Lesson Info
2. Bridge vs. Lightroom
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Bridge vs. Lightroom
So now let's get into an introduction to photo shop. This is where if you ever want toe read through a Photoshopped technique or watch a video about photo shop, that's not an absolute beginning. One. This will get you started. I'll show you how to do things like open files saved them a navigate around your document and the photo shop interface. So the main thing is, we're gonna learn the big picture before we get into the details of Photoshopped. Now, before we really open Photoshopped, though, I want to talk about where I'm gonna be viewing my images before I open them, because I'll have to be able to compare multiple images and decide which ones worth opening. And I'm going to do that in one of two programs not in photo shop itself, but in either adobe bridge or adobe Light room. Bridge comes with Photoshopped, so if you have access to photo shop, you should be able to download bridge for Free Hunt adobes website or through the creative cloud app that you used to update Photoshopped.
The second program you could use would be adobe light room in light room is different than bridge in that it's a cataloging program. Cataloguing means that if I end up viewing any images and light room, those air images that it's gonna keep track of. So even if I don't have the originals with me later on, I can still view those images and organize them. Anyway. Let's look at the difference between the two programs, so you get a sense for wind. Might I use one versus the other? So first off, Adobe Camera Raw is what we're going to use to adjust images when we first opened about and Adobe Light Room has the same functionality has adobe camera when it comes to adjusting pictures. So if you ever see me do something in a screen that I call Adobe Camera and you have light room, you could do it there instead because the names of the adjustment sliders will be identical. Then both bridge and light room convicts play the contents of a folder, and we're going to use that to preview our images so we can see nice big previews before we end up opening them. But bridges going to show files that light room would ignore, and that would be light room is only going to show you images that means photographs or things that are similar to photographs. If I use bridge, though, I can see illustrations from Adobe Illustrator. I can see page layouts from in design. I can see pdf files and other content that would be totally ignored by Adobe Light Room. And therefore, if I worked with a lot of adobe products, I might want to end up using bridge whenever I'm not viewing my photographs, and I'll use light room when I want to look at my are kind of all the photos have captured but light room catalogues your photos, and that means you're not going to just pointed out a folder and see what's there. That's what bridge does. Instead, light room. You have to import your pictures when you import him. It doesn't actually put them into light room in that it leaves them the original locations wherever you want. A storm doesn't force you to change that, but the main thing is it creates thumbnail images in large previews that its stores and a catalog file that makes it so I can disconnect the big hard drive that contains all of my images. I have one that contains over 200, images that's at home in Florida. Well, I didn't bring it with me, and I can still view all 200,000 pictures. And that's only because light room catalog those files in its stores preview images of what they look like Bridge is incapable of that bridge. Can Onley show me images that I could have active access to where the hard drive that contains the originals is attached to my computer? But that's one of the reasons why I choose to organize my images and light room, because I can view those images even when I don't have the originals with me. So light Room has the potential to completely replace two pieces of software that I'm gonna be using during this class. And that would be Adobe bridge and adobe camera raw. Any time you see me in those two programs, know that if you own light room, I might end up using it as an alternative. But any time I have non photo files or I'm working with files that are not my own, they're not files that I'm ever gonna wanna look out in the future. Instead, a friend just brought up some images, wants me to glance at him and maybe do a quick fix on them. And after that, I'm never going to want to see him again. Well, I wouldn't want those kinds of images to clutter up my light room catalogue, and therefore I would use Adobe Bridge temporarily just for those kinds of images. So just in general, if you unlike room, feel free to use it. Any time you see me in bridge or adobe camera raw and I'll show you what camera rise. Once we get onto the lesson about that, then something you should be aware of before you get into photo shop because you're going to see me doing things and photo shop that might be different than the way you accomplish things if you've already been in there a bit. So there's always more than one way of doing things in photo shop, and you don't have to know them all. Instead, you want to find the one method that you're comfortable with, and it might not be crazily inefficient because you don't want to be going too slow and Photoshopped. But the main thing is, you first find comfort, then if he only is Photoshopped every once in a while, let's say once or twice a month. Then most of the time you're going to do the manual method for things that means if there is ah, menu, you need to go to the top of your screen and choose something. You'll manually do it with your mouse. But if you use Photoshopped daily all the time, then you want to get more into efficiency. And because if you use a feature five or 10 times a day, then you're going to start concentrating unlearning keyboard shortcuts. And so all usually share it with you both. The manual method for those that are not gonna remember keyboard shortcuts. And then I'll feed you the keyboard char cut, and that will end up making it so you might want to review the videos. If you're new to photo shop the first time going through, you're just trying to get a feeling for where everything is located and you're doing everything manually. Second time through, you got used to the manual method, and then you can speed yourself up with the keyboard shortcuts. But over time The goal usually is to discover the most efficient method for doing something so you can be quick in photo shop and to find the method that gives you the highest quality. And it takes time before you can end up discovering that. So you start off with what you're comfortable with, but in the end you end up with what's best.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!