Lessons
Day 1
1Day 1 Pre-Show Banter
03:23 2Workshop Overview
12:57 3Yoanna's Story
09:11 4Mandatory Lessons
27:15 5Role of the Model
15:23 6Ways to Get Discovered
15:23 7Polaroids
10:45Signing with an Agency
48:31 9Skype Interview: David Souza from Paragon
25:12 10Skype Interview: Photographer David Benoliel
27:43 11Afternoon Q&A
20:21 12Casting Calls
35:35 13Walking the Runway
25:51 14General Q&A
08:18 15Day 1 Wrap-Up
03:08Day 2
16Day 2 Pre-Show Banter
02:23 17All About Test Shooting
42:24 18Preparing to Test
25:57 19Morning Q&A
17:06 20A Professional Model on Set
13:10 21Working with Different Photographers
40:44 22Natural and Posed Modeling
25:05 23Shoot: Lingerie
48:21 24Lingerie Shoot Q&A
12:10 25Learning from Mistakes
19:04 26Lingerie Image Review
06:17 27Final Runway Practice
17:49 28Day 2 Wrap-Up
01:23Lesson Info
Lingerie Image Review
So you think these two images, um, mature, same expression and I noticed that in the bed it's the same all the time. Um, the only thing you really did differently is art your body up and these are what they put side by side. But I'm just I'm just thinking that it's something you need to work on facially in giving more here where you go back home and spend time and for the mirror. Just learning how to change your expression in your eyes, your face with your mouth learning how that looks and how it feels because you probably feel a certain way. But looking one way, so learn how would that look? Feels like to you. So when people are asking you to give me this look with that look, you can change around and give the look. Do you mind if I ask the girls? Teoh, explain how they feel when they see the shots of themselves or what they think of the shots? Ladies, would you mind? I'm sure I thought it looked much worse, But I think that just having the direction of the photographer really, really...
helped a lot, very much just because kind of when you're there, you're a little bit nervous at first. Presley being new to the whole shoot you You feel kind of nervous about what you should do. And the direction from the photographer really helps to know, Um, to really know what the time for once And it's really important that communication like they were talking about. Let's go to our next girl. So you think of this one? Um, I didn't think we even gave more variety than the other girls when she was shooting on the bed. I think she's a lot more aware of her body, Um, even when she was standing imposing with you earlier. I do feel, though, that it's the same kind of SMI zing with the I a lot and to kind of, you know, another word. It's my zing. Yet people get a little carried away with. That's my zing, meaning that you know your smile with your eyes. But, you know, be cute. Be the delicate, be playful. Give Matthew options. Be central, be sexy, but it's the same stance. I feel like in your eyes all the time. So and Raven also, I noticed that there's a different camera up to my face. You change and go into this mode, Put it down. You're more relaxed. So I want to get opposite way where you're more relaxed. Bring it up. So learned. Just give me that relaxed look as you are. Naturally. So what do you think of the shots when you see him? Raven? Do you like the shots of yourself? Um, yeah, I do like the shots, but I can definitely see what everybody's talking about with my eyes. I have done a few other shoots, and I have noticed that I seem to be much stronger posing with my body, and I feel like I really know my angles, but I really have to work in my eyes. And I don't know if it's because I have big guys. I have huge eyes. I know. So I just feel that everything is shows so much. It was so much better on camera when you have bigger eyes and so you really do you have to practice and work with it. So how to use your eyes car with Kara? I liked it. Um, this was after we had come in and told you that you were angling your chin too low and using your mouth in the same way. So you took direction quickly, and that's important. So this looks better. How do you feel? I feel like this experience, um, kind of tipped me over into allowing myself to feel more comfortable and confident from the camera. It was really powerful to have you honest. Sit next to me and watch her lips and watch what she did. And to be able to watch her change from just sexual descent to sensual or sexy de sensual. It was just It really helped me kind of get out of my head because when I think too much, then I'm frozen in time. If I allow myself to just be, then I'm able to be a little bit more like water. Like you said So lovely, right? What do you think of these two? I don't think she is such a cute girl. Great eyes face. I just think it's, um not varied enough, and I think you could definitely try. You know, I know it's in you and it's there, so be a little more very. Maybe in your next few shoots with Matthew, mess your hair up, kick a leg out before you get on comfortable and have fun and have fun. Yeah, so to me, to be fair, way did only did like a few frames on each girl, So I should be a lot, much more work than this. You be working to get those frames, but I want you to practice being more comfortable in front of the camera so you can give what's inside. How do you feel? Um, I don't really like him, but I think it's because you look good in them. Yeah, I kind of just You girls were putting yourself up there. I was not retouched. This is raw. This is in a kind of, you know, style of clothing that not every girl is gonna feel comfortable. And you guys did great. Okay, so you know, there's no retouching involved when you do lingerie or you're hoping to God that they're going to make you look even better. You guys have amazing figures, but you know, you know what I need and you guys put yourself in a awkward situation and you made it work. So kudos for that little often, ladies. Awesome job
Ratings and Reviews
a Creativelive Student
Tbh, this course should be mandatory viewing for all new models. A very insightful review of how it is to be a model, what is expected, what you can expect, how the industry works, what kind of modelling there is, how to deal with different types of photographers, catwalk, etc. Everything they should know but often need to learn the hard way. All masterfully presented by Yoanna House and Matthew Jordan Smith. Henrik "Imaginara" Bengtsson Sweden