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Fundamentals of Photography

Lesson 86 of 107

Remove Distractions

John Greengo

Fundamentals of Photography

John Greengo

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Lesson Info

86. Remove Distractions

Lessons

Class Trailer
1 Class Introduction 23:32 2 Photographic Characteristics 06:46 3 Camera Types 03:03 4 Viewing System 22:09 5 Lens System 24:38 6 Shutter System 12:56 7 Shutter Speed Basics 10:16 8 Shutter Speed Effects 31:57
9 Camera & Lens Stabilization 11:06 10 Quiz: Shutter Speeds 07:55 11 Camera Settings Overview 16:12 12 Drive Mode & Buffer 04:24 13 Camera Settings - Details 10:21 14 Sensor Size: Basics 18:26 15 Sensor Sizes: Compared 24:52 16 The Sensor - Pixels 22:49 17 Sensor Size - ISO 26:59 18 Focal Length 11:36 19 Angle of View 31:29 20 Practicing Angle of View 04:59 21 Quiz: Focal Length 08:15 22 Fisheye Lens 12:32 23 Tilt & Shift Lens 20:37 24 Subject Zone 13:16 25 Lens Speed 09:03 26 Aperture 08:25 27 Depth of Field (DOF) 21:46 28 Quiz: Apertures 08:22 29 Lens Quality 07:06 30 Light Meter Basics 09:04 31 Histogram 11:48 32 Quiz: Histogram 09:07 33 Dynamic Range 07:25 34 Exposure Modes 35:15 35 Sunny 16 Rule 04:31 36 Exposure Bracketing 08:08 37 Exposure Values 20:01 38 Quiz: Exposure 20:44 39 Focusing Basics 13:08 40 Auto Focus (AF) 24:39 41 Focus Points 17:18 42 Focus Tracking 19:26 43 Focusing Q&A 06:40 44 Manual Focus 07:14 45 Digital Focus Assistance 07:35 46 Shutter Speeds & Depth of Field (DOF) 05:18 47 Quiz: Depth of Field 15:54 48 DOF Preview & Focusing Screens 04:55 49 Lens Sharpness 11:08 50 Camera Movement 11:29 51 Advanced Techniques 15:15 52 Quiz: Hyperfocal Distance 07:14 53 Auto Focus Calibration 05:15 54 Focus Stacking 07:58 55 Quiz: Focus Problems 18:54 56 Camera Accessories 32:41 57 Lens Accessories 29:24 58 Lens Adaptors & Cleaning 13:14 59 Macro 13:02 60 Flash & Lighting 04:47 61 Tripods 14:13 62 Cases 06:07 63 Being a Photographer 11:29 64 Natural Light: Direct Sunlight 28:37 65 Natural Light: Indirect Sunlight 15:57 66 Natural Light: Mixed 04:20 67 Twilight: Sunrise & Sunset Light 22:21 68 Cloud & Color Pop: Sunrise & Sunset Light 06:40 69 Silhouette & Starburst: Sunrise & Sunset Light 07:28 70 Golden Hour: Sunrise & Sunset Light 07:52 71 Quiz: Lighting 05:02 72 Light Management 10:46 73 Flash Fundamentals 12:06 74 Speedlights 04:12 75 Built-In & Add-On Flash 10:47 76 Off-Camera Flash 25:48 77 Off-Camera Flash For Portraits 15:36 78 Advanced Flash Techniques 08:22 79 Editing Assessments & Goals 08:57 80 Editing Set-Up 06:59 81 Importing Images 03:59 82 Organizing Your Images 32:41 83 Culling Images 13:57 84 Categories of Development 30:59 85 Adjusting Exposure 08:03 86 Remove Distractions 04:02 87 Cropping Your Images 09:53 88 Composition Basics 26:36 89 Point of View 28:56 90 Angle of View 14:35 91 Subject Placement 23:22 92 Framing Your Shot 07:27 93 Foreground & Background & Scale 03:51 94 Rule of Odds 05:00 95 Bad Composition 07:31 96 Multi-Shot Techniques 19:08 97 Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction 12:24 98 Human Vision vs The Camera 23:32 99 Visual Perception 10:43 100 Quiz: Visual Balance 14:05 101 Visual Drama 16:45 102 Elements of Design 09:24 103 Texture & Negative Space 03:57 104 Black & White & Color 10:33 105 The Photographic Process 09:08 106 Working the Shot 25:29 107 What Makes a Great Photograph? 07:01

