So now let's get into an introduction to photo shop. This is where if you ever want toe read through a Photoshopped technique or watch a video about photo shop, that's not an absolute beginning. One. This will get you started. I'll show you how to do things like open files saved them a navigate around your document and the photo shop interface. So the main thing is, we're gonna learn the big picture before we get into the details of Photoshopped. Now, before we really open Photoshopped, though, I want to talk about where I'm gonna be viewing my images before I open them, because I'll have to be able to compare multiple images and decide which ones worth opening. And I'm going to do that in one of two programs not in photo shop itself, but in either adobe bridge or adobe Light room. Bridge comes with Photoshopped, so if you have access to photo shop, you should be able to download bridge for Free Hunt adobes website or through the creative cloud app that you used to update Photoshopped.

The second program you could use would be adobe light room in light room is different than bridge in that it's a cataloging program. Cataloguing means that if I end up viewing any images and light room, those air images that it's gonna keep track of. So even if I don't have the originals with me later on, I can still view those images and organize them. Anyway. Let's look at the difference between the two programs, so you get a sense for wind. Might I use one versus the other? So first off, Adobe Camera Raw is what we're going to use to adjust images when we first opened about and Adobe Light Room has the same functionality has adobe camera when it comes to adjusting pictures. So if you ever see me do something in a screen that I call Adobe Camera and you have light room, you could do it there instead because the names of the adjustment sliders will be identical. Then both bridge and light room convicts play the contents of a folder, and we're going to use that to preview our images so we can see nice big previews before we end up opening them. But bridges going to show files that light room would ignore, and that would be light room is only going to show you images that means photographs or things that are similar to photographs. If I use bridge, though, I can see illustrations from Adobe Illustrator. I can see page layouts from in design. I can see pdf files and other content that would be totally ignored by Adobe Light Room. And therefore, if I worked with a lot of adobe products, I might want to end up using bridge whenever I'm not viewing my photographs, and I'll use light room when I want to look at my are kind of all the photos have captured but light room catalogues your photos, and that means you're not going to just pointed out a folder and see what's there. That's what bridge does. Instead, light room. You have to import your pictures when you import him. It doesn't actually put them into light room in that it leaves them the original locations wherever you want. A storm doesn't force you to change that, but the main thing is it creates thumbnail images in large previews that its stores and a catalog file that makes it so I can disconnect the big hard drive that contains all of my images. I have one that contains over 200, images that's at home in Florida. Well, I didn't bring it with me, and I can still view all 200,000 pictures. And that's only because light room catalog those files in its stores preview images of what they look like Bridge is incapable of that bridge. Can Onley show me images that I could have active access to where the hard drive that contains the originals is attached to my computer? But that's one of the reasons why I choose to organize my images and light room, because I can view those images even when I don't have the originals with me. So light Room has the potential to completely replace two pieces of software that I'm gonna be using during this class. And that would be Adobe bridge and adobe camera raw. Any time you see me in those two programs, know that if you own light room, I might end up using it as an alternative. But any time I have non photo files or I'm working with files that are not my own, they're not files that I'm ever gonna wanna look out in the future. Instead, a friend just brought up some images, wants me to glance at him and maybe do a quick fix on them. And after that, I'm never going to want to see him again. Well, I wouldn't want those kinds of images to clutter up my light room catalogue, and therefore I would use Adobe Bridge temporarily just for those kinds of images. So just in general, if you unlike room, feel free to use it. Any time you see me in bridge or adobe camera raw and I'll show you what camera rise. Once we get onto the lesson about that, then something you should be aware of before you get into photo shop because you're going to see me doing things and photo shop that might be different than the way you accomplish things if you've already been in there a bit. So there's always more than one way of doing things in photo shop, and you don't have to know them all. Instead, you want to find the one method that you're comfortable with, and it might not be crazily inefficient because you don't want to be going too slow and Photoshopped. But the main thing is, you first find comfort, then if he only is Photoshopped every once in a while, let's say once or twice a month. Then most of the time you're going to do the manual method for things that means if there is ah, menu, you need to go to the top of your screen and choose something. You'll manually do it with your mouse. But if you use Photoshopped daily all the time, then you want to get more into efficiency. And because if you use a feature five or 10 times a day, then you're going to start concentrating unlearning keyboard shortcuts. And so all usually share it with you both. The manual method for those that are not gonna remember keyboard shortcuts. And then I'll feed you the keyboard char cut, and that will end up making it so you might want to review the videos. If you're new to photo shop the first time going through, you're just trying to get a feeling for where everything is located and you're doing everything manually. Second time through, you got used to the manual method, and then you can speed yourself up with the keyboard shortcuts. But over time The goal usually is to discover the most efficient method for doing something so you can be quick in photo shop and to find the method that gives you the highest quality. And it takes time before you can end up discovering that. So you start off with what you're comfortable with, but in the end you end up with what's best.

Class Description

All individual classes that make up this bootcamp are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

Develop an understanding of how Photoshop works
Create your ideal workspace
Configure the essential preference settings
Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
Navigate multiple images seamlessly

ABOUT BEN’S CLASS:

Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.

Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.

Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.

WHO THIS CLASS IS FOR:

Beginner, intermediate, and advanced users of Adobe Photoshop.
Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.

SOFTWARE USED:

Adobe Photoshop 2020 (V21)

Class Materials

Bonus Materials with Purchase

Lessons 1 - 6 - Handbook 1: Introduction to Adobe Photoshop

Lessons 7 - 12 - Handbook 2: How to Use Camera Raw

Lessons 13 - 18 - Handbook 3: Making Selections

Lessons 19 - 24 - Handbook 4: Using Layers

Lessons 25 - 30 - Handbook 5: Using Layer Masks

Lessons 31 - 38 - Handbook 6: Using Adjustment Layers

Lessons 39 - 44 - Handbook 7: Color Theory

Lessons 45 - 51 - Handbook 8: Retouching Essentials

Lessons 52 - 59 - Handbook 9: Tools Panel

Lessons 60 - 64 - Handbook 10: Layer Blending Modes

Lessons 65 - 70 - Handbook 11: How to Use Filters

Lessons 71 - 74 - Handbook 12: Advanced Masks

Lessons 75 - 81 - Handbook 13: Using Smart Objects

Lessons 82 - 86 - Handbook 14: Photography for Photoshop

Lessons 87 - 93 - Handbook 15: Advanced Photo Retouching

Lessons 94 - 98 - Handbook 16: Warp, Blend, Liquify

Lessons 99 - 105 - Handbook 17: Advanced Layers

Lessons 106 - 112 - Handbook 18: Actions

Lessons 113 - 117 - Handbook 19: Troubleshooting Issues

Practice Images 1: Introduction to Adobe Photoshop

Practice Images 2: How to Use Camera Raw

Practice Images 3: Making Selections

Practice Images 4: Using Layers

Practice Images 5: Using Layer Masks

Practice Images 6: Using Adjustment Layers

Practice Images 7: Color Theory

Practice Images 8: Retouching Essentials

Practice Images 9: Tools Panel

Practice Images 10: Layer Blending Modes

Practice Images 11: How to Use Filters

Practice Images 12: Advanced Masks

Practice Images 13: Using Smart Objects

Practice Images 14: Photography for Photoshop

Practice Images 15: Advanced Photo Retouching

Practice Images 16: Warp, Blend, Liquify

Practice Images 17: Advanced Layers

Practice Images 18: Actions

Practice Images 19: Troubleshooting Issues

Ratings and Reviews

Student Work

I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!

ford smith

Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!

a Creativelive Student

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!

2,000+ classes ranging from fundamentals to advanced techniques.

Adobe Photoshop: The Complete Guide Bootcamp

Bridge vs. Lightroom

Lesson Info

Lessons

Introduction To Adobe Photoshop

Bridge vs. Lightroom

Tour of Photoshop Interface

Overview of Bridge Workspace

Overview of Lightroom Workspace

Lightroom Preferences - Saving Documents

How To Use Camera Raw in Adobe Photoshop 2020

Overview of Basic Adjustment Sliders

Developing Raw Images

Editing with the Effects and HLS Tabs

How to Save Images

Using the Transform Tool

Making Selections in Adobe Photoshop 2020

Selection Tools

Combining Selection Tools

Using Automated Selection Tools

Quick Mask Mode

Select Menu Essentials

Using Layers in Adobe Photoshop 2020

Align Active Layers

Creating a New Layer

Creating a Clipping Mask

Using Effects on Layers

Using Adjustment Layers

Using the Shape Tool

Create a Layer Mask Using the Selection Tool

Masking Multiple Images Together

Using Layer Masks to Remove People

Using Layer Masks to Replace Sky

Adding Texture to Images

Layering to Create Realistic Depth

Adjustment Layers in Adobe Photoshop 2020

Optimizing Grayscale with Levels

Adjusting Levels with a Histogram

Understanding Curves

Editing an Image Using Curves

Editing with Shadows/Highlights Adjustment

Dodge and Burn Using Quick Mask Mode

Editing with Blending Modes

Color Theory

Curves for Color

Hue and Saturation Adjustments

Isolating Colors Using Hue/Saturation Adjustment

Match Colors Using Numbers

Adjusting Skin Tones

Retouching Essentials In Adobe Camera Raw

Retouching with the Spot Healing Brush

Retouching with the Clone Stamp

Retouching with the Healing Brush

Retouching Using Multiple Retouching Tools

Extending an Edge with Content Aware

Clone Between Documents

Crop Tool

Frame Tool

Eye Dropper and Color Sampler Tools

Paint Brush Tools

History Brush Tool

Eraser and Gradient Tools

Brush Flow and Opacity Settings

Blur and Shape Tools

Dissolve Mode

Multiply Mode

Screen Mode

Hard Light Mode

Hue, Saturation, and Color Modes

Smart Filters

High Pass Filter

Blur Filter

Filter Gallery

Adaptive Wide Angle Filter

Combing Filters and Features

Select and Mask

Manually Select and Mask

Creating a Clean Background

Changing the Background