Standing: Fun with Dress Pose
I'm going to go like this with the scared it's going to be like a salsa movement. Okay, I want a little bit of circles. I wanted to do sickles because I wanted to keep the elbow shape in her body. She's gonna lean towards the camera and the first thing she's gonna do cattle lean towards more leaned towards big like do a little circle like this. Like a little like that and do a big laugh. Ha long nick extended long neck. I get elbow back like that. That's a girl let's do one more that's it ha ha ha ha! Ok, that should be enough. All right, so that's all we want to do, we want to just get movement. We want to get dressed. We want toby. Don't drink strong. We want to keep our boy strong. We want to keep them don't make him. And you know I always look at it like this. If you leave people out there on their own, they're going tio get very uncomfortable, particularly when they're moving, moving as one of the hardest things to direct. So you're going to just keep your voice strong and this is...
listen to my voice listen. To my voice I want you to hold the skit here I want you to do a little motion like this so I can still work the shoulders in the thing and I want it like a rolling salts emotion but you know if they can only do this that's okay if they can't do anything sit them in straight blow the phantom they're here and then get them to laugh at you but the whole point is I want you to move the dress I wanted to tip forward I want you to push your chin forward I want you to look at me cassidy on what you just smile good gil keep going we'll make them laugh blow the here make them feel stupid you know like it's like eyes in once they move and then they get the flo you just click click click and you just get a beautiful shot every time I can't somewhere in there but it's the way I hold that space like I'm not like dance well this is not working you know I'm like move shake love keep your albers in, push your chin forward you've got this well hey going I love catching me like I just keep my elevation up and then she doesn't feel stupid and then she's using laughing because I'm like that's terrible and then they laugh because I just told them that they dancing with terrible and I'm dancing. I'm a keep going. Keep going, click, click, click, click. You're going, and then keep the elevation. You'll get really good response and movement.