Lesson Info

Remove Distractions

There's a number of distractions that you can have in photographs. First off, you should try to avoid these when you shoot the photos as much as possible, but there is in some cases no way to avoid it, or you just didn't realize it and you're dealing with it after the fact. So there is a number of ways of just diminishing the things that aren't so good. Alright, so I like the big open space in this photograph but I have a couple of problems down in the right hand side, I had two different types of problems: I had sensor dust and I had a little bit of gunk in the water. And so, there's some distractions down here that I didn't really like. So I took out the sensor dust, and you can lock me up in Photoshop prison but I took out that little weed in the water, 'cause I just didn't think it was necessary there. If you go back and photograph it right now I guarantee you it's not there, alright? So for that part, it's pretty honest rendering of what this place looks like. So I did take those ...

out and you can use various cloning tools to take that out. There is a spot removal tool in Lightroom that is mainly designed for dust but can be used for other small items. It's not super versatile at getting everything out if you have a really complicated thing that you need to take out, like an ex-boyfriend or girlfriend, you're probably gonna need Photoshop for that, and that's will be on what we're doing in this class. Sometimes, there's just a lot of extra-space, you didn't have a long enough lens for what you shot, so that's distracting in some ways, so we wanna focus on our subject, so just simply cropping in is a factor that I don't like to do but sometimes you're forced into doing it because that's just the best you've got at the time. There's a Crop Overlay tool in every photo editing device, use it sparingly 'cause you are throwing away pixels at the time that you do that. So our main subjects are in the middle of the photograph and that's where I want your eyes to go, and I don't need them around the edge. It's okay if you explore the photograph here, but if I want to darken the edges a little bit it really keeps your eyes right there in the middle of the photograph. There's a number of ways of doing that adding your own vignettes. Where is the action here? And I'm just gonna add, just a very little subtle change to this. To adjust those corners to keep your eyes where I want the action to be. In order to do this, the Radial Filter can be used, you can also use the Adjustment Brush, if it's not a simple circle or oval, it's a more unusual shape that you wanna make it big. Be honest about yourself when you look at your photos, what's important, what's drawing your eye away from what's important. On the photo on the left, I felt that the sky was just a little bit too bright. It may seem very picky but I'm just adjusting those highlights and the whites down, so just that the sky is not quite as pure and stark white, as it is in the photo on the left. And it's good when you get picky, that means you're really paying attention with your photographs. Your eye is attracted to color, and the color in the background is kind of distracting from what we wanted here. It's very easy just to diminish the color a little bit, so I've selected the color and just diminished it, just a little bit so it doesn't draw your attention quite as much as before. Another way to do this is, you can add a little bit of a blur to the subjects that you don't want. This one is a little bit hard to see so let's blow this up so you can see what I'm doing here. There's a variety of ways that you can add a little bit of blur to your subject. Now, you can do a complete fake blur and do a fake shallow depth of field, but just going in, and throwing that subject just a little bit more out of focus than it already is, and it's just gonna tend for the eyes to go more to that subject that is in focus, rather than the one that's out of focus.

Class Description

Short on time? This class is available HERE as a Fast Class, exclusively for Creator Pass subscribers.

As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.

Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:

  • How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
  • How to choose the right gear, and develop efficient workflow.
  • How to recognize and take advantage of beautiful natural light.

John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.

Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

JUAN SOL
 

Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan