Lesson Info
12. Drive Mode & Buffer
Lessons
Class Introduction
23:32 2Photographic Characteristics
06:46 3Camera Types
03:03 4Viewing System
22:09 5Lens System
24:38 6Shutter System
12:56 7Shutter Speed Basics
10:16 8Shutter Speed Effects
31:57Camera & Lens Stabilization
11:06 10Quiz: Shutter Speeds
07:55 11Camera Settings Overview
16:12 12Drive Mode & Buffer
04:24 13Camera Settings - Details
10:21 14Sensor Size: Basics
18:26 15Sensor Sizes: Compared
24:52 16The Sensor - Pixels
22:49 17Sensor Size - ISO
26:59 18Focal Length
11:36 19Angle of View
31:29 20Practicing Angle of View
04:59 21Quiz: Focal Length
08:15 22Fisheye Lens
12:32 23Tilt & Shift Lens
20:37 24Subject Zone
13:16 25Lens Speed
09:03 26Aperture
08:25 27Depth of Field (DOF)
21:46 28Quiz: Apertures
08:22 29Lens Quality
07:06 30Light Meter Basics
09:04 31Histogram
11:48 32Quiz: Histogram
09:07 33Dynamic Range
07:25 34Exposure Modes
35:15 35Sunny 16 Rule
04:31 36Exposure Bracketing
08:08 37Exposure Values
20:01 38Quiz: Exposure
20:44 39Focusing Basics
13:08 40Auto Focus (AF)
24:39 41Focus Points
17:18 42Focus Tracking
19:26 43Focusing Q&A
06:40 44Manual Focus
07:14 45Digital Focus Assistance
07:35 46Shutter Speeds & Depth of Field (DOF)
05:18 47Quiz: Depth of Field
15:54 48DOF Preview & Focusing Screens
04:55 49Lens Sharpness
11:08 50Camera Movement
11:29 51Advanced Techniques
15:15 52Quiz: Hyperfocal Distance
07:14 53Auto Focus Calibration
05:15 54Focus Stacking
07:58 55Quiz: Focus Problems
18:54 56Camera Accessories
32:41 57Lens Accessories
29:24 58Lens Adaptors & Cleaning
13:14 59Macro
13:02 60Flash & Lighting
04:47 61Tripods
14:13 62Cases
06:07 63Being a Photographer
11:29 64Natural Light: Direct Sunlight
28:37 65Natural Light: Indirect Sunlight
15:57 66Natural Light: Mixed
04:20 67Twilight: Sunrise & Sunset Light
22:21 68Cloud & Color Pop: Sunrise & Sunset Light
06:40 69Silhouette & Starburst: Sunrise & Sunset Light
07:28 70Golden Hour: Sunrise & Sunset Light
07:52 71Quiz: Lighting
05:42 72Light Management
10:46 73Flash Fundamentals
12:06 74Speedlights
04:12 75Built-In & Add-On Flash
10:47 76Off-Camera Flash
25:48 77Off-Camera Flash For Portraits
15:36 78Advanced Flash Techniques
08:22 79Editing Assessments & Goals
08:57 80Editing Set-Up
06:59 81Importing Images
03:59 82Organizing Your Images
32:41 83Culling Images
13:57 84Categories of Development
30:59 85Adjusting Exposure
08:03 86Remove Distractions
04:02 87Cropping Your Images
09:53 88Composition Basics
26:36 89Point of View
28:56 90Angle of View
14:35 91Subject Placement
23:22 92Framing Your Shot
07:27 93Foreground & Background & Scale
03:51 94Rule of Odds
05:00 95Bad Composition
07:31 96Multi-Shot Techniques
19:08 97Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction
12:24 98Human Vision vs The Camera
23:32 99Visual Perception
10:43 100Quiz: Visual Balance
14:05 101Visual Drama
16:45 102Elements of Design
09:24 103Texture & Negative Space
03:57 104Black & White & Color
10:33 105The Photographic Process
09:08 106Working the Shot
25:29 107What Makes a Great Photograph?
07:01Lesson Info
Drive Mode & Buffer
The drive mode is a pretty simple mode, it used to control the drive of our film through the cameras, we still keep the same name for the most part, some companies call it the sequence or the, what does Nikon call it? They have a slightly different name for it. The shutter release mode, the release mode is what they use. But it's how fast you can shoot images from one to the next. There are three basic options here. Single, sometimes they'll include a quiet option, which slows down the movements in the camera to make it a little bit quieter, and there's also options where you can get a remote to trigger the camera as well. There's gonna be a continuous shooting mode, and if you are shooting action, it's often good to put your camera into the continuous shooting mode, because you don't know when the best moment's gonna be, you're gonna capture a whole bunch of images during the peak period of time, and then you'll figure out later what was the best moment. And then finally there's gonna...
be some self-timer options. There's usually a 10-second and a 2-second self-timer, 10-seconds is for you getting around in the picture, 2-seconds is if the camera's on a tripod and you want to trigger the shutter release but you want the movements to settle out while you take your hand off the shutter. And so that's really good for working with a tripod. And then sometimes they'll have a delay and continuous shooting. And this is fantastic for doing group shots that you want to be a part of. Because I found that people always blink on the first shot, and so what you want to do is, I usually set it up to take at least four shots so that everybody's looking at the camera, and they're not blinking. And so give yourself four shots, two or three seconds between shots, just let everyone know, and one of those four will probably be good. Set it to as many as you need to, but that's a system that I use. The buffer in the camera is something that allows you to shoot lots of pictures very, very quickly. Faster than the memory card can record them. The original digital cameras recorded images on the sensor, sent them through the image processor and recorded them on the memory cards. And if anyone remembers the early digital cameras, they were very slow about recording data. And so what they did to speed the process up, is that they put on all the cameras on board RAM, or buffer. So that now when you shoot photos what happens is it goes to the image processor very quickly these days, but the images will be stored temporarily in the RAM memory of your camera. They will then be loaded onto your memory card and as soon, as quickly as they can. But it allows you to shoot through a burst of images right away, faster than your memory card can handle, as far as recording them in speed. And so Nikon and Canon will list this in the viewfinder on the right hand side. Don't ask me why the other manufacturers don't. But it is part of the specs and you can look it up, but all cameras will have a limit to how many images you can shoot. The newer most modern cameras will tend to have a higher buffer limit. Meaning you can shoot through 10 or 20 shots or maybe 100 shots before things fill up. Now what determines the buffer size is the megapixels of your camera, and how fast it can process the information. And so we're kind of in a unusual race, where we're getting more megapixels which makes things more difficult, but we're also having faster computers, so they're able to get through things a little bit more quickly now. And so things tend to be growing on the buffer side. I remember early on in digital, you could shoot three pictures continuously, and then you'd have to wait 10 seconds. And so you'd have to be very careful about when you shoot your photos. It's gotten quite good at this point, it's not a big deal, so for sports photographers, you want to be aware of how many you can shoot at one time. If somebody just hit a home run, don't shoot all your photos as they're rounding second base, because you might not have anything by the time they come home, and the whole team swamps home plate. You've gotta be careful about issuing those out in short bursts. And so the other thing that will affect it is the overall file size, whether you should be RAW or JPEG. Which is why those sports photographers were shooting JPEG, is that they could get more images in their buffer and they could shoot through more images more quickly. So it depends on what your needs are as to how to set up your camera.
Class Materials
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Ratings and Reviews
a Creativelive Student
Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.
Eve
I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!
JUAN SOL
Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan