Editing Set-Up

 

Fundamentals of Photography

 

Lesson Info

Editing Set-Up

So you wanna be free to shoot, and shoot as much as you need, and then we'll worry about the rest as we get into this. So first up, you're gonna need a computer. It's just kind of the way it is with digital photography these days. It doesn't really matter what computer you have. There's lots of different good ones out there. There are some people who are Mac and there are some people are PC, and I can tell you there's problems with both. I'm not even gonna say what I have right now, but I hate it, and it's the best thing out there (chuckles). If I could do life over again, I would make computers and I would make 'em right, but it's too late. I'm just gonna have to teach photography. So one thing that I think is really important is screen size. If you have a laptop computer, I understand. These are very versatile and take 'em on the road with you, but if you do a lot of work at home, get a monitor that you can plug it into so that you can see your images, very helpful when you wanna loo...

k at a grid of images and you wanna see 50 images at the same time. I work with a laptop on the road and it's fine. It's small, that's good. You can work with tablets and so forth. You can not bring your computer with you on the road. That's perfectly fine. But when it really comes down to sitting down and analyzing your work, you need to see your work clearly, and so a bigger monitor is a great benefit to have in that case. You do not wanna store your images on your computer. They take up a lot of space and they will slow everything down you do in your computer. I store all of my photos off my computer on an external hard drive. Every hard drive that you can buy these days will fail at some point so you should have a backup hard drive for when that one fails. Because really bad things occasionally happen in certain locations, you should have it on a third hard drive in a separate location that is not affected by fire, theft, a meteor coming out of the sky or who knows what. Something can happen and it's good to have something off-site. Keep one at home, keep one at work, keep one at your mom's, at your kids, something like that in a completely different location. Now I don't have a slide for this, but there is also cloud storage and that is a perfectly good option for some people. I don't like it. I don't like monthly fees. I don't like other people that having potential access. I don't like things getting hacked. I don't like companies going out of business, not giving me access to my site, and that doesn't always happen, but I read about it about every other month. So it's a lot cheaper for me to just go buy another hard drive and stash it in the backyard and bury it. Ooh, did I tell everybody that? (audience laughing) So you wanna pay attention with your connections. So whenever I'm getting close to buying a new computer, I'm thinking about what sort of connections to the hard drives 'cause I wanna get something that synchronizes with everything and I try to kinda keep things in sync. I'll get a new computer and I'll get new hard drives at the same time, and then I'll get hard drives, and then I'll get another computer and new hard drives, and work with whatever is the fastest system that I can afford that seems reasonable. So your JPEG images might be eight to 20 megabits in size. Your raw photos are gonna be about three times that size. The good old USB connection is a very very slow connection which is why they came out with USB 2.0 many years ago and that was a little bit better for transferring images. We are now mostly at USB 3.0 which is pretty good for transferring images. Apple kinda has their own thing going with their Thunderbolt and they're always trying to stay a little step ahead of the game. So as soon as they do something, then the USB comes back and they have something else, and so we now have USB 3. and this USB-C connection which is getting faster. That's why you gotta pay attention to where your hard drives and your computers are so that you can kinda step these up because if you suddenly get faster hard drives but your computer's still running slower, it's not doing you a lot of good until you get that new computer. So next up is USB 2.0, and now we have USB 3.2 coming around the corner, and so Apple's gonna use Thunderbolt 3, which is using a different connector than Thunderbolt 2, be aware of that, and it's getting faster and faster. Luckily this is getting better at a pretty steady rate, whereas the megapixels in the cameras, they haven't plateaued, certainly, but they've kinda been at a steady point for the last few years, you might say. I did a test recently where I just transferring 1,000 raw images. I just wanted to see how long it took. USB 2.0 took me almost 12 minutes to get that transfer across, and 3.0 and Thunderbolt were notably quicker. I have seen a number of photographers just struggling and waiting to transfer images and doing the simplest things and it can be very very aggravating. So try to get as fast a system as you can for doing this 'cause it's just gonna make you work faster and more quickly. Now I know you love your kitties and all. We all love yourself your kitties. That's not the best backdrop to have on your computer and I know that there are some people that tend to store a lot of folders on their computer. Please don't raise your hand. I don't wanna know who you are. I was working in a workshop one time and her desktop looked like this. I was trying to transfer images 'cause we were doing something in Photoshop and I had to transfer images. I went to her desktop, and I had the mouse, and I had it clicked, and I was looking for a place to put the folder and I somehow let go of the finger and it was like I don't know where it went. It went to one of your 200 folders on your desktop. This is not the way you're supposed to do it. This is the equivalent of stacking everything on your file cabinet. That's not how file cabinets work. This is just a temporary storage where you put things as you need it for a short period of time. (audience laughing) So goodbye Kitty, we don't wanna do that. Here's a quick optical illusion. I want you to look at the X in the middle of the frame. Just keep your eye on the X for about 10 seconds and you're retinas are now being saturated with these colors. If we switch this to a blank white screen, you should see the American flag there for a few seconds because your eyes are gonna be reversing this color. This may seem like a really boring thing, but my computer has a dark gray background. I just don't wanna be looking at any other colors affecting the way that I am looking at photographs, and so it's just a nice simple background. What do I wanna have on my desktop is I'm gonna have a little shortcut to my hard drives and maybe a few shortcuts to my personal folders, but I generally don't keep anything on my desktop. That's when I feel good is when there is nothing on my desktop. That means there's nothing to do, and that's just a temporary place to put something, and so you should have a nice good order to the rest of your computer system.

Class Description

As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.

Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:

  • How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
  • How to choose the right gear, and develop efficient workflow.
  • How to recognize and take advantage of beautiful natural light.

John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.

Lessons

1Class Introduction
2Photographic Characteristics
3Camera Types
4Viewing System
5Lens System
6Shutter System
7Shutter Speed Basics
8Shutter Speed Effects
9Camera & Lens Stabilization
10Quiz: Shutter Speeds
11Camera Settings Overview
12Drive Mode & Buffer
13Camera Settings - Details
14Sensor Size: Basics
15Sensor Sizes: Compared
16The Sensor - Pixels
17Sensor Size - ISO
18Focal Length
19Angle of View
20Practicing Angle of View
21Quiz: Focal Length
22Fisheye Lens
23Tilt & Shift Lens
24Subject Zone
25Lens Speed
26Aperture
27Depth of Field (DOF)
28Quiz: Apertures
29Lens Quality
30Light Meter Basics
31Histogram
32Quiz: Histogram
33Dynamic Range
34Exposure Modes
35Sunny 16 Rule
36Exposure Bracketing
37Exposure Values
38Quiz: Exposure
39Focusing Basics
40Auto Focus (AF)
41Focus Points
42Focus Tracking
43Focusing Q&A
44Manual Focus
45Digital Focus Assistance
46Shutter Speeds & Depth of Field (DOF)
47Quiz: Depth of Field
48DOF Preview & Focusing Screens
49Lens Sharpness
50Camera Movement
51Advanced Techniques
52Quiz: Hyperfocal Distance
53Auto Focus Calibration
54Focus Stacking
55Quiz: Focus Problems
56Camera Accessories
57Lens Accessories
58Lens Adaptors & Cleaning
59Macro
60Flash & Lighting
61Tripods
62Cases
63Being a Photographer
64Natural Light: Direct Sunlight
65Natural Light: Indirect Sunlight
66Natural Light: Mixed
67Twilight: Sunrise & Sunset Light
68Cloud & Color Pop: Sunrise & Sunset Light
69Silhouette & Starburst: Sunrise & Sunset Light
70Golden Hour: Sunrise & Sunset Light
71Quiz: Lighting
72Light Management
73Flash Fundamentals
74Speedlights
75Built-In & Add-On Flash
76Off-Camera Flash
77Off-Camera Flash For Portraits
78Advanced Flash Techniques
79Editing Assessments & Goals
80Editing Set-Up
81Importing Images
82Organizing Your Images
83Culling Images
84Categories of Development
85Adjusting Exposure
86Remove Distractions
87Cropping Your Images
88Composition Basics
89Point of View
90Angle of View
91Subject Placement
92Framing Your Shot
93Foreground & Background & Scale
94Rule of Odds
95Bad Composition
96Multi-Shot Techniques
97Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction
98Human Vision vs The Camera
99Visual Perception
100Quiz: Visual Balance
101Visual Drama
102Elements of Design
103Texture & Negative Space
104Black & White & Color
105The Photographic Process
106Working the Shot
107What Makes a Great Photograph?