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The Art and Business of Conceptual Portraiture

with Jennifer Thoreson

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  •   12 Preparing a Conceptual Beauty Shoot

    08:23

Class duration: 10h 18m

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  • 85% recommended

    10 student reviews

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About The Class

the practice, process, and business of fine art photography.

Conceptual portraiture is where art and photography meet. In this class, Jennifer Thoreson will explore the intersection of fine art and photography and discuss the practice, process, and business of bringing conceptual portraits to life.

Jennifer is a visual artist, speaker, and lecturer whose photographic work has been widely published internationally in print and online journals. In this class she’ll reveal the process for developing commissioned and exhibition work. 

You’ll learn how to:

  • Create unique, imaginative props 
  • Secure the right type of model
  • Price your work
  • Approach galleries, museums, and publications

Jennifer will help you define your personal style and show you how to put together a conceptual series. You’ll get the inside scoop on what it takes to make a living through fine art photography and also get Jennifer’s tips on managing the business side.

If you want to expand into the expressive and exciting genre of conceptual photography, The Art and Business of Conceptual Portraiture with Jennifer Thoreson is the perfect place to begin your journey. 



Topics Covered


Lesson Plan

  1. 01

    Conceptual Meaning and Inspiration

    20:56
  2. 02

    How to Get Started

    10:18
  3. 03

    Breaking Down Your Own Experiences

    15:00
  4. 04

    Experimenting with Homemade Materials and Spaces

    15:03
  5. 05

    Testament Series

    16:35
  6. 06

    Conceptualizing a Body of Work

    11:30
  7. 07

    Concept Origin

    31:42
  8. 08

    Thinking in Layers

    13:31
  9. 09

    Writing an Artist Statement

    09:41
  10. 10

    Commissioned Work vs. Fine Art

    06:48
  11. 11

    Creating a Visual Vocabulary

    10:40
  12. 12

    Preparing a Conceptual Beauty Shoot

    Jennifer discusses the differences between working as a conceptual photographer and a commissioned one.

    08:23
  13. 13

    Preparing the Model

    18:23
  14. 14

    Shooting a Conceptual Beauty Shoot

    16:15
  15. 15

    Shooting a Conceptual Beauty Shoot Part 2

    17:04
  16. 16

    Conceptual Beauty Shoot Questions

    06:19
  17. 17

    Conceptual Domestic Shoot Prep

    07:13
  18. 18

    Conceptual Domestic Shoot Part 1

    25:51
  19. 19

    Conceptual Domestic Shoot Part 2

    08:40
  20. 20

    Conceptual Domestic Shoot Part 3

    30:19
  21. 21

    Submitting Work to Galleries

    15:34
  22. 22

    Submitting Work to Publications

    21:52
  23. 23

    How to Submit Work

    06:51
  24. 24

    Writing a CV or a Bio

    08:35
  25. 25

    Writing a Grant Proposal

    12:57
  26. 26

    Artist Residencies

    09:33
  27. 27

    Portfolio Reviews

    20:49
  28. 28

    Pricing, Edition and Signing your Work

    14:50
  29. 29

    Printing Your Editions

    06:46
  30. 30

    Working with Galleries

    14:16
  31. 31

    Building an Audience

    04:56
  32. 32

    Preparing for an Exhibition and Final Thoughts

    04:30
  33. 33

    Making a Living

    06:38
  34. 34

    Conceptual Shoot with Family

    1:27:00
  35. 35

    Conceptual Shoot with Male Model

    58:17
  36. 36

    Post-Processing Conceptual Shoots

    25:00

Meet Your Expert

Jennifer Thoreson

Jennifer B Thoreson is a young visual artist creating staged imagery that is both artistically stylized and meticulously crafted. Drawing inspirations from themes of faith and the intricacy of personal relationships, Jennifer is a dynamic and emotional illustrator of the human heart. The work is soulful, seeking the use of the forgotten or discarded, heavily symbolic, eerie and quiet. She references her faith and spirituality to bring insight and awareness, using heartfelt, acutely mapped personal experiences.  ... read more

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Bonus Material

Access your course materials here!

Get access to exclusive bonus content when you purchase this class.

  • pdf Syllabus.pdf
  • pdf Book Proposal Sample.pdf
  • pdf Critical Mass - Digital Book.pdf
  • pdf Curriculum Vitae Example.pdf
  • pdf Keynote PDF Segment 1.pdf
  • pdf Keynote PDF Segment 2.pdf
  • pdf Keynote PDF Segment 3.pdf

85% of students recommend this class.
See what some of them have to say.

  • Creativelive Student

    July 2015

    "Thinking about art is not making art." In this inspiring and informative workshop, Jennifer helps you put thought into action - through meaningful self-reflection, exploration and by taking her through her own processes. Through exercises and examples, she explains how to pull out a thread of an idea and develop it into a conceptual project that is informed and invigorated by personal experience, preference, interests, and so much more. Her workshop not only feeds the creative soul, but offers earnest information on taking first steps toward publishing and showing fine-art. Jen so beautifully shares her talent and her love of teaching - I first "met" her on Creative Live and have had the joy of being mentored by her in-person as well. This workshop is a very close second to spending time with her one-on-one. Thank you, CL, for bringing her back!

  • Creativelive Student

    June 2015

    I love Jennifer, she's one of my cL favorites! She is such a soulful photographer and her art just resonates with me in so many ways. While she was creating her conceptual piece with the mother and child, my eyes welled up because it was such a profound experience to witness. I appreciate that she has a graduate degree in art and is able to refer to others in the field who are leading the way. She is so genuine and I'm grateful for her willingness to bare her soul to us through her art and process. I've learned so much by watching how she interacts with models and communicates efficiently and gently to get AMAZING poses. Definitely worth the buy if you're looking for inspiration from an artist who creates images which evoke emotion and communicate a message, not just trying to make "great photos." I can't wait to learn about the business side of it all!

  • user 76eabd

    July 2015

    It was great to hear her comments on achieving the requisite print quality for the art market. As Jennifer commented, there was no time to go into detail of master printing but I would love to see a future course dedicated to the technical side of fine art printing.

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