So that's basically how we make this image. I just want to walk you through the steps here really quickly so that we can see where we're going here. So this is what we finished with, and this is where we started. So this is why I love compositing is that we aren't limited by where we are in the world. I mean, you can go online and get stuck of subjects. You can get stock of backgrounds, or you can shoot your own stuff or whatever. I mean, there's, like, literally the world, like it's limitless of what you can make with it. Um, so the first thing that we did was we added in the background here. And remember, we did the subject, the texture and clarity reduction on the background. And then we did a little bit of box blur. Then we went into adding all of the rain drops on the costume. So at first we did the hat and the saddlebags and then the yellow and the jacket and the lawsuit. And then we went in and painted in just a little bit more darkness into the costume itself. Then we added the...
raindrops, which originally were snow, and then I put them into a path blur, and we made sure they change the direction of the rain just a little bit, so that it wasn't just all one big sheet of perfectly vertical rain because no rain falls like that. And then we blended these out into it and kind of like mashed it away where it needed to be, making sure that there was more rain behind the subject than in front of the subject, even though there's still a little bit in front so that we have that appearance of atmospheric depth. Then we went into smart objects. We created a smart object and then did a color grade in adobe camera raw. And then we save that color grade in case we wanted to come back and make any changes or whatever. Then that option is there. Then we went into sharpening where we use the smart sharpen filter. And then there was a little bit of color correction on the neck there that I noticed that I was like, we should probably get that. So yeah, this is the beauty of compositing. Then you can bring the entire world to you from the floor walls inside your house, which I think is pretty awesome. So thanks so much for checking this out.
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Style a compelling character.
- Extract subject and replace background.
- Use textures and brushes to bring the subject into the image.
- Add a realistic atmospheric element.
- Color grade in Adobe Camera Raw.
ABOUT RENEE'S CLASS:
We can’t always shoot portraits in our dream locations. Sometimes we go to amazing places on vacation, or we find some great stock imagery online, and we want to transport our clients to somewhere special. For some artists, the most interesting places to create come from within.
For Renee, character portraits lean heavily on a compelling subject, something rooted in reality. In this class you will be guided through her process to style, pose, and hand paint texture and light to emphasize a portrait of a cowboy.
Take your studio portraits from clean and simple to compelling and eye catching!
WHO THIS CLASS IS FOR:
- Beginner and Intermediate Photographers
- Portrait photographers interested in compositing
- Beginner and Intermediate composite artists
- Artists interested in advancing their styling choices
Adobe Photoshop 2019 (20.0.6)
Adobe Camera Raw