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Fundamentals of Photography

Lesson 74 of 107

Speedlights

John Greengo

Fundamentals of Photography

John Greengo

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Lesson Info

74. Speedlights

Lessons

Class Trailer
1 Class Introduction 23:32 2 Photographic Characteristics 06:46 3 Camera Types 03:03 4 Viewing System 22:09 5 Lens System 24:38 6 Shutter System 12:56 7 Shutter Speed Basics 10:16 8 Shutter Speed Effects 31:57
9 Camera & Lens Stabilization 11:06 10 Quiz: Shutter Speeds 07:55 11 Camera Settings Overview 16:12 12 Drive Mode & Buffer 04:24 13 Camera Settings - Details 10:21 14 Sensor Size: Basics 18:26 15 Sensor Sizes: Compared 24:52 16 The Sensor - Pixels 22:49 17 Sensor Size - ISO 26:59 18 Focal Length 11:36 19 Angle of View 31:29 20 Practicing Angle of View 04:59 21 Quiz: Focal Length 08:15 22 Fisheye Lens 12:32 23 Tilt & Shift Lens 20:37 24 Subject Zone 13:16 25 Lens Speed 09:03 26 Aperture 08:25 27 Depth of Field (DOF) 21:46 28 Quiz: Apertures 08:22 29 Lens Quality 07:06 30 Light Meter Basics 09:04 31 Histogram 11:48 32 Quiz: Histogram 09:07 33 Dynamic Range 07:25 34 Exposure Modes 35:15 35 Sunny 16 Rule 04:31 36 Exposure Bracketing 08:08 37 Exposure Values 20:01 38 Quiz: Exposure 20:44 39 Focusing Basics 13:08 40 Auto Focus (AF) 24:39 41 Focus Points 17:18 42 Focus Tracking 19:26 43 Focusing Q&A 06:40 44 Manual Focus 07:14 45 Digital Focus Assistance 07:35 46 Shutter Speeds & Depth of Field (DOF) 05:18 47 Quiz: Depth of Field 15:54 48 DOF Preview & Focusing Screens 04:55 49 Lens Sharpness 11:08 50 Camera Movement 11:29 51 Advanced Techniques 15:15 52 Quiz: Hyperfocal Distance 07:14 53 Auto Focus Calibration 05:15 54 Focus Stacking 07:58 55 Quiz: Focus Problems 18:54 56 Camera Accessories 32:41 57 Lens Accessories 29:24 58 Lens Adaptors & Cleaning 13:14 59 Macro 13:02 60 Flash & Lighting 04:47 61 Tripods 14:13 62 Cases 06:07 63 Being a Photographer 11:29 64 Natural Light: Direct Sunlight 28:37 65 Natural Light: Indirect Sunlight 15:57 66 Natural Light: Mixed 04:20 67 Twilight: Sunrise & Sunset Light 22:21 68 Cloud & Color Pop: Sunrise & Sunset Light 06:40 69 Silhouette & Starburst: Sunrise & Sunset Light 07:28 70 Golden Hour: Sunrise & Sunset Light 07:52 71 Quiz: Lighting 05:02 72 Light Management 10:46 73 Flash Fundamentals 12:06 74 Speedlights 04:12 75 Built-In & Add-On Flash 10:47 76 Off-Camera Flash 25:48 77 Off-Camera Flash For Portraits 15:36 78 Advanced Flash Techniques 08:22 79 Editing Assessments & Goals 08:57 80 Editing Set-Up 06:59 81 Importing Images 03:59 82 Organizing Your Images 32:41 83 Culling Images 13:57 84 Categories of Development 30:59 85 Adjusting Exposure 08:03 86 Remove Distractions 04:02 87 Cropping Your Images 09:53 88 Composition Basics 26:36 89 Point of View 28:56 90 Angle of View 14:35 91 Subject Placement 23:22 92 Framing Your Shot 07:27 93 Foreground & Background & Scale 03:51 94 Rule of Odds 05:00 95 Bad Composition 07:31 96 Multi-Shot Techniques 19:08 97 Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction 12:24 98 Human Vision vs The Camera 23:32 99 Visual Perception 10:43 100 Quiz: Visual Balance 14:05 101 Visual Drama 16:45 102 Elements of Design 09:24 103 Texture & Negative Space 03:57 104 Black & White & Color 10:33 105 The Photographic Process 09:08 106 Working the Shot 25:29 107 What Makes a Great Photograph? 07:01

Lesson Info

Speedlights

All right, so, speed lights. There's a lot of different speed lights available. The entry lights are for the people who maybe don't have a built in flash and they just want a little kicker flash just to help illuminate things that are directly in front of you. They don't have any bounce capabilities, so it's kind of limited in what they can do. We have intermediate level flashes, which I think are often pretty good choices for people who want to get involved with this type of work. They're going to give you some options. A little tilt and swivel so you can bounce against ceilings and walls, sometimes they'll have little infrared AF assist beams that will let your camera focus under low light conditions, and many of these will allow you to work wirelessly if you have another flash of that style, or you have a camera with a built in flash that has a wireless system so that you can put your cameras off to the side without a lot of cords and cables running all over the place. If you use fl...

ash a lot, you're photographing large groups, or you need to shoot in rapid sequence, the top of the line flashes typically have faster recycling times because they're more powerful. They're going to have external plugins where you could have an external battery powering your flash if you're going to be shooting for a long period of time. They have extra little features, little bounce mini cards and reflectors and so forth all built into them. They'll have syncs so that you can work in studio environments, and with all sorts of lighting equipment, and little diffusers so that you can work with wide-angle or even fish-eye lenses, and these, too, will often have these wireless connections. Canon and Nikon started with these wireless systems, and it's grown and expanded to pretty much all the systems out there, so there are some good options. I have seen some really elaborate photographs of people who have been hired by the manufacturers and have been given tens of thousands of dollars of their expensive lighting gear to fire something all TTL, and I'm just thinking: "Wow, you could have done this "whole thing with a few hundred bucks and basic flashes "if you would have been willing to use manual." And they were clearly doing a set-up shot, so they would have had a chance to test it. I think spending a lot of money on these flashes isn't the best choice for most people. You could actually go buy some decent lighting equipment for the price of three or four of these flashes, because they do tend to be quite a bit of money. But, for an event photographer, somebody moving around a lot, these can be really, really handy. So, strobe units. There are some more manual units out there. This old style was called the potato masher, because it looks kind of like a potato masher handle out there, and they were known as nice, powerful flashes that had a good kick, and wedding photographers had those for a long time, and I still see them on, there must be a prop house in Hollywood, because in a lot of the movies they have news reporters, and these people that clearly aren't photographers, but they're posing as them, use this. But, they are very powerful, as far as a hand-held device. When we get into the studio, we have mono lights, which are lights and power units all built in, and this is kind of nice because this is just one unit, you plug it into the wall or a battery pack, and it's got everything you need in there. The more serious photographers will have flash heads, and then they'll be plugged into the power source, a power pack or a generator, and this is going to be able to control more and send more power to these flashes, and so these flashes can be really, really powerful, and one of the advantages of these is that they can fire very, very quickly compared to some of the other speed lights, as well as being more powerful, so you could shoot a model spinning in a dress at a very fast shutter speed, and having a lot of light on them, so the flash is happening at just a thousandth of a second for freezing motion. One of the things that these companies are going for is the fastest flash sink that they can get. There's a lot of other things that we're not going to get into, really, in this class, but there are ring lights so that you can actually shoot straight through the light so you have, really, a seamless, shadowless area if you were doing a closeup face portrait.

Class Description

Short on time? This class is available HERE as a Fast Class, exclusively for Creator Pass subscribers.

As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.

Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:

  • How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
  • How to choose the right gear, and develop efficient workflow.
  • How to recognize and take advantage of beautiful natural light.

John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.

Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

JUAN SOL
 

Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan