Every artist has to operate in a bubble. That is the only way to pursue your vision, by being isolated from outside influences and finding your own path. But while that is a necessity when youâre crafting the first draft of your work, that can be your biggest barrier to properly revising it. While it helps to get feedback from others, and know how to properly interpret and act on that feedback, you yourself need to be an impartial critic.
And that is really, really difficult. But here are a few tricks that may be able to get you out of the bubble to judge your art objectively:
Hibernation
The most popular one is to hide your project away for as long as you can stand and then go back to it for a critique. The trick is to be able to stick with that. Weâre usually so excited about a project (or worried) that we canât help but take peeks or tell people about it or spend our free time thinking about what to change or what worked out so great about it. Work on something else or do anything you can to shift your attention so when you return to the project, it seems as alien as possible.
Transformation
One guaranteed way to change how you see your work is to change how the work is seen. If you have a painting, take a photo of it and see how it looks on your phone. If you have a photography project, put them on an old scanner and see how they look with shoddy resolution. If you have a story, break up the paragraphs or change the font or copy it longhand or use a typewriter. Anything that changes the way you perceive something can radically alter how you judge it.
Obliteration
This may seem a little daunting, but it can also be incredibly eye-opening: act as though your project has been destroyed. Thatâs right, start from square one and try to recreate what you just did. You probably wonât get too far before you start seeing yourself making little alterations. Now that youâre back to a blank slate, some of the little missteps you didnât want to admit to are starting to come to the forefront. But donât despair -- you will also see all of the great things you did and the stuff that you are happy to put back in there. You can never be truly objective looking at your own art, but this way you can see what doesnât exactly work and what truly means the most.
Every artist has to operate in a bubble. That is the only way to pursue your vision, by being isolated from outside influences and finding your own path. But while that is a necessity when youâre crafting the first draft of your work, that can be your biggest barrier to properly revising it. While it helps to get feedback from others, and know how to properly interpret and act on that feedback, you yourself need to be an impartial critic.
And that is really, really difficult. But here are a few tricks that may be able to get you out of the bubble to judge your art objectively:
Hibernation
The most popular one is to hide your project away for as long as you can stand and then go back to it for a critique. The trick is to be able to stick with that. Weâre usually so excited about a project (or worried) that we canât help but take peeks or tell people about it or spend our free time thinking about what to change or what worked out so great about it. Work on something else or do anything you can to shift your attention so when you return to the project, it seems as alien as possible.
Transformation
One guaranteed way to change how you see your work is to change how the work is seen. If you have a painting, take a photo of it and see how it looks on your phone. If you have a photography project, put them on an old scanner and see how they look with shoddy resolution. If you have a story, break up the paragraphs or change the font or copy it longhand or use a typewriter. Anything that changes the way you perceive something can radically alter how you judge it.
Obliteration
This may seem a little daunting, but it can also be incredibly eye-opening: act as though your project has been destroyed. Thatâs right, start from square one and try to recreate what you just did. You probably wonât get too far before you start seeing yourself making little alterations. Now that youâre back to a blank slate, some of the little missteps you didnât want to admit to are starting to come to the forefront. But donât despair -- you will also see all of the great things you did and the stuff that you are happy to put back in there. You can never be truly objective looking at your own art, but this way you can see what doesnât exactly work and what truly means the most.