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Editing Set-up

Lesson 86 from: Fundamentals of Photography 2016

John Greengo

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Lesson Info

86. Editing Set-up

Next Lesson: Importing Images

Lessons

Class Trailer
1

Class Introduction

17:26
2

Welcome to Photography

13:08
3

Camera Types Overview

02:00
4

Viewing Systems

28:43
5

Viewing Systems Q&A

08:45
6

Lens Systems

32:06
7

Shutter Systems

13:17
8

Shutter Speeds

10:47
9

Choosing a Shutter Speed

31:30
10

Shutter Speeds for Handholding

08:36
11

Shutter Speed Pop Quiz

09:06
12

Camera Settings

25:35
13

General Camera Q&A

14:38
14

Sensor Sizes: The Basics

15:33
15

Sensor Sizes: Compared

19:10
16

Pixels

20:13
17

ISO

21:13
18

Sensor Q&A

13:34
19

Focal Length: Overview

11:09
20

Focal Length: Angle of View

15:09
21

Wide Angle Lenses

08:48
22

Telephoto Lenses

25:23
23

Angle of View Q&A

09:29
24

Fish Eye Lenses

10:39
25

Tilt & Shift Lenses

23:42
26

Subject Zone

17:19
27

Lens Speed

09:56
28

Aperture Basics

08:46
29

Depth of Field

21:49
30

Aperture Pop Quiz

13:23
31

Lens Quality

18:30
32

Photo Equipment Life Cycle

03:57
33

Light Meter Basics

09:25
34

Histogram

15:25
35

Histogram Pop Quiz and Q&A

10:58
36

Dynamic Range

06:03
37

Exposure Modes

15:58
38

Manual Exposure

09:38
39

Sunny 16 Rule

05:54
40

Exposure Bracketing

10:18
41

Exposure Values

27:21
42

Exposure Pop Quiz

26:43
43

Focus Overview

16:15
44

Focusing Systems

05:15
45

Autofocus Controls

11:56
46

Focus Points

07:35
47

Autofocusing on Subjects

20:19
48

Manual Focus

07:52
49

Digital Focusing Assistance

03:40
50

Focus Options: DSLR and Mirrorless

04:58
51

Shutter Speeds for Sharpness and DoF

05:20
52

Depth of Field Pop Quiz

12:14
53

Depth of Field Camera Features

04:54
54

Lens Sharpness

09:58
55

Camera Movement

05:20
56

Handheld and Tripod Focusing

04:32
57

Advanced Techniques

07:12
58

Hyperfocal Distance

06:50
59

Hyperfocal Quiz and Focusing Formula

04:36
60

Micro adjust and AF Fine Tune

05:34
61

Focus Stacking and Post Sharpening

06:00
62

Focus Problem Pop Quiz

18:07
63

The Gadget Bag: Camera Accessories

25:30
64

The Gadget Bag: Lens Accessories

12:46
65

The Gadget Bag: Neutral Density Filter

20:43
66

The Gadget Bag: Lens Hood and Teleconverters

08:55
67

The Gadget Bag: Lens Adapters

05:43
68

The Gadget Bag: Lens Cleaning Supplies

04:34
69

The Gadget Bag: Macro Lenses and Accessories

15:57
70

The Gadget Bag: Flash and Lighting

05:08
71

The Gadget Bag: Tripods and Accessories

18:50
72

The Gadget Bag: Custom Cases

11:20
73

10 Thoughts on Being a Photographer

07:37
74

Direct Sunlight

25:04
75

Indirect Sunlight

18:49
76

Sunrise and Sunset

18:39
77

Cloud Light

14:48
78

Golden Hour

09:50
79

Light Pop Quiz

07:53
80

Light Management

14:00
81

Artificial Light

13:56
82

Speedlights

16:02
83

Off-Camera Flash

27:38
84

Advanced Flash Techniques

09:49
85

Editing Overview

08:24
86

Editing Set-up

08:06
87

Importing Images

16:45
88

Best Use of Files and Folders

20:54
89

Culling

20:56
90

Develop: Fixing in Lightroom

18:13
91

Develop: Treating Your Images

10:53
92

Develop: Optimizing in Lightroom

14:51
93

Art of Editing Q&A

06:01
94

Composition Overview

06:53
95

Photographic Intrusions

10:10
96

Mystery and Working the Scene

16:18
97

Point of View

09:11
98

Better Backgrounds

16:02
99

Unique Perspective

11:02
100

Angle of View

15:06
101

Subject Placement

41:14
102

Subject Placement Q&A

05:18
103

Panorama

07:39
104

Multishot Techniques

13:57
105

Timelapse

16:13
106

Human Vision vs The Camera

20:07
107

Visual Perception

08:35
108

Visual Balance Test

22:56
109

Visual Drama

12:25
110

Elements of Design

28:57
111

The Photographic Process

12:28
112

Working the Shot

27:38
113

The Moment

04:42
114

One Hour Photo - Colby Brown

1:04:32
115

One Hour Photo - John Keatley

1:03:05
116

One Hour Photo - Art Wolfe

59:01
117

One Hour Photo - Rocco Ancora

1:01:20
118

One Hour Photo - Mike Hagen

1:01:20
119

One Hour Photo - Lisa Carney

1:00:52
120

One Hour Photo - Ian Shive

1:08:00
121

One Hour Photo - Sandra Coan

1:10:29
122

One Hour Photo - Daniel Gregory

1:06:07
123

One Hour Photo - Scott Robert Lim

1:05:41

Lesson Info

Editing Set-up

All right let's talk about the set up of the whole computer system and so forth. So it doesn't really matter what type of computer I have, it doesn't matter if it's Mac or PC, your traditional desktop, your all in ones or even your laptops. What is nice is having a larger size screen all the better to see your images with. And so thinking about screen size is really important, and so if you do a lot of imaging work and you have a laptop you might want to look at getting a monitor that you can connect up to it so that you can have more screen real estate. And so the bigger the monitor, I haven't had a monitor that's been too big yet. Okay? That has not been a problem I've had with any of my monitors, every monitor seems to be bigger than the one that I had prior to it. Storing your images on a hard drive is the best scenario. If you store 'em on your computer eventually you're gonna fill up your computer and you're gonna make everything you do on that computer slow down and potentially ...

crash. Photographers and photographs eat up a lot of data and so it's best to store that on external hard drives. Now every external hard drive available on the market today will fail. Every hard drive will eventually stop working. And so this why you have to have backups to every drive that you might have. Now the desktop drives are ones that you plug into the computer they typically have a little bit more space, the portable ones don't take any power they draw it usually through a USB connection on your computer, these portable drives are great for travel photography, where you're working with a laptop computer but if you have a desktop at home and you have access to power and that's on a regular basis then the desktop drives will allow you to get a larger capacity for less money. And in all cases it's really good idea to have a third hard drive stored in a separate location that would not be affected by potential burglaries or fires or some other type of damage that might happen to one particular location. And if you haven't taken this step just think for a moment how you would feel if your current computer and hard drives just stopped working. All of the photos that you've ever taken for your entire life are wiped out and gone forever. And for a professional photographer absolutely can't have that. Just not excusable, I saw a couple of stories recently in the last couple of years where a professional photographer either had their house burned down or they had it burglarized and they had their hard drives taken and every photo they've their entire lives was gone. And right onto the internet people just dove in, that person was stupid, they should have had a hard drive backed up in another location. And a cloud storage would be another option for that. All the images on the cloud, but having your images in more than one location is the most important thing to think about there. Communication back and forth between the memory card the computer, the hard drive and the computer, there's a lot of different connections that are out there. So I just kinda wanted to put those out on a scale so that you could see how fast they are. Now the JPEG photos don't take up very much space compared a raw photos, the actual size will depends on the number of mega pixels and the camera that you have. But these are kind of the general place that they're going to be. The old USB system is way too slow which is why they introduced USB 2.0 which is on everything that has been out for several years at least at this point. Apple had a Firewire 400, they had a Firewire which were pretty fast as well. Nowadays we're seeing things that are more often on the USB 3.0 connection, and this is called superspeed, sometimes called superspeed plus, and things are moving pretty quick with the USB 3.0 system and so at least as of today you'd want to get hard drives that have USB 3.0, you want to make sure your computer has USB 3.0, you're gonna be able to access your photos and everything's gonna move back and forth very, very quickly. Apple has their own Thunderbolt system, which although it is technically twice as fast as USB 3.0 it's pretty close to the same speed. And they actually have a new one coming out, USB 3. which is a little bit faster and Apple not too long ago introduced a new computer that only had a USB C connection to it. Now USB C even though it shares the USB it is a completely different connection it's a whole different device that's plugging into your computer and so this is probably gonna be the next stage of connections on the computer which is gonna be a little bit faster. And then Apple's trying to push the route ahead even further with Thunderbolt 2 which is even a little bit faster and so when I'm looking at a computer a lot of times I'm trying to think sometimes a couple years ahead of time. The next computer I buy I want to make it sure it has such and such, and I'm gonna get new hard drives that have such and such on them, so that everything is communicating. Cause if you have one piece of equipment that's well behind all the other that's the weak link in the chain that's gonna be holding you back. So I did a test recently with some of the equipment that I had, just to see how long it took me to transfer 1000 raw images, and you can see between Thunderbolt and USB 3.0, it was virtually no difference even though in theory it was twice as fast. And the problem with these numbers and why they will vary when you do them, is that it depends a lot on all the other equipment you have, which hard drive was I going to? Which computer? What was the operating system? And so these numbers will run back and forth and you can go online and find different test results but they are gonna vary quite a bit because all the equipment is varying between them, but whatever's the fastest system that you can afford is the one that you should probably look at. I have seen your computers, and I know what your computers look like, and I know what you put on the desktop on your computers. All right? And I have seen how a lot of people organize their computers and a lot of people just kinda get frustrated and they're like "You know what, I'm just gonna put this "on the desktop and I'll deal with it later, "I'll put this on the desktop and I'll deal with "it later, "and I'll put this on the desktop and I'll deal "with it later." Until there is absolutely no place to put anything else on the desktop. And this is not what the desktop is for, this is a short term place to put things and so this is the equivalent of going out and buying a gigantic file cabinet and then putting all your stuff on the top of the file cabinet all right? It's just like "Well why did you buy the file cabinet if that's "where you're gonna put everything?" We want to organize things and this is not the best organization tool it's also not really good, and so we love kitty but we're gonna say goodbye, we don't wanna have pictures on the desktop. I am rather boring when it comes to my desktop graphics. And part of the reason is there is a color permanence that our eyes can see when we look at colors. For example I want you to stare at this photo There's an X in the middle just stare at that X for about 15 seconds and what I'm gonna do is I'm gonna turn it off and it's gonna be a blank screen but you're gonna see the reverse of these colors okay has everybody got a good view of that X? You at home stare closely at that X all right? Here we go let's turn it off, and you're probably going to see a residual image of the American flag. And so on my desktop I have chosen the exciting color of middle tone gray, okay? If I want excitement don't come, don't go to my desktop, on your desktop you should probably have some sort of short cut to get onto the hard drive of your computer and if you hook up any external hard drives in any place that you're going relatively quickly learn about short cuts, these are short cut folders that don't have anything in them but they automatically take you to those areas that you need to go to on a regular basis, anything stored on your desktop should be there only temporarily, until you have found a good spot to put it.

Class Materials

Free Download

Fundamentals of Photography Outline

Bonus Materials with Purchase

Learning Project Videos
Learning Projects PDF
Slides for The Camera Lessons 1-13
Slides for The Sensor Lessons 14-18
Slides for The Lens Lessons 19-31
Slides for The Exposure Lessons 32-42
Slides for Focus Lessons 43-62
Slides for The Gadget Bag Lessons 63-72
Slides for Light Lesson 73-84
Slides for the Art of Edit Lessons 85-93
Slides for Composition Lesson 94-105
Slides for Photographic Vision Lessons 106-113

Ratings and Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

Vlad Chiriacescu
 

Wow! John is THE best teacher I have ever had the pleasure of learning from, and this is the most comprehensive, eloquent and fun course I have ever taken (online or off). If you're even / / interested in photography, take this course as soon as possible! You might find out that taking great photos requires much more work than you're willing to invest, or you might get so excited learning from John that you'll start taking your camera with you EVERYWHERE. At the very least, you'll learn the fundamental inner workings and techniques that WILL help you get a better photo. Worried about the cost? Well, I've taken courses that are twice as expensive that offer less than maybe a tenth of the value. You'll be much better off investing in this course than a new camera or a new lens. I cannot reccomend John and this course enough!

Student Work

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