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Adobe Photoshop 2020: The Complete Guide Bootcamp

Lesson 108 of 118

Create a Desaturate Edges Action

Ben Willmore

Adobe Photoshop 2020: The Complete Guide Bootcamp

Ben Willmore

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Lesson Info

108. Create a Desaturate Edges Action

Lessons

  Class Trailer
Now Playing
2 Bridge vs. Lightroom Duration:06:39
3 Tour of Photoshop Interface Duration:18:21
4 Overview of Bridge Workspace Duration:07:42
9 Developing Raw Images Duration:30:33
11 How to Save Images Duration:03:37
12 Using the Transform Tool Duration:04:48
14 Selection Tools Duration:05:55
15 Combining Selection Tools Duration:07:37
17 Quick Mask Mode Duration:05:07
18 Select Menu Essentials Duration:21:28
20 Align Active Layers Duration:07:29
21 Creating a New Layer Duration:06:15
22 Creating a Clipping Mask Duration:03:02
23 Using Effects on Layers Duration:11:24
24 Using Adjustment Layers Duration:16:44
25 Using the Shape Tool Duration:04:39
30 Adding Texture to Images Duration:09:11
35 Understanding Curves Duration:06:18
36 Editing an Image Using Curves Duration:18:41
39 Editing with Blending Modes Duration:08:04
40 Color Theory Duration:05:59
41 Curves for Color Duration:16:52
42 Hue and Saturation Adjustments Duration:08:59
44 Match Colors Using Numbers Duration:16:59
45 Adjusting Skin Tones Duration:05:25
52 Clone Between Documents Duration:13:19
53 Crop Tool Duration:10:07
54 Frame Tool Duration:02:59
56 Paint Brush Tools Duration:13:33
57 History Brush Tool Duration:06:27
58 Eraser and Gradient Tools Duration:03:06
60 Blur and Shape Tools Duration:11:06
61 Dissolve Mode Duration:09:24
62 Multiply Mode Duration:15:29
63 Screen Mode Duration:14:08
64 Hard Light Mode Duration:14:54
66 Smart Filters Duration:11:32
67 High Pass Filter Duration:13:40
68 Blur Filter Duration:05:59
69 Filter Gallery Duration:07:42
70 Adaptive Wide Angle Filter Duration:04:43
71 Combing Filters and Features Duration:04:45
72 Select and Mask Duration:20:04
73 Manually Select and Mask Duration:08:08
74 Creating a Clean Background Duration:21:19
75 Changing the Background Duration:13:34
76 Smart Object Overview Duration:08:37
77 Nested Smart Objects Duration:09:55
78 Scale and Warp Smart Objects Duration:09:08
79 Replace Contents Duration:06:55
80 Raw Smart Objects Duration:10:20
83 Panoramas Duration:13:15
84 HDR Duration:11:20
85 Focus Stacking Duration:04:02
86 Time-lapse Duration:11:18
87 Light Painting Composite Duration:08:05
88 Remove Moire Patterns Duration:06:11
89 Remove Similar Objects At Once Duration:09:52
91 Replace a Repeating Pattern Duration:06:50
95 Warping Duration:11:03
96 Liquify Duration:14:02
97 Puppet Warp Duration:12:52
98 Displacement Map Duration:10:36
99 Polar Coordinates Duration:07:19
100 Organize Your Layers Duration:11:02
101 Layer Styles: Bevel and Emboss Duration:02:59
102 Layer Style: Knockout Deep Duration:12:34
103 Blending Options: Blend if Duration:13:18
105 Layer Comps Duration:08:30
106 Black-Only Shadows Duration:06:07
109 Create an Antique Color Action Duration:13:52
110 Create a Contour Map Action Duration:10:20
111 Faux Sunset Action Duration:07:20
112 Photo Credit Action Duration:05:54
113 Create Sharable Actions Duration:07:31
117 Scratch Disk Is Full Duration:06:02
118 Preview Thumbnail Duration:02:10

Lesson Info

Create a Desaturate Edges Action

now in this image, what I'd like to do is make the edges of the picture less colorful than the center of the picture. And therefore your I might be drawn to the more colorful areas in therefore drawn the middle of the image and not the edges. So let's create a brand new action, and I'm gonna call this de saturate edges click record in order to get something only happened in the edges of the picture. I'm gonna make a selection, So I'm gonna choose the selection tool. I'm gonna click near the upper right, but a little ways away from the edge. And I'm gonna drag down here then, Alecko and I'd like the opposite of that because right now we have the center selected and I'd like the edge. So I'll go to the select menu and I'll choose inverse. Then I would like the edge of my selection have a soft edge on it. One way of getting a soft itches to go to the select menu and choose modify and then choose feather. The problem with that is there's no preview. So you're really guessing at what number...

