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Leo Shoot: Asher

Lesson 8 from: Inside the Studio

Anne Geddes

Leo Shoot: Asher

Lesson 8 from: Inside the Studio

Anne Geddes

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Lesson Info

8. Leo Shoot: Asher

Lesson Info

Leo Shoot: Asher

Yeah you were six this is asher and you've been a slave he just woke up just like you and what's your what's your name again tell you tyler oh my goodness look at those legs I'm just sorry you almost don't need the padding tommy's must scythe so shall we shall we guys just mind your step here and I'll show you what we've been doing with some of the other babies um so we've got the centre of the of the sunflower so you've already photographed the sun player and everything so it's really all about the baby sitting there in uh in the outfit come and have a look you people feel a bit awkward carrying that you could take a friend we'll see space outwards oh yeah how what how old is a six and a half months wow how I have your first born oh come on come on what kind of a look over here look so here's what's going to be sitting he's a big boy how did you turn him around on him? Hey, hey it's just sitting in the center of the flower and um tyler separate and I'll get you to sit on the stool ove...

r there when we really yeah and you'll be able to see the image on screen if you want if he wants to do this john there standing right next to him so you don't have to work big attorney I'm not really time finding my right arm was like oh my god look look at my size yeah you left him afterwards well you wanna lift in hang out all right I'll try it your way let's talk about money when you look in that hold in your arms relax, okay it's probably follow all the dogs around the world looking way ah always the way we owe you will just go show won't even notice just go show just a minute just just we'll bring you in uh we got a water wiggle into this face way go I'm getting beauty you really way so can I see his face? What time do you anyway right come on waiting waiting for redraw come on, stop for good oh, let me know what kentucky is something that you know I wouldn't be going on the edges it feels costumey film has been poured into a letterman extra latte ah lin I don't have to do it if you don't want to hee hee is going to have a couple of I got a couple of brian yeah, you wouldn't know they don't have to do it if you don't want to look a sure starting his ankles get mommy, we got a couple, we've got a couple you don't have to do it if you don't want to, darling, you don't touch it's your first no he's my second second how was your other one? Almost four full he's probably used to me holding him all the time so is almost boy that's fine grammar and rimmer and brother sister sister are watching at home oh grandma and sister watching at home so we better sign something it's gonna shatter teo shut up grandma says how you can turn around grandma hi grandpa and whoever else is watching sister anyway way and he's like do not touch the country sorry, sorry I tried grandma I know whatever we'll take the head off I got you and you went and that's the amazing thing is that you only need to get that one yeah I don't want one shot of each crisis that all six of them way did it when good also exactly get any good smiles we're not after smile we're not a couple but you know just different expressions we've got one nicely on here grew in really fast just for that I'm not carrying him around. Thank you. Yes, thank you. Thank you. So do you want us to think this thank you so much. Thank you. Really push out you're bringing him in. We appreciate the opportunity, okay, thank us sure, thanks for being part of this amazing live experience okay, yeah, our orange, you know

Class Materials

bonus material with purchase

Lighting Diagram - Aries
Lighting Diagram - Leo
Reef Wallpaper
Urchin Wallpaper
Lighting Diagram - Aquarius
Stories From A Labor of Love Part 1
Stories From A Labor of Love Part 2
Stories From A Labor of Love Part 3
Stories From A Labor of Love Part 4
Stories From A Labor of Love Part 5

Ratings and Reviews

Jeff Petersen Studios
 

I just read the other reviews and think people may not have watched the preview video or listened to Kenna's explanation of what was going to happen. I felt the class was exactly what was advertised, and thought Kenna did an excellent job keeping things moving when there were obvious delays or unexpected events with "the talent" (the babies). I felt like I was at Anne's studio and experiencing what actually happens when she is working on a project. You can't script babies and pets, so you go with the flow and adapt. I think that's what they said and did. Kenna was always prepared to discuss Anne's books, or other topics and did a great job getting personal/and professional with Anne-just as they said they were going to. It is Creative "Live" so it could have been Much less organized, and much more chaotic, but I was actually Very impressed with the production and smoothness of the Creative Live team. I did feel like my view was blocked at times when I wanted to see how they were setting up some of the actual shots- but in general I think they did just about as well as you could in those conditions. I am not paid by Creative Live nor do they probably even know me, but I'm very happy to support and actually buy their content-because I don't know another place/format that teaches so many different, practical, and interesting topics as they do and I Love that they take chances like this and really do Deliver. Anne was very clear that she is not a technician. Creative Live has Tons of Great Technician classes in So many genres of photography (and of course other area)- with Anne's class there is Plenty to Learn from her, but the value does not come in the Wam Bam machine gun delivery of latest tech and tools, it is in the methodical, patient, But Driven pace that is anything but chaotic (as one reviewer said). As I said at the beginning, I think they delivered exactly what was advertised and I am very happy with my purchase. There is a wealth of information and frankly entertainment, for someone who is interested in really seeing behind the doors... AND, it is good for new people and experienced people, who are looking to get better in their craft, more successful, or maybe even famous-if they are honest...to see that not every day in a studio (or in any profession really)-Even for Anne Geddes- is Glamourous, Exciting and "Sexy": sometimes it is crying babies that need their diapers changed.

user-e90efa
 

I had the honor of supporting Anne in her launch of her beautiful line of baby clothing here in Washington ( as her fulfillment provider ) and her attention to every detail, their willingness to share their commitment to an unforgettable experience for every customer - it was such a pleasure to see the magic on the photography side of the business that I never had the opportunity to witness. Pure perfection, and thank you so much for sharing. Best to Anne and Kel! Michelle Harden

Nathan Ivie
 

Watched the first day of this event and it was very different than other creative live workshops. Different is sometimes good and sometimes bad, this session was just that good and bad. It really lacked the teaching aspect, they did not go over her equipment, basic camera and lighting settings used to create the look she wants in her images etc...The lady who was interviewing her was terrible Anne seemed really open to share but the questions were very poor and lacked follow up and really diving into what Anne was doing. It was really neat to get to watch her work, she has an amazing personality that really is soft and kind and it showed in the way she worked with the parents, babies, and her team. It was a great overview of how she approaches the studio and a project and the detail that goes into making a top notch image. It is however weak on giving you the info strait up on how to improve your own work. If you want to see what it's like to work with a big team on a major project this is a great workshop. If you want technical teaching it is not so great.

Student Work

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