RSVP for Lighting, Logistics, and Strategies for a Life in Photography and learn from the best, Joe McNally.
FINDING THE RIGHT SCENE
Even when it’s overcast, you can expect there to be a distinguishable direction of light, so our first step in post is to determine where your natural sunlight is coming from, and see if it is even possible to recreate it in the first place.
Featuring Trevor Daley & his beautiful family!
From first glance, we can see that our main natural light is filling the face, not illuminating from behind. Typically, golden hour photography features strong light flares from behind the subject, but we can see here that the sky didn’t permit that much sunlight from peaking through. If we try and add in a local adjustment brush from the SLRL Preset System that was created to mimic a sun flare, we can see that it isn’t a convincible attempt. Matching the light direction with the desired effect is the only way to make it appear authentic, and this is almost always the most common mistake photographers make when trying to enhance natural light in a scene, or recreate sunlight.
CREATING THE PRESET
Now that you have seen it in action, let’s break down what exactly the one-click Sun Flare local adjustment brush is doing, and here are the settings.
With a burst of Exposure and Highlights we are essentially creating, well, a mock sun, meant to enhance pre-existing sunlight but can also easily be used to transform a mundane sky when there is a clear direction of light. The brush is a decent size to create larger light spread and has a softer light quality due to the reduction in Clarity and Contrast.
IMPLEMENTING THE PRESET
In the original file on the left, you can see that the direction of light is visible, highlighting the edges of the leaves but not powerful enough to create a rim light surrounding the subjects. We placed the preset brush in the top left corner to match the direction of light and, immediately, the image is subtly transformed and vastly more dynamic than its original state.
Although this image above is from the same photoshoot, we can see that the natural ambient light has become stronger, most likely because the sun finally peeked out from the clouds. You can see the existence of natural sunlight when you look closer at the highlights surrounding the subject’s head, a factor missing from our previous example.
The Sun Flare brush applied in this scene has the most realistic effect of the three due to the presence of existing natural light.
In order to create a convincing sun flare in post, always match the direction of sun light in your scene. For more advanced techniques for recreating golden hour in your photography be sure to check out our latest course, or stream it in full as an SLRL Premium member.