Build & Shoot: Mirror Under Lens
- [Instructor] Okay. This one's fun, and this is a nice, quick, easy one. We'll pull this out of the way. Yeah. Thank you for reminding me which one we're doing next. - [Kenna] No problem. - This one is just simple, easy, and fun, and it involves using a mirror. I just bought this mirror, literally, for $1.99 at the grocery store. What I'm going to do is I'm going to use the mirror on the underside as I take a portrait. So we're going to kind of get, like, this double exposure effect. So we'll do it on the underside, we'll do it on the side here, and it's just another interesting way to do photography, kind of a split image type of scenario. To do this though, I'm going to have to do a little bit of deconstruction. Actually, I'm going to do it over here on the table so I don't drop the mirror on the floor. That's never a good thing. Pull this off. There we go. Pull the mirror out. Oh, no. Did they use glue on this? Course, the other one I had, it just popped out right away. This one is...
glued in. And, of course, I left the other one at home, and I brought this one with me. That one just fell right out. Hey, guess what? I got this other mirror that is cracked and broke. Let's just use a broken mirror to do this just to show you don't even have to have the best product available. All right. This will fall right out. I know because it did before. All right. So there's the mirror. To do this, let's see. Which lens should I use? I think I'm going to use my 24-70 so I get a little bit more telephoto on this. Swap these out. No lens on there. And we'll just do tethered into Lightroom for this shot. Okay. And I think...yeah. Normally, I'd be handheld with this, but because we're all tethered up, I don't want to risk losing connection. All right. I'm going to aperture priority mode, and I'm setting my ISO back to lower level, maybe ISO 800. And I'm going to shoot at f/2.8, and I'm just going to do a quick test shot. Oh. You didn't tell me I still have my yucky filter lens on there. You're supposed to be paying attention. All right. Just a test shot making sure everything is going to come through okay. Yeah, that looks nice. I really like this space. The light is so fantastic. I'm going to have you move over this way so we get rid of that seam on the door. Yeah. Cool. All right. Let's see what we can do with some photos like this. So I'm just going to basically put the mirror down here. Cool. Go a little bit wider angle, pull the mirror in, and... Come on. I need that bigger mirror. That's all right. Okay. Here we go. There we go. So I'm moving a bigger mirror. I needed that bigger mirror to extend out forward, so I'm having to pull the mirror forward so I can actually get the reflection on her face. So it would have been really good here to have that larger mirror. Oh well.It's fun anyways. Yeah. Sorry I broke the mirror, guys. A smaller lens and a little bit more telephoto probably would have solved the problem, but you can see, generally, the effect that we're after, right, is pretty fun. And with a bigger mirror, something more like maybe a foot or larger, you have a lot of flexibility around that shape. You can put the mirror down low, kind of get, you know, the face from low or the mirror up high, mirror on the side, and you don't get your fat fingers in there with the bigger mirror either. So yeah. You can basically see the effect, and that's the effect that we're after. Cool. Yes, Kenna? - Well, Danny had put it in a comment earlier that welding glass also makes for a great mirror for reflection type shots and that's just something that was another thing to potentially try later, too. - Welding glass, fantastic. Basically, anything shiny and somewhat opaque. In fact, I was practicing this the other day with my cell phone. I left it over there, but your cell phone would work just fine for this. Basically, you take your cover off of the cell phone, and you're just using the shiny surface. That also works. Smaller camera and smaller lens would be more better for this scenario, so, like, if you have a little point and shoot camera. Or you could use your cell phone and then grab Renatta's cell phone and use a cell phone-on-cell phone type of photo with the mirror underneath. That could be fun as well.
You don’t need to buy every lens or filter for your camera in order to create impactful images. Mike Hagen is back with his DIY series to explore the hacks you can take to play with different looks when shooting. He’ll explore ways to create tilt shifts, bokeh backgrounds, lightboxes for macro field work, and star filters.
- You’ll learn how to make:
- Soft filters for photographing portraits or flowers
- Neutral density filters for long exposures
- Different fine art backgrounds like bokeh, haze and tilt-shift
- An inexpensive macro lens and macro diffuser
Capture different looks by using items you can find around your house or at the local hardware store. Mike Hagen will have you expanding your camera bag and your portfolio so you can spend more time being creative and less time spending money.