Adobe Photoshop 2020: The Complete Guide Bootcamp
Lesson 59 of 118
Brush Flow and Opacity Settings

Adobe Photoshop 2020: The Complete Guide Bootcamp
Lesson 59 of 118
Brush Flow and Opacity Settings
Lesson Info
Brush Flow and Opacity Settings
Now we should talk a little bit more about our brush because there's something I neglected to talk about. And that is a lot of people want to know the difference between opacity and flow. And so I'd like to show you the difference there. When I choose a brush and I start painting with it, it looks out both the A pass ity and the flow settings to determine how much you can see through my brush. And if they're both had 100%. When I click and drying like this in the very center of my brush, you will not be able to see through the middle at all. I'll choose undo. If I change the opacity setting, then you're gonna be able to see through my brush in. So if I bring that down, let's say I brought it down toe 20% or somewhere near there. Now, when I click and I drag, you can see that I'm only getting a hint of this color showing up, and then I can go back and forth and back and forth and notice if I go back and forth. I'm not getting multiple coats of paint. It's not like having a can of spray ...
paint where the more times you go across the Moor coach to get. But if I do, let go of the mouse button and I click again, which I just did, we get a second coat of paint and it doesn't matter how many times have pain across that. It's only two coats now. Let go again in Click and I get 1/3 coat of paint and I can let go click and get 1/4. But to build up the effect, I have to let go of the mouse button and click again. Many choose undo a few times to get back to what we had earlier. Now let's bring capacity all the way up to 100 instead bring flow down to around 20%. And let's try the same thing. I'm gonna click here and I'm gonna drag and then I'm not gonna let go of the mouse, and I'm gonna drag in Dragon and Greg across the same area multiple times. So flow means how much do I want in my first paint stroke across the area. But if I paint across it again, I'm going to get Maura and Mawr and Mawr, so you could think of adjusting flow. It's like using a can of spray paint where the more times you go across an area, the more coats you get, the difference being that if you go slower, you don't get mawr and faster getting less because you get that with a can of spray paint. But it's just counting the number of times you go across. Then you can use flow and opacity together. If you bring capacity down, let's say I have it at 50. In fact, if you use the number keys on your keyboard, you're going to be changing the opacity if you're in the paint brush. So if I take five, I get 50%. Type nine you get 90% were type two numbers very quickly. To get a precise value, like 32% you gotta type three to really fast. So if I set opacity to 50% and I set flow to, let's say, 20% how does that work? Well, in the end, it's going to be that opacity determines the maximum amount you can get without releasing your mouse button, so that means they'll never get more than 50%. Opacity flow means how much of that maximum? Um, I going to get on the first pass, so I'm gonna get 20% of 50. Then if I paint back and forth and back and forth and back and forth, it's gonna build up. But it's never going to get above whatever the opacity is set to. Unless I released the mouse button, and only then could it add more so flow and opacity can be nice. It's a matter of do you want it to build up a zoo pain across and across. If so, adjust flow, or do you want it to not build up? If you happen to overlap, your pain strokes and you have to release the mouse button in order, ADM. Or if that's what you're looking for, instead, be using capacity and some people will get fancy and use both. The number keys on your keyboard will change opacity when you're in the paint brush tool, and if you hold down the shift key when you use the numbers, it will change the flow. Typing zero brings it to
Class Description
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Develop an understanding of how Photoshop works
- Create your ideal workspace
- Configure the essential preference settings
- Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
- Navigate multiple images seamlessly
ABOUT BEN’S CLASS:
Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.
Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.
Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.
WHO THIS CLASS IS FOR:
- Beginner, intermediate, and advanced users of Adobe Photoshop.
- Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
- Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.
SOFTWARE USED:
Adobe Photoshop 2020 (V21)
Lessons
- Introduction To Adobe Photoshop 2020
- Bridge vs. Lightroom
- Tour of Photoshop Interface
- Overview of Bridge Workspace
- Overview of Lightroom Workspace
- Lightroom Preferences - Saving Documents
- How To Use Camera Raw in Adobe Photoshop 2020
- Overview of Basic Adjustment Sliders
- Developing Raw Images
- Editing with the Effects and HLS Tabs
- How to Save Images
- Using the Transform Tool
- Making Selections in Adobe Photoshop 2020
- Selection Tools
- Combining Selection Tools
- Using Automated Selection Tools
- Quick Mask Mode
- Select Menu Essentials
- Using Layers in Adobe Photoshop 2020
- Align Active Layers
- Creating a New Layer
- Creating a Clipping Mask
- Using Effects on Layers
- Using Adjustment Layers
- Using the Shape Tool
- Create a Layer Mask Using the Selection Tool
- Masking Multiple Images Together
- Using Layer Masks to Remove People
- Using Layer Masks to Replace Sky
- Adding Texture to Images
- Layering to Create Realistic Depth
- Adjustment Layers in Adobe Photoshop 2020
- Optimizing Grayscale with Levels
- Adjusting Levels with a Histogram
- Understanding Curves
- Editing an Image Using Curves
- Editing with Shadows/Highlights Adjustment
- Dodge and Burn Using Quick Mask Mode
- Editing with Blending Modes
- Color Theory
- Curves for Color
- Hue and Saturation Adjustments
- Isolating Colors Using Hue/Saturation Adjustment
- Match Colors Using Numbers
- Adjusting Skin Tones
- Retouching Essentials In Adobe Camera Raw
- Retouching with the Spot Healing Brush
- Retouching with the Clone Stamp
- Retouching with the Healing Brush
- Retouching Using Multiple Retouching Tools
- Extending an Edge with Content Aware
- Clone Between Documents
- Crop Tool
- Frame Tool
- Eye Dropper and Color Sampler Tools
- Paint Brush Tools
- History Brush Tool
- Eraser and Gradient Tools
- Brush Flow and Opacity Settings
- Blur and Shape Tools
- Dissolve Mode
- Multiply Mode
- Screen Mode
- Hard Light Mode
- Hue, Saturation, and Color Modes
- Smart Filters
- High Pass Filter
- Blur Filter
- Filter Gallery
- Adaptive Wide Angle Filter
- Combing Filters and Features
- Select and Mask
- Manually Select and Mask
- Creating a Clean Background
- Changing the Background
- Smart Object Overview
- Nested Smart Objects
- Scale and Warp Smart Objects
- Replace Contents
- Raw Smart Objects
- Multiple Instances of a Smart Object
- Creating a Mockup Using Smart Objects
- Panoramas
- HDR
- Focus Stacking
- Time-lapse
- Light Painting Composite
- Remove Moire Patterns
- Remove Similar Objects At Once
- Remove Objects Across an Entire Image
- Replace a Repeating Pattern
- Clone from Multiple Areas Using the Clone Source Panel
- Remove an Object with a Complex Background
- Frequency Separation to Remove Staining and Blemishes
- Warping
- Liquify
- Puppet Warp
- Displacement Map
- Polar Coordinates
- Organize Your Layers
- Layer Styles: Bevel and Emboss
- Layer Style: Knockout Deep
- Blending Options: Blend if
- Blending Options: Colorize Black and White Image
- Layer Comps
- Black-Only Shadows
- Create a Content Aware Fill Action
- Create a Desaturate Edges Action
- Create an Antique Color Action
- Create a Contour Map Action
- Faux Sunset Action
- Photo Credit Action
- Create Sharable Actions
- Common Troubleshooting Issues Part 1
- Common Troubleshooting Issues Part 2
- Image Compatibility with Lightroom
- Scratch Disk Is Full
- Preview Thumbnail
Reviews
Art
I have used Photoshop on the Mac since its first commercial version 1 release. I have done a bunch of tutorials through the years but have mostly bungled along managing to fix what I want in photos. This if the first class I have ever done that really explains all the little stuff. Lots of tips and tricks I just never learned or explored. Need more tutorials from Ben.