Skip to main content
Catalog > Photo & Video > Adobe Photoshop > Adobe Photoshop 2020: The Complete Guide Bootcamp > Brush Flow And Opacity Settings

Adobe Photoshop 2020: The Complete Guide Bootcamp

Lesson 59 of 118

Brush Flow and Opacity Settings

 

Adobe Photoshop 2020: The Complete Guide Bootcamp

Lesson 59 of 118

Brush Flow and Opacity Settings

 

Lesson Info

Brush Flow and Opacity Settings

Now we should talk a little bit more about our brush because there's something I neglected to talk about. And that is a lot of people want to know the difference between opacity and flow. And so I'd like to show you the difference there. When I choose a brush and I start painting with it, it looks out both the A pass ity and the flow settings to determine how much you can see through my brush. And if they're both had 100%. When I click and drying like this in the very center of my brush, you will not be able to see through the middle at all. I'll choose undo. If I change the opacity setting, then you're gonna be able to see through my brush in. So if I bring that down, let's say I brought it down toe 20% or somewhere near there. Now, when I click and I drag, you can see that I'm only getting a hint of this color showing up, and then I can go back and forth and back and forth and notice if I go back and forth. I'm not getting multiple coats of paint. It's not like having a can of spray ...

paint where the more times you go across the Moor coach to get. But if I do, let go of the mouse button and I click again, which I just did, we get a second coat of paint and it doesn't matter how many times have pain across that. It's only two coats now. Let go again in Click and I get 1/3 coat of paint and I can let go click and get 1/4. But to build up the effect, I have to let go of the mouse button and click again. Many choose undo a few times to get back to what we had earlier. Now let's bring capacity all the way up to 100 instead bring flow down to around 20%. And let's try the same thing. I'm gonna click here and I'm gonna drag and then I'm not gonna let go of the mouse, and I'm gonna drag in Dragon and Greg across the same area multiple times. So flow means how much do I want in my first paint stroke across the area. But if I paint across it again, I'm going to get Maura and Mawr and Mawr, so you could think of adjusting flow. It's like using a can of spray paint where the more times you go across an area, the more coats you get, the difference being that if you go slower, you don't get mawr and faster getting less because you get that with a can of spray paint. But it's just counting the number of times you go across. Then you can use flow and opacity together. If you bring capacity down, let's say I have it at 50. In fact, if you use the number keys on your keyboard, you're going to be changing the opacity if you're in the paint brush. So if I take five, I get 50%. Type nine you get 90% were type two numbers very quickly. To get a precise value, like 32% you gotta type three to really fast. So if I set opacity to 50% and I set flow to, let's say, 20% how does that work? Well, in the end, it's going to be that opacity determines the maximum amount you can get without releasing your mouse button, so that means they'll never get more than 50%. Opacity flow means how much of that maximum? Um, I going to get on the first pass, so I'm gonna get 20% of 50. Then if I paint back and forth and back and forth and back and forth, it's gonna build up. But it's never going to get above whatever the opacity is set to. Unless I released the mouse button, and only then could it add more so flow and opacity can be nice. It's a matter of do you want it to build up a zoo pain across and across. If so, adjust flow, or do you want it to not build up? If you happen to overlap, your pain strokes and you have to release the mouse button in order, ADM. Or if that's what you're looking for, instead, be using capacity and some people will get fancy and use both. The number keys on your keyboard will change opacity when you're in the paint brush tool, and if you hold down the shift key when you use the numbers, it will change the flow. Typing zero brings it to

Class Description

All individual classes that make up this bootcamp are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Develop an understanding of how Photoshop works
  • Create your ideal workspace
  • Configure the essential preference settings
  • Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
  • Navigate multiple images seamlessly

ABOUT BEN’S CLASS:

Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.

Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.

Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Photoshop.
  • Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.

SOFTWARE USED:

Adobe Photoshop 2020 (V21)

Lessons

  1. Introduction To Adobe Photoshop 2020
  2. Bridge vs. Lightroom
  3. Tour of Photoshop Interface
  4. Overview of Bridge Workspace
  5. Overview of Lightroom Workspace
  6. Lightroom Preferences - Saving Documents
  7. How To Use Camera Raw in Adobe Photoshop 2020
  8. Overview of Basic Adjustment Sliders
  9. Developing Raw Images
  10. Editing with the Effects and HLS Tabs
  11. How to Save Images
  12. Using the Transform Tool
  13. Making Selections in Adobe Photoshop 2020
  14. Selection Tools
  15. Combining Selection Tools
  16. Using Automated Selection Tools
  17. Quick Mask Mode
  18. Select Menu Essentials
  19. Using Layers in Adobe Photoshop 2020
  20. Align Active Layers
  21. Creating a New Layer
  22. Creating a Clipping Mask
  23. Using Effects on Layers
  24. Using Adjustment Layers
  25. Using the Shape Tool
  26. Create a Layer Mask Using the Selection Tool
  27. Masking Multiple Images Together
  28. Using Layer Masks to Remove People
  29. Using Layer Masks to Replace Sky
  30. Adding Texture to Images
  31. Layering to Create Realistic Depth
  32. Adjustment Layers in Adobe Photoshop 2020
  33. Optimizing Grayscale with Levels
  34. Adjusting Levels with a Histogram
  35. Understanding Curves
  36. Editing an Image Using Curves
  37. Editing with Shadows/Highlights Adjustment
  38. Dodge and Burn Using Quick Mask Mode
  39. Editing with Blending Modes
  40. Color Theory
  41. Curves for Color
  42. Hue and Saturation Adjustments
  43. Isolating Colors Using Hue/Saturation Adjustment
  44. Match Colors Using Numbers
  45. Adjusting Skin Tones
  46. Retouching Essentials In Adobe Camera Raw
  47. Retouching with the Spot Healing Brush
  48. Retouching with the Clone Stamp
  49. Retouching with the Healing Brush
  50. Retouching Using Multiple Retouching Tools
  51. Extending an Edge with Content Aware
  52. Clone Between Documents
  53. Crop Tool
  54. Frame Tool
  55. Eye Dropper and Color Sampler Tools
  56. Paint Brush Tools
  57. History Brush Tool
  58. Eraser and Gradient Tools
  59. Brush Flow and Opacity Settings
  60. Blur and Shape Tools
  61. Dissolve Mode
  62. Multiply Mode
  63. Screen Mode
  64. Hard Light Mode
  65. Hue, Saturation, and Color Modes
  66. Smart Filters
  67. High Pass Filter
  68. Blur Filter
  69. Filter Gallery
  70. Adaptive Wide Angle Filter
  71. Combing Filters and Features
  72. Select and Mask
  73. Manually Select and Mask
  74. Creating a Clean Background
  75. Changing the Background
  76. Smart Object Overview
  77. Nested Smart Objects
  78. Scale and Warp Smart Objects
  79. Replace Contents
  80. Raw Smart Objects
  81. Multiple Instances of a Smart Object
  82. Creating a Mockup Using Smart Objects
  83. Panoramas
  84. HDR
  85. Focus Stacking
  86. Time-lapse
  87. Light Painting Composite
  88. Remove Moire Patterns
  89. Remove Similar Objects At Once
  90. Remove Objects Across an Entire Image
  91. Replace a Repeating Pattern
  92. Clone from Multiple Areas Using the Clone Source Panel
  93. Remove an Object with a Complex Background
  94. Frequency Separation to Remove Staining and Blemishes
  95. Warping
  96. Liquify
  97. Puppet Warp
  98. Displacement Map
  99. Polar Coordinates
  100. Organize Your Layers
  101. Layer Styles: Bevel and Emboss
  102. Layer Style: Knockout Deep
  103. Blending Options: Blend if
  104. Blending Options: Colorize Black and White Image
  105. Layer Comps
  106. Black-Only Shadows
  107. Create a Content Aware Fill Action
  108. Create a Desaturate Edges Action
  109. Create an Antique Color Action
  110. Create a Contour Map Action
  111. Faux Sunset Action
  112. Photo Credit Action
  113. Create Sharable Actions
  114. Common Troubleshooting Issues Part 1
  115. Common Troubleshooting Issues Part 2
  116. Image Compatibility with Lightroom
  117. Scratch Disk Is Full
  118. Preview Thumbnail

Reviews