Lesson Info
66. Natural Light: Mixed
Lessons
Class Introduction
23:32 2Photographic Characteristics
06:46 3Camera Types
03:03 4Viewing System
22:09 5Lens System
24:38 6Shutter System
12:56 7Shutter Speed Basics
10:16 8Shutter Speed Effects
31:57Camera & Lens Stabilization
11:06 10Quiz: Shutter Speeds
07:55 11Camera Settings Overview
16:12 12Drive Mode & Buffer
04:24 13Camera Settings - Details
10:21 14Sensor Size: Basics
18:26 15Sensor Sizes: Compared
24:52 16The Sensor - Pixels
22:49 17Sensor Size - ISO
26:59 18Focal Length
11:36 19Angle of View
31:29 20Practicing Angle of View
04:59 21Quiz: Focal Length
08:15 22Fisheye Lens
12:32 23Tilt & Shift Lens
20:37 24Subject Zone
13:16 25Lens Speed
09:03 26Aperture
08:25 27Depth of Field (DOF)
21:46 28Quiz: Apertures
08:22 29Lens Quality
07:06 30Light Meter Basics
09:04 31Histogram
11:48 32Quiz: Histogram
09:07 33Dynamic Range
07:25 34Exposure Modes
35:15 35Sunny 16 Rule
04:31 36Exposure Bracketing
08:08 37Exposure Values
20:01 38Quiz: Exposure
20:44 39Focusing Basics
13:08 40Auto Focus (AF)
24:39 41Focus Points
17:18 42Focus Tracking
19:26 43Focusing Q&A
06:40 44Manual Focus
07:14 45Digital Focus Assistance
07:35 46Shutter Speeds & Depth of Field (DOF)
05:18 47Quiz: Depth of Field
15:54 48DOF Preview & Focusing Screens
04:55 49Lens Sharpness
11:08 50Camera Movement
11:29 51Advanced Techniques
15:15 52Quiz: Hyperfocal Distance
07:14 53Auto Focus Calibration
05:15 54Focus Stacking
07:58 55Quiz: Focus Problems
18:54 56Camera Accessories
32:41 57Lens Accessories
29:24 58Lens Adaptors & Cleaning
13:14 59Macro
13:02 60Flash & Lighting
04:47 61Tripods
14:13 62Cases
06:07 63Being a Photographer
11:29 64Natural Light: Direct Sunlight
28:37 65Natural Light: Indirect Sunlight
15:57 66Natural Light: Mixed
04:20 67Twilight: Sunrise & Sunset Light
22:21 68Cloud & Color Pop: Sunrise & Sunset Light
06:40 69Silhouette & Starburst: Sunrise & Sunset Light
07:28 70Golden Hour: Sunrise & Sunset Light
07:52 71Quiz: Lighting
05:42 72Light Management
10:46 73Flash Fundamentals
12:06 74Speedlights
04:12 75Built-In & Add-On Flash
10:47 76Off-Camera Flash
25:48 77Off-Camera Flash For Portraits
15:36 78Advanced Flash Techniques
08:22 79Editing Assessments & Goals
08:57 80Editing Set-Up
06:59 81Importing Images
03:59 82Organizing Your Images
32:41 83Culling Images
13:57 84Categories of Development
30:59 85Adjusting Exposure
08:03 86Remove Distractions
04:02 87Cropping Your Images
09:53 88Composition Basics
26:36 89Point of View
28:56 90Angle of View
14:35 91Subject Placement
23:22 92Framing Your Shot
07:27 93Foreground & Background & Scale
03:51 94Rule of Odds
05:00 95Bad Composition
07:31 96Multi-Shot Techniques
19:08 97Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction
12:24 98Human Vision vs The Camera
23:32 99Visual Perception
10:43 100Quiz: Visual Balance
14:05 101Visual Drama
16:45 102Elements of Design
09:24 103Texture & Negative Space
03:57 104Black & White & Color
10:33 105The Photographic Process
09:08 106Working the Shot
25:29 107What Makes a Great Photograph?
07:01Lesson Info
Natural Light: Mixed
So, mixed lighting. A little bit like the spotlighting that we talked about before. And in this case, it's a mixture of some sunlight, and some shadows in there. It could be some overcast situations. These are fleeting moments, and I treasure these moments when they come because they don't come around very often. They can be very, very dramatic. And you do have to be ready for these things. And so your subject may not be completely illuminated properly. You're just gonna have to work with it as best you can. There's gonna some subjects it just doesn't work well with. You do have to be careful of those blown-out highlights and the blocked-up shadows. It really depends on the photo that you're looking at and you're trying to capture. They come and go very quickly, so you have to kind of anticipate and maybe bracket really quick just in case you've got the wrong exposure in here. You wanna have a good collection of images to come back with it. So this is typically gonna work best early an...
d late in the day when it's not too drastic of a change in the level of brightness from the sun to the shadows. And oftentimes, you wanna be protective of those highlights. You don't want to overexpose them in most cases. What I have found is that there's usually relatively short periods of time that it works, and then it just disappears on you. So on the Brooklyn Bridge, sunlight coming in, we've got a lot of shadows in here. The sunlight's fine here, but just a little bit later in the day, half an hour later, it just becomes too bright and the shadows become too dark, and the scene is not possible. I was down in California, working in the Redwoods, and I know in the Redwoods, they're a tall, cluttered environment, and I really wanted an overcast day. And funny thing was, in California, apparently they don't have overcast days when I'm down there. It's always sunny. And I got down there and I was going through some of the trails when I first arrived, and I didn't even take a photo. It was just like, this is a disaster of an area, because it was just bright sunlight, deep shadow, and every photo is just visual overload, is was it is. So it's like, okay, gotta get up. Not the crack of dawn, but well before that, so I gotta get out there right at dawn, because as that sun's low on the horizon, it's nice, even lighting in there. And then as soon as the sun starts to hit, which is right about now, I gotta little bit of time to work with because there's a few highlights that I can deal with in here. But half an hour later, pack it up, time to go home. It just gets too contrasting here. If you're wondering what it looks like when it's bad, this is a bad photo, okay? This is the contrasty lighting that you get in the middle of a bright sunny day. This is actually in a park in Seattle. It's one of the few places in Seattle that has never been built upon. It's really never been touched. It's just kinda the original Seattle, you might say. And it was actually a really nice scene, but it's terrible, terrible lighting. Coming back on a cloudy day, it's much, much easier to see. Just in case you're wondering, I did use a polarizer on this. A polarizer can be very effective in the forest. And that's because even on a cloudy day, polarizers work when there is a significant light source coming from a single direction. Now the light source is this big cloudy sky. That sounds kinda opposite to what I just said. The single light source is that it's basically filtering through the trees, and it's coming down at a very direct angle. It's not coming in at any of these other angles. And so if I'm shooting 45 degrees to that angle, it has a very good impact. And so especially as I kinda shoot down here, there is a lot of reflections that I'm taking off by using a polarizer in the forested environment on a cloudy day. And so that's one of those. I didn't really originally think of that 10 years ago. I wasn't doing that very much, and so now I know better, and it's a good time to have that polarizer out there and working.
Class Materials
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Ratings and Reviews
a Creativelive Student
Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.
Eve
I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!
JUAN SOL
Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan