Adobe® Illustrator® Creative Cloud®: Essentials for Creating Projects

Lesson 4 of 56

Create and Save New Documents

 

Adobe® Illustrator® Creative Cloud®: Essentials for Creating Projects

Lesson 4 of 56

Create and Save New Documents

 

Lesson Info

Create and Save New Documents

We're gonna come up under File, and you're gonna see that there are two commands here. There's New and new from Template. Now, I don't really use New from Template much. They have some templated files that you could start with like a brochure and a this and a that. Explore it, okay? I don't really go there, but we're gonna go and create a document from scratch here, so go and choose File, New, and let's take a look. Now, in Illustrator like every Adobe application that I run across, when you choose something, you're like, "Hey do this thing. "Export that. "Save that. "Open This." You expect it just to do it, but you're always gonna get a dialog box that says, "Well, you can do it, but what do you want to do with it?" You know what I mean? Like, what are your settings? A lot of these are super important. We're gonna hit a few of them. When you setup new documents, you can go in and you can change a lot of this later, but one of the first things I tend to do is give it a name. This is so...

weird, but this is actually gonna be the file name, kay? When we save the file out, so why don't you call this, we're gonna call this robot. We're gonna be drawin' some flowers in a little while here, so we're gonna call it Robot. I'm totally kidding. We're actually gonna draw a robot, so, call it robot. That's gonna be the file name. You can change it later. Come under Profile here. Come into this menu. If you are designing or creating for different things. So let's suppose you're trying to do a web design, or you wanna maybe do some icon mock ups or you're creating a brochure. You're gonna start with a profile here. It always starts with print. Now what it's gonna do, is it's gonna set a few things for us. It's gonna set us how the colors are made, resolution, different things like that. We don't have to worry too much, but if you are gonna do something like maybe you wanna, does anybody do web design at all? Any kinda web, Okay. Why don't you go ahead and choose Web. And what I want you do do is come under Size here. There's a menu right here that you can click on. You're gonna notice that it does things like set the sizes for us based on the profile we set. So it's gonna do things like set units for us. It's gonna pick pixels instead of inches. It's gonna do all these different things. It's really important to pick what you're doing. We gotta pick a profile first, okay? Why don't you go back up to Profile, and choose Print. Just make sure that's selected. Now you're gonna see here it says "Number of Artboards." We can tell it how many pages or artboards we want to start. I rarely do this, 'cause once you get in there, you can say, "Let's "jam out 20 artboards," if we want. We can do it really easily once we open Illustrator. We're gonna start with one single artboard. If you come down here, you're gonna see the size. Why don't you click on size. You can pick just about, you know, all the different sizes that they have in here. If you don't like the options available, you can type in your own, so if I don't, if I don't want to do one of these, you're gonna see we have the width and the height that we can set separately. We can type those in. We don't need to do that. Does anybody work with points? Picas? Anything like that in design or any program? Yeah, I stopped doin' those about... 10 years ago. Why don't you come to units here, and I'm always workin' in either inches or pixels. So we have, we can do that. So go in and choose inches in this case, so working on a print document, and as soon as you choose inches, you're gonna see that things change, 'kay? So we get our, you know, eight and a half by 11, et cetera. Now you're gonna see right here that we have a bleed. What, in print world, what's a bleed? Does anyone know? Goes off the edge. Okay, he said, "Goes off the edge." That's exactly it, so if we have, let's say we're, we're printing something like a post card, and you want to have color or artwork go basically to the edge. Print to the edge. We're gonna actually set a bleed. A bleed is a series of, of just lines drawn around the outside edge of the page or the artboard, and you take your art work, and you pull it just beyond the edge so that when you print it at certain printers, they'll actually cut it out, okay? So that's what's called a bleed. We're not gonna have to set that today, that's fine. Why don't you click on Advanced right here. I know we're just kinda beginning here, but if you click on the arrow to the left of Advanced, later on when you become more familiar with how Illustrator works, you can set things in here. Right now... Don't touch, 'kay? Just click the arrow to the left of Advanced, and we don't need to touch that for now. And why don't you go ahead and click OK. We're gonna get this open. All right. So we've got our first document. Now, well, first things we need to do here is, we need to save this thing. Super important, so we're gonna go save it. Come under File, and you're gonna see that there are about six million different ways to save in here. Kinda makes your head spin a little. We're just gonna choose Save or Save As... It's kinda weird, they're the same thing. We're just starting. So go ahead and choose Save As... Save As... Go ahead and put this on your desktop if you don't mind, an we're gonna save it out. Now notice what the name is here. It's the name we picked when we first set up this document, robot.ai. You can go in, and you can put just about anything you want there. You'll notice that the extension is .ai for Adobe Illustrator. This is your native file format. The awesome thing about this file format, you can take this and bring it to in design, and place it directly in what you're working on. You can bring it over to Photoshop. You can bring it to Muse. You can do all kinds of things with this file, okay? Down here, you're gonna see that we have what's called Format. Lemme see if I can pull this up a little bit. Why don't you click on Format down here? We have a series of formats that we can save in. We want to save as ai. That is our working file, our native file, okay? The rest of these we're gonna ignore for right now. So make sure ai is selected there, Adobe Illustrator, and go ahead and save it. Now of course, like I said before, when you make a selection it's gonna say, "You're not done yet." Okay? You gotta answer some questions here. You guys, this, I look at this and I'm like huh? I know what this stuff does 'cause I've used Illustrator for a while. I'm only, I'm gonna tell you one thing. If you're taking a document and you're sending it to somebody who has an earlier version of illustrator, it can help if you save it backwards to their version. This is one of the only things that I'm gonna suggest you even look at in here to start with, okay? You don't have to do this, to be honest, because it will open, all right? It will open in previous versions, so... It goes all the way back to Illustrator 3. It's pretty crazy. All right, just go ahead and click OK. Most people just blow by and don't even look. We'll look at this maybe later on. And we've got our document, cool. Robot.ai. All right. Now what we're gonna do is we're gonna go in and we're gonna start looking at trying to, let's say, zoom and navigate and kinda get a feel for how to get around in a document, and we're also gonna start working with artboards a bit, okay? Now this document is pretty... Underwhelming. There's not much here yet, so what I want you to do, is we're gonna switch back to that other Illustrator file we had open, the intro file. Hopefully you all still have that open. You'll see that when you open multiple files in Illustrator, they're open as tabs along the top, which is kinda cool. Why don't you click on the tab for intro.ai, and you'll just toggle back to that one, and we're gonna take a look, like I said, at kinda just getting around a little bit.

Class Description


The world’s top designers use Adobe® Illustrator® for its powerful, vector-based drawing environment – and now you can gain fluency in it, as well! Join Brian Wood for a dynamic course on everything you need to know about Adobe® Illustrator®.

By walking you through a series of projects on Adobe® Illustrator®, Brian will give you a comprehensive toolkit that will answer any need, including:

  • Getting started in Adobe® Illustrator® and familiarizing yourself with its workspace
  • Creating color using a variety of methods
  • Creating and transforming artwork, working with text, and importing images
  • Tricks and techniques for drawing: selecting and editing, and working with layers
  • Creating custom patterns, brushes, and symbols
  • Exploring built-in visual effects libraries
You’ll also tackle more advanced Adobe® Illustrator® topics, like the perspective grid, Creative Cloud libraries, effects, live paint groups and selection, blends, and the shape builder tool.

Lessons

  1. Class Introduction
  2. What is Adobe® Illustrator®?
  3. Explore the Interface
  4. Create and Save New Documents
  5. Zoom and Navigate
  6. Working with Artboards
  7. Introduction to Layers
  8. Rulers and Guides
  9. Shapes and Drawing
  10. Aligning and Combining Shapes
  11. Pen Tool
  12. Manipulating Stroke and Fill
  13. Creating and Editing with Color
  14. Painting with Gradients
  15. Getting Started with Patterns
  16. Adding Text To Your Document
  17. Formatting Text
  18. Strokes and Variable Strokes in Adobe® Illustrator®
  19. Rotating Objects in Adobe® Illustrator®
  20. Effects and the Appearance Panel in Adobe® Illustrator®
  21. Adding Photo Images in Adobe® Illustrator®
  22. Working with Linked Content in Adobe® Illustrator®
  23. Packaging your Project for Handoff in Adobe® Illustrator®
  24. Best Formats to Save Your Files
  25. Select Like a Pro: Layers, Groups, & Other Unique Tools
  26. Edit Paths Like a Pro in Adobe® Illustrator®
  27. Editing Paths: Pen Tool in Adobe® Illustrator®
  28. Creating & Applying Brushes to Artwork in Adobe® Illustrator®
  29. Editing Paths: Knife & Scissor Tool in Adobe® Illustrator®
  30. Editing Paths: Join Tool in Adobe® Illustrator®
  31. Editing Paths: Isolation Mode in Adobe® Illustrator®
  32. Pen Tool Shortcuts in Adobe® Illustrator®
  33. Other Drawing Tools & Methods in Adobe® Illustrator®
  34. Transforming Techniques in Adobe® Illustrator®
  35. Shortcut to Reflecting Artwork in Adobe® Illustrator®
  36. Get to Know Your Appearance Panel in Adobe® Illustrator®
  37. Exploring Effects in Adobe® Illustrator®
  38. Work Smarter with Graphic Styles in Adobe® Illustrator®
  39. Color Inspiration in Adobe® Illustrator®
  40. Type Effects in Adobe® Illustrator®
  41. Masking Your Artwork in Adobe® Illustrator®
  42. Using Creative® Cloud® Libraries in Adobe® Illustrator®
  43. Capture Artwork with Creative® Cloud® Apps & Adobe® Illustrator®
  44. Tracing Raster Images in Adobe® Illustrator®
  45. Blending Artwork in Adobe® Illustrator®
  46. Using Symbols in Adobe® Illustrator®
  47. Using a Perspective Grid in Adobe® Illustrator®
  48. Crash Recovery in Adobe® Illustrator®
  49. GPU Performance in Adobe® Illustrator®
  50. Curvature Tool in Adobe® Illustrator®
  51. App Integration in Adobe® Illustrator®
  52. Creative® Cloud® Libraries in Adobe® Illustrator® App
  53. Shaper Tool in Adobe® Illustrator®
  54. Smart Guides in Adobe® Illustrator®
  55. Text Enhancements in Adobe® Illustrator®
  56. SVG Export in Adobe® Illustrator®

Reviews

KATIE Y
 

I am a pretty computer literate person but an Ai beginner i.e. I am completely new to the Creative Cloud/Adobe Illustrator. (This is also the first time I've used CreativeLive.) I think this course it is fantastic. The pace is good as is the content which progressed logically and covers all the basics you'd hope it would. The course is 2 full days' worth of material but it is broken down into segments so you can revisit or skip through as you need to. The presenter is really personable and easy to watch (even for me, a Londoner!). I would also say I think it is pretty good value for money -- I am currently enrolled on a part time course, basically doing the same sort of stuff, and I have to say this is better and a bit cheaper! I definitely recommend it to you!

jackflash
 

A brilliantly designed course. it's almost magic. It's everything you hope for in a follow-along software class. Brian Wood has engineered it so that you start on a project that just needs basics, and then you move on to more & more complicated projects, and almost without realizing it you've learned Illustrator. This doesn't just happen -- Wood has clearly put a LOT of effort into creating this course. Here's one trivial example: he doesn't overload you with a lot of keyboard shortcuts right at the beginning -- you start with the actions themselves, using the (admittedly tedious but easy) pulldown menus, and then after you're comfortable with what you're doing, he'll throw in the shortcut. It may seem obvious, but so many instructors feel they have to give you an extensive foundation of definitions, shortcuts, interfaces, etc., before you ever do anything. Good stuff to know, but you'll never remember it. Wood has you up and working almost immediately. And he's a joy to listen to, at a perfect pace. Highly recommended.

Philippe LIENARD
 

Top course. Very well explained, clear, good examples, pleasant teacher. I like it and recommend it. One suggestion, it would be nice to have a detailed table of content of the course in the material. For instance, it took me quite a while to find back the part of the course where how to make a gear was explained.