Lesson Info

Bridge vs. Lightroom

So now let's get into an introduction to photo shop. This is where if you ever want toe read through a Photoshopped technique or watch a video about photo shop, that's not an absolute beginning. One. This will get you started. I'll show you how to do things like open files saved them a navigate around your document and the photo shop interface. So the main thing is, we're gonna learn the big picture before we get into the details of Photoshopped. Now, before we really open Photoshopped, though, I want to talk about where I'm gonna be viewing my images before I open them, because I'll have to be able to compare multiple images and decide which ones worth opening. And I'm going to do that in one of two programs not in photo shop itself, but in either adobe bridge or adobe Light room. Bridge comes with Photoshopped, so if you have access to photo shop, you should be able to download bridge for Free Hunt adobes website or through the creative cloud app that you used to update Photoshopped.

The second program you could use would be adobe light room in light room is different than bridge in that it's a cataloging program. Cataloguing means that if I end up viewing any images and light room, those air images that it's gonna keep track of. So even if I don't have the originals with me later on, I can still view those images and organize them. Anyway. Let's look at the difference between the two programs, so you get a sense for wind. Might I use one versus the other? So first off, Adobe Camera Raw is what we're going to use to adjust images when we first opened about and Adobe Light Room has the same functionality has adobe camera when it comes to adjusting pictures. So if you ever see me do something in a screen that I call Adobe Camera and you have light room, you could do it there instead because the names of the adjustment sliders will be identical. Then both bridge and light room convicts play the contents of a folder, and we're going to use that to preview our images so we can see nice big previews before we end up opening them. But bridges going to show files that light room would ignore, and that would be light room is only going to show you images that means photographs or things that are similar to photographs. If I use bridge, though, I can see illustrations from Adobe Illustrator. I can see page layouts from in design. I can see pdf files and other content that would be totally ignored by Adobe Light Room. And therefore, if I worked with a lot of adobe products, I might want to end up using bridge whenever I'm not viewing my photographs, and I'll use light room when I want to look at my are kind of all the photos have captured but light room catalogues your photos, and that means you're not going to just pointed out a folder and see what's there. That's what bridge does. Instead, light room. You have to import your pictures when you import him. It doesn't actually put them into light room in that it leaves them the original locations wherever you want. A storm doesn't force you to change that, but the main thing is it creates thumbnail images in large previews that its stores and a catalog file that makes it so I can disconnect the big hard drive that contains all of my images. I have one that contains over 200, images that's at home in Florida. Well, I didn't bring it with me, and I can still view all 200,000 pictures. And that's only because light room catalog those files in its stores preview images of what they look like Bridge is incapable of that bridge. Can Onley show me images that I could have active access to where the hard drive that contains the originals is attached to my computer? But that's one of the reasons why I choose to organize my images and light room, because I can view those images even when I don't have the originals with me. So light Room has the potential to completely replace two pieces of software that I'm gonna be using during this class. And that would be Adobe bridge and adobe camera raw. Any time you see me in those two programs, know that if you own light room, I might end up using it as an alternative. But any time I have non photo files or I'm working with files that are not my own, they're not files that I'm ever gonna wanna look out in the future. Instead, a friend just brought up some images, wants me to glance at him and maybe do a quick fix on them. And after that, I'm never going to want to see him again. Well, I wouldn't want those kinds of images to clutter up my light room catalogue, and therefore I would use Adobe Bridge temporarily just for those kinds of images. So just in general, if you unlike room, feel free to use it. Any time you see me in bridge or adobe camera raw and I'll show you what camera rise. Once we get onto the lesson about that, then something you should be aware of before you get into photo shop because you're going to see me doing things and photo shop that might be different than the way you accomplish things if you've already been in there a bit. So there's always more than one way of doing things in photo shop, and you don't have to know them all. Instead, you want to find the one method that you're comfortable with, and it might not be crazily inefficient because you don't want to be going too slow and Photoshopped. But the main thing is, you first find comfort, then if he only is Photoshopped every once in a while, let's say once or twice a month. Then most of the time you're going to do the manual method for things that means if there is ah, menu, you need to go to the top of your screen and choose something. You'll manually do it with your mouse. But if you use Photoshopped daily all the time, then you want to get more into efficiency. And because if you use a feature five or 10 times a day, then you're going to start concentrating unlearning keyboard shortcuts. And so all usually share it with you both. The manual method for those that are not gonna remember keyboard shortcuts. And then I'll feed you the keyboard char cut, and that will end up making it so you might want to review the videos. If you're new to photo shop the first time going through, you're just trying to get a feeling for where everything is located and you're doing everything manually. Second time through, you got used to the manual method, and then you can speed yourself up with the keyboard shortcuts. But over time The goal usually is to discover the most efficient method for doing something so you can be quick in photo shop and to find the method that gives you the highest quality. And it takes time before you can end up discovering that. So you start off with what you're comfortable with, but in the end you end up with what's best.

Class Description

Lessons

1. Introduction To Adobe Photoshop 2020
2. Bridge vs. Lightroom
3. Tour of Photoshop Interface
4. Overview of Bridge Workspace
5. Overview of Lightroom Workspace
6. Lightroom Preferences - Saving Documents
7. How To Use Camera Raw in Adobe Photoshop 2020
8. Overview of Basic Adjustment Sliders
9. Developing Raw Images
10. Editing with the Effects and HLS Tabs
11. How to Save Images
12. Using the Transform Tool
13. Making Selections in Adobe Photoshop 2020
14. Selection Tools
15. Combining Selection Tools
16. Using Automated Selection Tools
17. Quick Mask Mode
18. Select Menu Essentials
19. Using Layers in Adobe Photoshop 2020
20. Align Active Layers
21. Creating a New Layer
22. Creating a Clipping Mask
23. Using Effects on Layers
24. Using Adjustment Layers
25. Using the Shape Tool
26. Create a Layer Mask Using the Selection Tool
27. Masking Multiple Images Together
28. Using Layer Masks to Remove People
29. Using Layer Masks to Replace Sky
30. Adding Texture to Images
31. Layering to Create Realistic Depth
32. Adjustment Layers in Adobe Photoshop 2020
33. Optimizing Grayscale with Levels
34. Adjusting Levels with a Histogram
35. Understanding Curves
36. Editing an Image Using Curves
37. Editing with Shadows/Highlights Adjustment
38. Dodge and Burn Using Quick Mask Mode
39. Editing with Blending Modes
40. Color Theory
41. Curves for Color
42. Hue and Saturation Adjustments
43. Isolating Colors Using Hue/Saturation Adjustment
44. Match Colors Using Numbers
45. Adjusting Skin Tones
46. Retouching Essentials In Adobe Camera Raw
47. Retouching with the Spot Healing Brush
48. Retouching with the Clone Stamp
49. Retouching with the Healing Brush
50. Retouching Using Multiple Retouching Tools
51. Extending an Edge with Content Aware
52. Clone Between Documents
53. Crop Tool
54. Frame Tool
55. Eye Dropper and Color Sampler Tools
56. Paint Brush Tools
57. History Brush Tool
58. Eraser and Gradient Tools
59. Brush Flow and Opacity Settings
60. Blur and Shape Tools
61. Dissolve Mode
62. Multiply Mode
63. Screen Mode
64. Hard Light Mode
65. Hue, Saturation, and Color Modes
66. Smart Filters
67. High Pass Filter
68. Blur Filter
69. Filter Gallery
70. Adaptive Wide Angle Filter
71. Combing Filters and Features
72. Select and Mask
73. Manually Select and Mask
74. Creating a Clean Background
75. Changing the Background
76. Smart Object Overview
77. Nested Smart Objects
78. Scale and Warp Smart Objects
79. Replace Contents
80. Raw Smart Objects
81. Multiple Instances of a Smart Object
82. Creating a Mockup Using Smart Objects
83. Panoramas
84. HDR
85. Focus Stacking
86. Time-lapse
87. Light Painting Composite
88. Remove Moire Patterns
89. Remove Similar Objects At Once
90. Remove Objects Across an Entire Image
91. Replace a Repeating Pattern
92. Clone from Multiple Areas Using the Clone Source Panel
93. Remove an Object with a Complex Background
94. Frequency Separation to Remove Staining and Blemishes
95. Warping
96. Liquify
97. Puppet Warp
98. Displacement Map
99. Polar Coordinates
100. Organize Your Layers
101. Layer Styles: Bevel and Emboss
102. Layer Style: Knockout Deep
103. Blending Options: Blend if
104. Blending Options: Colorize Black and White Image
105. Layer Comps
106. Black-Only Shadows
107. Create a Content Aware Fill Action
108. Create a Desaturate Edges Action
109. Create an Antique Color Action
110. Create a Contour Map Action
111. Faux Sunset Action
112. Photo Credit Action
113. Create Sharable Actions
114. Common Troubleshooting Issues Part 1
115. Common Troubleshooting Issues Part 2
116. Image Compatibility with Lightroom
117. Scratch Disk Is Full
118. Preview Thumbnail