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Fundamentals of Photography

Lesson 86 of 107

Remove Distractions

John Greengo

Fundamentals of Photography

John Greengo

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Lesson Info

86. Remove Distractions

Lessons

  Class Trailer
Now Playing
1 Class Introduction Duration:23:32
2 Photographic Characteristics Duration:06:46
3 Camera Types Duration:03:03
4 Viewing System Duration:22:09
5 Lens System Duration:24:38
6 Shutter System Duration:12:56
7 Shutter Speed Basics Duration:10:16
8 Shutter Speed Effects Duration:31:57
9 Camera & Lens Stabilization Duration:11:06
10 Quiz: Shutter Speeds Duration:07:55
11 Camera Settings Overview Duration:16:12
12 Drive Mode & Buffer Duration:04:24
13 Camera Settings - Details Duration:10:21
14 Sensor Size: Basics Duration:18:26
15 Sensor Sizes: Compared Duration:24:52
16 The Sensor - Pixels Duration:22:49
17 Sensor Size - ISO Duration:26:59
18 Focal Length Duration:11:36
19 Angle of View Duration:31:29
20 Practicing Angle of View Duration:04:59
21 Quiz: Focal Length Duration:08:15
22 Fisheye Lens Duration:12:32
23 Tilt & Shift Lens Duration:20:37
24 Subject Zone Duration:13:16
25 Lens Speed Duration:09:03
26 Aperture Duration:08:25
27 Depth of Field (DOF) Duration:21:46
28 Quiz: Apertures Duration:08:22
29 Lens Quality Duration:07:06
30 Light Meter Basics Duration:09:04
31 Histogram Duration:11:48
32 Quiz: Histogram Duration:09:07
33 Dynamic Range Duration:07:25
34 Exposure Modes Duration:35:15
35 Sunny 16 Rule Duration:04:31
36 Exposure Bracketing Duration:08:08
37 Exposure Values Duration:20:01
38 Quiz: Exposure Duration:20:44
39 Focusing Basics Duration:13:08
40 Auto Focus (AF) Duration:24:39
41 Focus Points Duration:17:18
42 Focus Tracking Duration:19:26
43 Focusing Q&A Duration:06:40
44 Manual Focus Duration:07:14
45 Digital Focus Assistance Duration:07:35
47 Quiz: Depth of Field Duration:15:54
48 DOF Preview & Focusing Screens Duration:04:55
49 Lens Sharpness Duration:11:08
50 Camera Movement Duration:11:29
51 Advanced Techniques Duration:15:15
52 Quiz: Hyperfocal Distance Duration:07:14
53 Auto Focus Calibration Duration:05:15
54 Focus Stacking Duration:07:58
55 Quiz: Focus Problems Duration:18:54
56 Camera Accessories Duration:32:41
57 Lens Accessories Duration:29:24
58 Lens Adaptors & Cleaning Duration:13:14
59 Macro Duration:13:02
60 Flash & Lighting Duration:04:47
61 Tripods Duration:14:13
62 Cases Duration:06:07
63 Being a Photographer Duration:11:29
64 Natural Light: Direct Sunlight Duration:28:37
66 Natural Light: Mixed Duration:04:20
71 Quiz: Lighting Duration:05:02
72 Light Management Duration:10:46
73 Flash Fundamentals Duration:12:06
74 Speedlights Duration:04:12
75 Built-In & Add-On Flash Duration:10:47
76 Off-Camera Flash Duration:25:48
77 Off-Camera Flash For Portraits Duration:15:36
78 Advanced Flash Techniques Duration:08:22
79 Editing Assessments & Goals Duration:08:57
80 Editing Set-Up Duration:06:59
81 Importing Images Duration:03:59
82 Organizing Your Images Duration:32:41
83 Culling Images Duration:13:57
84 Categories of Development Duration:30:59
85 Adjusting Exposure Duration:08:03
86 Remove Distractions Duration:04:02
87 Cropping Your Images Duration:09:53
88 Composition Basics Duration:26:36
89 Point of View Duration:28:56
90 Angle of View Duration:14:35
91 Subject Placement Duration:23:22
92 Framing Your Shot Duration:07:27
94 Rule of Odds Duration:05:00
95 Bad Composition Duration:07:31
96 Multi-Shot Techniques Duration:19:08
98 Human Vision vs The Camera Duration:23:32
99 Visual Perception Duration:10:43
100 Quiz: Visual Balance Duration:14:05
101 Visual Drama Duration:16:45
102 Elements of Design Duration:09:24
103 Texture & Negative Space Duration:03:57
104 Black & White & Color Duration:10:33
105 The Photographic Process Duration:09:08
106 Working the Shot Duration:25:29
107 What Makes a Great Photograph? Duration:07:01

Lesson Info

Remove Distractions

There's a number of distractions that you can have in photographs. First off, you should try to avoid these when you shoot the photos as much as possible, but there is in some cases no way to avoid it, or you just didn't realize it and you're dealing with it after the fact. So there is a number of ways of just diminishing the things that aren't so good. Alright, so I like the big open space in this photograph but I have a couple of problems down in the right hand side, I had two different types of problems: I had sensor dust and I had a little bit of gunk in the water. And so, there's some distractions down here that I didn't really like. So I took out the sensor dust, and you can lock me up in Photoshop prison but I took out that little weed in the water, 'cause I just didn't think it was necessary there. If you go back and photograph it right now I guarantee you it's not there, alright? So for that part, it's pretty honest rendering of what this place looks like. So I did take those ...

out and you can use various cloning tools to take that out. There is a spot removal tool in Lightroom that is mainly designed for dust but can be used for other small items. It's not super versatile at getting everything out if you have a really complicated thing that you need to take out, like an ex-boyfriend or girlfriend, you're probably gonna need Photoshop for that, and that's will be on what we're doing in this class. Sometimes, there's just a lot of extra-space, you didn't have a long enough lens for what you shot, so that's distracting in some ways, so we wanna focus on our subject, so just simply cropping in is a factor that I don't like to do but sometimes you're forced into doing it because that's just the best you've got at the time. There's a Crop Overlay tool in every photo editing device, use it sparingly 'cause you are throwing away pixels at the time that you do that. So our main subjects are in the middle of the photograph and that's where I want your eyes to go, and I don't need them around the edge. It's okay if you explore the photograph here, but if I want to darken the edges a little bit it really keeps your eyes right there in the middle of the photograph. There's a number of ways of doing that adding your own vignettes. Where is the action here? And I'm just gonna add, just a very little subtle change to this. To adjust those corners to keep your eyes where I want the action to be. In order to do this, the Radial Filter can be used, you can also use the Adjustment Brush, if it's not a simple circle or oval, it's a more unusual shape that you wanna make it big. Be honest about yourself when you look at your photos, what's important, what's drawing your eye away from what's important. On the photo on the left, I felt that the sky was just a little bit too bright. It may seem very picky but I'm just adjusting those highlights and the whites down, so just that the sky is not quite as pure and stark white, as it is in the photo on the left. And it's good when you get picky, that means you're really paying attention with your photographs. Your eye is attracted to color, and the color in the background is kind of distracting from what we wanted here. It's very easy just to diminish the color a little bit, so I've selected the color and just diminished it, just a little bit so it doesn't draw your attention quite as much as before. Another way to do this is, you can add a little bit of a blur to the subjects that you don't want. This one is a little bit hard to see so let's blow this up so you can see what I'm doing here. There's a variety of ways that you can add a little bit of blur to your subject. Now, you can do a complete fake blur and do a fake shallow depth of field, but just going in, and throwing that subject just a little bit more out of focus than it already is, and it's just gonna tend for the eyes to go more to that subject that is in focus, rather than the one that's out of focus.

Class Description

Short on time? This class is available HERE as a Fast Class, exclusively for Creator Pass subscribers.

As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.

Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:

  • How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
  • How to choose the right gear, and develop efficient workflow.
  • How to recognize and take advantage of beautiful natural light.

John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.

Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

JUAN SOL
 

Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan