I'm so excited today to teach all about multiple flashes. You know, you may have purchased a single flash when you started out in photography. You know, one flash. Maybe it was a Nikon flash. Maybe it was a Canon flash. And you put that thing to good use. And then you're like ooh, I'm feeling pretty energetic. This is good. I might add a second flash. But then once it gets much beyond the second flash you start thinking do I really need more flashes? You know, do I need four flashes, five flashes? Well, today I wanna show you how to do that. I wanna show you do multiple flash photography. And, the plan for today-- You'll notice the title. It says introduction to multiple flash photography. The plan today is to really kinda step you through the process. So today isn't necessarily all about posing and creating art per say in the class, rather it's more about the technical side. So, I wanna show you the ISOs and the shutter speeds. I wanna show you all about triggers and the technology th...
at goes with those triggers. I wanna talk about what the different types of lights are. And I wanna talk about, you know maybe what a key light is and should you use a soft box. And already this morning I've been talking with the studio audience here. We've been talking about but what about umbrellas? Do they do this? Do they do that? I wanna show you all of that good stuff today. So, before we get into the day, let me just quickly go through the plan for the day. We're gonna start out in the morning. We're gonna talk about flash review, so a little bit about what are the settings and the flash mean? What do we need to set up with the camera? ISO, shutter speed, aperture. What's the difference between indoor flash photography and outdoor flash photography? So, that'll be our first segment. Our next segment we're gonna get into modifiers, so the things like soft boxes and beauty dishes and snoots and grids and oh my. Do we need all this stuff? And I'll walk you through that. And all this time I'll be showing you example photos. So we'll be taking it here in the studio. I'll show you the difference between a beauty dish and a soft box. You can see it live on screen. In the afternoon that's when we get to our two lights and three-light set-ups. So, this is where we really start putting together everything we learned in the morning. I show you what can you do with two lights? And then we add a third one. What can we do with that third one? I've got probably five or six different arrangements that we'll shoot in each of those scenarios. And then, we end the class with four and five-light set-ups, which I think is probably the-- For most photographers these days, having four or five lights is probably the maximum that you'll ever have. So, I wanna show you what that would look like. You know, why? Why do we need five lights, or do you need five lights? Cause some people don't need five lights. I'm reminded of a photographer that I followed. He said when you think you need two lights, use one. When you think you need three lights, use one. There's some truth to that because sometimes simplicity matters. But, also there's times where you can't get the look that you're after unless you are using three or four or five lights. Today I'll be focusing mostly on these speed lights. So, I'm a Nikon shooter. I'll just get that out here initially. But today is camera agnostic. I'll be talking about Canon and Fuji and Sony, but I'll be demonstrating everything with Nikon. But everything I'm gonna demonstrate today, you'll be able to use no matter what camera system that you use.