the only skill that I had and I was terrible (laughs). But it was enough right? And so you know, we sit here and we take sometimes these things a little bit too seriously, and my hope for everybody here and for everyone who's watching is that you're able to breathe, take a step back, and get back to enjoying making artwork because that's the point of doing all of this. If you're not enjoying this, then take a break, do something else. If this is the way that you're paying your bills and you're suffering, a...

nd you're having a hard time, take a break, go and get a job, do something else for a little bit even if it's just like six months, like give yourself a window. Like okay six months I'm taking a break or for hey six months you're gonna do this full-time. My first time when I went back to work cause I had in one month I had my car blow up, my laptop died, my lights died, I had to move and something else went wrong, oh yeah my camera died - did I say my camera died already? Anyways, so I was basically homeless and unemployed, and I was like oh my god what am I gonna do? So I went back to work, I took a job, and so I told myself I was like okay I set a goal, and I was like $10,000.00, I'm gonna save up 10 grand cause the first time I went full-time, I had no savings or anything like that and it was the worst way to get into it; I don't recommend it. So I was like okay I'm gonna save up $10,000. and when I save up $10,000.00 I'm gonna quit. And so every single time whenever you set a goal for your life, something's gonna try and derail you. This happens, life happens to every one of us, none of us are exempt, and if life hasn't happened to you yet, it's just coming (chuckles). It's just gonna happen eventually. So what happened in this case is I got so close so many times. The closest I got was $9,500.00 saved in the bank but every single time I got close something derailed and took everything away from me. And so I sat there and I was like oh my god, what am I gonna do? I was shooting full-time and I still had a day job so I was burning myself out. And so I told myself okay, we're gonna do this thing and for the long and involved story but I usually cry when I talk about it, so I don't wanna cry on CreativeLive tody (laughs). Anyways, but long and involved story was I told myself I gave myself six months. I said okay, it's six months, we're gonna shoot photography full-time. No matter how far in debt you go, six months we're shooting it, we're gonna give it a go. And so at the end of that if you have money in the bank, another six months. So I was signing six month contracts with myself, I was leasing myself out to life for six month increments. And so I sat there and I was like okay cool, and then six months went by and I was just actually in the green, and I was like not by much. I mean I'm not a millionaire, I don't drive a Lotus. I have a second-hand Acura. But another case that's what I did, I said okay six months we're gonna make this agreement with myself and with the universe, and whatever else FM roll crap is out there. I'm gonna say okay this is what we're doing. So six months went by and I was in the green, not by much but I was in the green and I was like okay cool. Dear self, will you sign another six month contract? Six months went by, still in the green. (laughs) And so now I still do, to this day, I do six month contracts. If at the end of six months I'm extremely miserable, I am extremely broke, or I am extremely anything that is making me really, really, really unhappy and I'm hating life, I'm making a change because life is way too short to be that miserable, and I've been that miserable before. I've been at jobs that I hated and I've been at points in my career now that I just hated my life but I wasn't at my six month end contract yet, so I had to stick it out. And sure enough by the six month came by again and I was like okay, you know, we're doing not too bad. So find out what it is, what agreements you can make with yourself, what promises you can make with yourself, write yourself a little contract and stick to it, and if you find at whatever period of time that you are really unhappy and you're really hating life, it's time to make some changes, right? We have one round in this little fleshy suit whether you believe in reincarnation or not, you got this thing right now with the skills that you have, the memories that you have, the friends, everything else, right now. So if you can't make this work right now then make some changes so that you can actually get back to enjoying your life (chuckles). And that's about it, that's what I got right now.

Class Description


With the right Photoshop know-how and studio shoot experience, you can merge fact and fiction into a reality that lives up to your imagination. Renee Robyn has made a career of turning everyday photos from her travels into eye-catching images. Robyn will teach you how to add people and other elements to your existing landscape photos using ethereal custom effects.

Join us for “Creating Your Reality with Composite Photography” and you’ll learn:

  • How to choose or set up a shoot for your background image
  • How to direct posing during a shoot, and work with directional light in studio to make your subject fit into the background image
  • How to composite your subject into your image using Photoshop

Photo compositing allows you to breathe interesting ideas into your photos. Open your hard drive, walk into your memory, and turn past experiences into fantastic new realities.

Lessons

1Class Introduction
2Why You Should Sketch Your Composite
3What to Look for in Your Background
4Posing Your Model
5Communicate with Your Team
6Elements of Compositing
7Learning from Failure & Criticism
8On-Location Safety Tips
9How to Nail the Right Perspective for Your Composite Photo
10Gauging Light & Exposure On-Location
11On-Location Posing
12Cliff Shoot Location Final Thoughts
13Tips for Culling Images
14Culling Images Q&A
15Preparing Your Image for Composite
16Composite Image Cleanup
17Adding Background Image to Composite
18The Difference Between Flow & Opacity
19Composite Sky Elements
20Using Curves to Color Match
21Adding Atmospheric Depth to Image
22Using Color Efex Pro to Manipulate Color
23Using the Liquify Tool
24Color Theory & Monitor Calibration
25Adding Smoke Layer to Image
26Selective Sharpening
27Crop Your Image
28Goal Setting for Digital Artists
29Review of Location Composite
30Understand Angle & Height for Your Base Plate Image
31Base Plate Focus Point
32Base Plate Lighting Tips
33How to Use a Stand-In for Base Plate Image
34Capture On-Location Base Plate Image
35Student Positioning Demo
36Base Plate Sketching
37On-Location Sky Capture
38What to Look for in a Base Plate Model
39Building Composite Model Lighting
40Composite Model Test Shots for Angle Matching
41Composite Model Shoot: The Art of Fabric Throwing
42Composite Model Shoot: Working with Hair
43Composite Model Shoot: Posing Techniques
44Composite Test with Final Shot
45Lighting Setup Overview
46Culling Model Shoot Images
47Adjusting Skintone Colors
48Merging Background with Model
49How to Mask Hair
50Creating a Layer Mask with the Brush Tool
51Creating Shadow Layers
52Removing Visual Distractions with Stamp Tool
53Replacing Sky with Layer Mask
54Drawing Hair Strands and Atmospheric Depth
55Creating Contrast in Your Composite
56Adding Atmospheric Elements
57Using Particle Shop
58Selective Color Adjustments
59Cropping, Sharpening, & Final Touches
60Closing Thoughts