Shoot: Reflectors to Add Extra Pop


One-Light Portrait Photography


Lesson Info

Shoot: Reflectors to Add Extra Pop

I'm gonna have you stand back here so you're not so much reflecting on his face, but almost creating a little bit of a rim light. Yup. So keeping that, as long as we keep it from the subject and behind, so as long as this is clear the light won't affect his face as much. And we'll get a nice rim light. John I'ma have you turn it just a little bit more this way so it's not in frame. Perfect, thank you. Alright... Head out this way more with your nose, eyes to camera. Chin up a tiny bit... 1, 2, 3. (camera snaps) And look at that, you can see it on his neck especially, and ear, we're even creating a little bit of a second catch light there. But just going from there, to there, look at his shoulder, creating that separation. Again, we didn't add a second light, we just added a silver reflector. So it's just something different you can do. There is a little bit of a distracting catch light in his eye, if you notice that. See that one? So what we can do there, move back, yep, John will just...

move back a little bit. Even further... Right there, perfect. Angle it towards Joe just a little bit. Alright, 1... 2, 3. (camera snaps) I might of got a little of background, but it doesn't matter, because it's black. So here we go, that looks really cool. You can just see a hint of rim light. If you look at his ear, look at here, the ear that's in shadow, versus here. It's just a hint. If you wanna move closer with your reflector, and you can do more. But that's basically, yup... We've got a question from online. Yeah Chinder says, "When would you use a white reflector?" "When would you use a silver reflector"? Okay Does one throw harder light? Yeah! So exactly. It's the same thing of when you would use a white umbrella versus silver. When you need more specularity and a little more pop from your reflector, use the silver side, because it's going to reflect a greater amount of light, than if you use the white side. Similar to if you're someone who uses natural light, and you're out shooting in white open sun, a lot of times you use the white side of your reflector, but if you're in open shade you might use the silver side, because you're trying to pull a little more light off that reflector, and put it back onto your subject. So, it just depends on what you're going for, but yeah, that's a good question. Any other questions here? So, with the beauty dish... Yes. There was no orange light before the flash... Not orange light, the... Day light... Oh the modeling light? Yeah the modeling light. Yeah, that won't affect anything at all with the shot. That'll only... If we didn't have any of these lights on, the only reason I would have that on is to be able to focus. That modeling light is so dim and it goes off when you hit the flash that it won't affect the shot at all.

Class Description

It's amazing what you can create with just one studio strobe. Editorial and Award-Winning photographer Dan Brouillette shows how to get amazing and different lighting with the simplest of gear. Whether on-location, or in the studio, he'll use one-light in a variety of different ways to create everything from soft and pretty looks to hard, edgy portraits. While taking advantage of a number of different lighting modifiers, and utilizing just one strobe- you'll have a strong studio on the go for your portrait photography. 


Omar Costa

Very nicely explained! Thank you for all the tips!

A.C. Photog

If you are beginner, this class is for you. It would help you understand different lights and modifiers.

Jennifer Schoenegge