Pencil Tool in Illustrator

 

Pen Tool in Illustrator

 

Lesson Info

Pencil Tool in Illustrator

Class Description

The Adobe Illustrator Pen tool can be difficult to pick up, but mastering it gives you enormous creative flexibility. Learn the best way to work with it in Pen Tool in Illustrator with Jason Hoppe.

Jason has spent nearly two decades teaching professionals how to get the most out of their creative tools. In this class, he’ll dive deep on the Adobe Illustrator Pen tool. You’ll learn which projects to tackle with the Pen tool and how it’s used. Jason will teach you best practice techniques for strokes and working with paths.

The Pen is an indispensable creative tool – if you could use a little help wielding yours, don’t miss Pen Tool in Illustrator with Jason Hoppe.


Software Used: Adobe Illustrator CC 2014 (18.1)

Reviews

MikeD
 

This tool is a bit in the ..., however Jason's inimitable style and affable character makes the class a delight to watch. I *MUST* learn to use the Pen and Pencil tool because I can't draw; not at all, not even a little bit. I say this literally, there are modest people and there are people who should be more modest and there are people who are poor at drawing, there are all colors and flavors and I say hands down, I cannot draw, write or even make an approximation of a straight line (literally, not an exaggeration) and my hand will not do what my eye and brain tell it. I can see where I want something to go and can't make my hand do it, I can't even trace something on tracing paper - the lines go every which way and this is something mastered by a six-year-old. So when I say I *MUST* use these tools, it's because I have no alternatives. Jason's class has been a Godsend because I can actually make plausible sketches, drawings and convey ideas through the use of these tools. I highly recommend this class if you want to learn how to get started using this tool. It's even fun once you learn a little bit about it.

HC
 

It's crazy that I've been using Illustrator for years—ever since Adobe bought Macromedia Freehand—and I've learned a few simple, key things so far. The 50% segment method is gold. It makes it so things are brought into a close-enough proximity, so shapes look pretty decent without too much effort. Also, knowing where to place points has always confounded me. Thanks for the tips. I'll practice and get more comfortable with what I've learned.