Using Gradients with Masks
So the thing I want to show you was using radiance for blending into anything we used this election at first, then we use our pen are paintbrush to put this in here, I just want to grady and I just want something from to fade from one thing to another that's it plain and simple, not difficult whatsoever. So if I go in here, I'll just delete this mask. I don't have to because I can actually put my grady in right over the top want to believe that you can, but grady ints air going to override everything else. I just want to go in. I just want to play a radiant so this orange just basically merges into this without having me paint around, gonna grab my great aunt tool and because we're painting on a mask, we're only painting from black to white. Ok here's, my grady in right there, black dwight so concealed to reveal right there and then I can go in on my mask and when I start with my grady int, a menace start is going to be the conceal part first, because it's going to start with black and...
then go to white so wherever I click on my mask, is going to begin with the conceal and go to the reveal. If I want to go in and I want to reverse that, I'd have to go in and I'd have to click the reverse button here so that I would start with reveal because it's always going to start from left to right. So if I'm on my layer and I want to do ingredient mask has going from concealed to reveal, I'm going to collect on the portion that I would like to conceal or like to reveal here down to conceal, so I would like to reveal the leaves and I'm on my mask because I'm not on my mask. This is what I get. I want to be on my mask and I'm gonna start with reveal so I start with a reveal up here and I dragged it down and whatever distance I drag and the direction I drag is going to cover the entire radiant. So right there, you can see it goes from reveal to conceal if I do it really short here, you can see it does it like that. So if I start up here and then I dragged down where I stop is going to be in by conceal part, I can see that, so it kind of blends everything over that continuous radiant right there if I were to put ingredient on the background here. Like this, I want to just have this fade into nothing. I could always go in here, and I could put my mask on here, and then, if I do the grady and across this it's, the same concept it's going to do it, but what is going to do is this is going to put it so just faint, everything and the continuous matter, and of course, the great part is, if you did it the wrong way, which you will, you go ahead and just do the invert, which just simply inverts the conceal on the reveal. So in that case, if I wanted to put a color behind here or something like that, I certainly could, but I don't want tio I just wanted to do this, where I kind of get that nice little, even great asian, because this is just a black and white image, I can go in here, and I can go in, and I can paint here and do any additional work so I can expose more reveal more. I realized that those leaves need to be exposed a little bit more, so just take my brush with the white right there, said the opacity high, so I'm just going toe paint with white, we're just going to reveal all those so that was later masks, selections, painting it yourself, going ahead and using radiance. Why we lock the mask with the image and why we don't lock the mask with the image being able to put in multiple things like this, screen it back, go in and use adjustment layers. And then, of course, go in and have the bacon and the orange, which, of course, or two symbols of freedom, aren't. Why dot, we're going to make them.