Oily Skin Considerations
Oily skin. So pose, camera angle, lens choice, makes no difference, doesn't' matter. What we're paying attention to is lighting, retouch, and other. For oily skin the deal is this, is that oily skin picks up specular highlights. Specular highlights are reflections of the light. That's what it is. It's, if you look at the skin, and you see that little texture, you know, that's reflecting, I don't know, can you see on my head? Like here? The reflections of the light, that's a specular highlight. If someone's wearing a ring and you see a bright highlight, that's a specular highlight. Well, our skin has that as well. But they're a lot more noticeable with somebody that has oily skin. So what I do first and foremost is makeup. Do that first, if you can. Powder makeup, matte makeup, use HD powder, or, are my blotting papers over here (mumbles)? Yep, got it. Or this is what I was talking about with the blotting papers. Maybe I can get one out. Got it, okay? Oh god. Oh, I'm good. I had my make...
up done, so this is good, I feel really good. Literally she powdered me four minutes ago, so I'm cheating here, but anyway, that's all I do. Powder it, rub it across the head for oily skin, it will get rid of it. So that's part of it. Large light sources, diffused. So if you see this, A, makeup. Go over, I don't do it to them, I say here, would you, uh, you're looking a little bit shiny to the camera, do you mind, just blot this on your forehead for me. They'll do that, then I'll say, I've got this powder, it just gets rid of shine, do you mind, you can just put that on. It's not makeup, so it's not gonna show up, don't worry, whatever. Then, take a picture. If it's still there, I go, okay, do I have a softer light source? Can I switch to a softer modifier? If it's still there, I bring it in closer. Bringing it in closer does two things. It makes it softer, but what it does as well, it actually spreads out that highlight, so instead of being like a little reflection here which is really bright, right, you've seen that, that just shine here. When you bring it in, it softens it, but it also spreads it out so it kind of just wraps around and it doesn't look like one big distracting highlight. Uh, let's see, what else? Retouching, using the clone stamp on darken. So you just would see the highlights right here. You clone, but then you're just darkening it down just a little bit. I also will take an empty layer, sample the skin color, paint it over, and then I try a couple different blend modes either the hue or color blend mode. And sometimes what it'll do is, a highlight that is just blown-out white, or has no color to it, it just brings back some of that skin tone so it doesn't look quite as shiny. Just tones it down a bit.