What Makes a Great Photograph?
Alright, when it comes down to looking at your own photographs and really judging them cuz when you get into editing you gotta figure out what do I keep, what do I get rid of? What's important? And so for me a good photograph will have two over-riding themes. One, that it's beautiful and two, that it's interesting. And what these have in common is you need a good subject that is both beautiful and interesting. Now I think I said it before but it's important so I'll say it again is my definition of beautiful is very wide-ranging. I've taken picture of gum on walls and thought it's beautiful. There's a lot of things that can be beautiful if it is seen in the right light. So, what is beautiful? Well, having that good light that we've talked about in the previous lighting section. We had a whole section on composition, things that can be done in the right way. And then finally the moment, and that's one of the things that Photographers get to do that is really unlike any other art medium o...
ut there. You can paint pictures and make sculptures and write poetry and novels but capturing a moment visually, that's the domain of photography that is really unusual the way we get to freeze a moment forever. So that's something to really concentrate on. What's interesting? Things that are new. I remember watching a documentary that had National Geographic in one of their editors and they were trying to get into the editors' mind cuz they're looking through what all their photographers are looking for. It's like can you narrow it down? What do you want to see in a photograph in the next issue of the magazine? She said, "I wanna see something I haven't seen before. Show me something new." And that's hard in this day, when there's a lot of Photographers and there's a lot of photographs out there but there are still things that are new out there. You might have to use a different perspective than other people have used in the past. Photographing it in a different way. So Photographers, they just scatter out and they do all sorts of techniques. They're gonna do underwater infrared panoramic photography just to look at the world in a different way to see what we can see that's different than it's been done before. And sometimes not telling the whole story. Just adding a little bit of mystery, not telling the whole story, doing something to conceal everything just to give us a hint about what's going on. You don't have to tell us the full story. So that's what I'm looking for. But the one that really wins me over more often than not besides the subject which is all-important is having the right moment. And so when you get the right moment there is no comparison with anything else. Now that you've finished with the class I think you can finally say "I'm a Photographer." And so when people ask you what you do feel fine saying "I'm a Photographer." And you know what? It doesn't matter if you're a professional or an amateur because I just say "I'm a Photographer." It's about just being a Photographer. Now, the thing that I've found is that when you tell people "I'm a Photographer", they suddenly have lots of questions for you. "Oh really? What type of Photographer are you? What do you shoot? What type of camera do you use? Where do you shoot?" What about this? What about that? And they have lots and lots of questions. And I thought, "I really need to have a good response for them" because I want to answer them. And so I've prepared, maybe over-prepared, a response for when they ask, you know, what do you do? And they wanna know about it. So here's what I say now. "Yes, I have a camera, a lens and a tri-pod. I'm a Photographer. I was born in the analog era but I'm fully digital and dialed in. I'm as pure as a sixteen-bit uncompressed rah. But I have a positive attitude about shooting negative film. You might say I'm a retro-style, hyper-composite, fully integrated image-making machine. I love photography: photographs, pictures, portraits, panoramas, images, snapshots, clicks, pics, stills, frames, grabs, happy snaps, close-ups, head shots, even mugshots but I've just about had it with the Selfie. (woman laughs) (audience laughs) I'm on the sidelines, in the rafters and behind the goal line. I'm a sports Photographer. I've got a fast camera with fast shutter speeds and fast motor drive. I got fast lenses with fast glass that filters really, really quickly. I got a long lens on a skinny pole and (mumbles) in the fat security guard with a short fuse. Give me a track, a field, a court and a bunch of sweaty bodies and I'll give you a thousand images or maybe three that are properly composed. (audience laughs) I'm out in the woods, up in the hills and down in the valley. I'm a Nature Photographer. I love hi-res, pixel-perfect, super sharp hyperfocal images. I take long walks with wide lenses to tell big stories. I use long lenses on small subjects for a wide variety of reasons. Everybody thinks this job is a walk in the park. Well I don't know about that. We got snakes and spiders, bees and bears, avalanche, dehydration, hypothermia, heat stroke, lightning strike, frostbite, mosquito bite, snake bite, bear bite. Oh wait a minute, come to think of it what's not to like? Anybody up for a hike? (woman laughs) I'm riding the rails, flying the skies and stamping the passport. I am a Travel Photographer. I carry minimal gear so I can move at maximum speeds. I'm keepin a low profile but I'm highly tuned in. Monuments to markets, fairs to festivals, concerts to carnivals, people think I'm livin the dream. Trust me, one week in my shoes and you will be packing your bags. (woman laughs) I'm posting the pic, reading the feed, and checking my likes. I'm a Photographer that's savvy on social media. Everyone knows that Photographers live or die based on whether they're social or shy so they say you should be posting an update everyday, several times a day to the following websites: Facebook, Instagram, Pinterest, LinkedIn, YouTube, SmugMug, Snapchat, WhatsApp, Google, Reddit, Tumblr, Twitter, Flickr and five-hundred pics and when you're done with all that whose got time to go out and shoot photos? I got memory cards, hard drives and storage in the cloud. I'm a Photographer that is fully backed-up. I got triplicate hard drives and stacked rays in multiple locations backed up in a ray cloud-enabled server which means my images are available 24/7, to simultaneous multi-data downloads which means my images are available on my desktop, laptop, tablet, tv, phone, watch and any screen with a wireless Bluetooth connection except I can't show you anything right now because I forgot my password. (audience laughs) I like my lenses coated with fluorine and I like my glass made of fluoride. I encourage all of you to become a photographic machine whose every photo is dynamite just like mine. My name's John Gringo and I'm a Photographer."
As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.
Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:
- How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
- How to choose the right gear, and develop efficient workflow.
- How to recognize and take advantage of beautiful natural light.
John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.