to use the second method you could use is to go here to select and mask. There's all sorts of settings in selected mask. Then you could ignore all of them, except for this one down here called Feather. And if you brought that up, you should be able to start seeing a softer and softer edge like that and then click. OK, so now we have the outer edge of the photographs selected, and it has a soft edge. The next thing I would like to do is create an adjustment layer in the adjustment layer like to use is called vibrance. Vibrance gives you two sliders, the same two sliders we have for controlling how colorful things are when we're using adobe camera raw. And in this case, I'm gonna lower the vibrance to make the edge of the picture less colorful. Finally, so I can remember why I have that layer. I'm gonna rename the layer off double clicking layers name and I'll just call this de saturate edges, and that's all they want this action to do. So now, at the bottom of the actions panel, I'm gonna hit the stop button. And now let's inspect this to see if it's gonna be universally applicable was started. The top here is this set selection. I'm gonna open that up and I see that this selection is measured in pixels. And so that means the top edge of the of the selection will be 116 pixels below the top of the document. It will be 136 pixels from the left edge of the document. In the bottom will be this far from the the top in the left edge. That's not gonna work for any file size. What if I have a square document? If it tries to make a selection of that size, it's not gonna be a square selection. So I need to replace this step in my action with something that is universally applicable. And so, let's see. We can figure out what that IHS first. There's no way for me to convert this step into anything other than pixels, so I'm gonna have to replace it to replace a step in the action. All you need to do is click on the step within the action and then at the bottom of the actions panel, you'll end up hitting record. But before I do that, Let's figure out how we're going to improve that step. Well, the measurement system that's used for making selections when creating actions is whatever your rulers are set to. So if I come up here to the view menu and I turn my rulers on, I can see what they're set to and just looking at the numbers I can tell they're not inches. They've got to be pixels because they're going upto 1800. Um, you can change that measurement system when the rulers are visible by right clicking within the ruler. And if you look at the list of choices that are available, I see one choice that will end up making this work regardless of the size of the original document. And that is percent when I choose percentage. Now it's gonna think, What percentage of the full with the document did I move over before I clicked in what percentage of the full height of the document did I move down when I clipped? So now let's record a new step with the step would like to replace selected I'm gonna hit the record button. Then I'll use the marquee tool, and I'll go up here to where I'd like my selection to begin and I'll drag down here to where I'd like it to end and I let go. It just created a new step. Step appears directly below the step that I had selected, and I'll then hit the stop button. Let's expand that step and see if it's any better. Yeah, now it means I was 5% below the top edge of the document and I was 8.2% of the width over. And then here's how far I was over when I ended in how far down and right, So now I'm gonna just click on the step that came before that, the one that's measured in pixels and I'll drag it to the trash can. Then let's look at any of the other steps to see if they'd mess us up in verse. That's not specific to the document selected mask. Well, the amount of feathering I might need to be different on each picture, because if I have a tiny image, let's they have an image that's only one inch wide. Then I created this action on an inch that was 30 inches wide the amount of feathering that I dialed in might need to vary depending on the document, and I'm not able to set feathering as a percentage. So therefore, it can't just very like the selection. But what I can do is if you look at this step in my action, there's a little rectangle to the left right over there. And if I turn that on by clicking on it, that means when it gets to this step, ask me for a setting, which means bring up the actual interface for what was being used here. So I can choose that myself, and that's what that means. Let's go to the next one down and here it says that we're going to use an adjustment layer called Vibrance next one down and we're setting the virus that negative 49 and OK, we're making something visible, and then we're naming a layer. But none of this told me the names of specific layers like it was trying to switch to a particular layer, so I think this would be nice. The only other thing I might want to do is here, where it's setting the vibrance to negative 49 I could click right there and that would make it so every time I could manually dial in how much I want a lesson it. So I think that's what I'm gonna do. Let's test this action, click on its name. And first I'm going to get this image back to its original by choosing Revert. And then I'm gonna play the action. But hit the play button and it gets to the point where I need a feather and here I can just adjust it. If this was a smaller image, I could use a lower setting. I just click OK, and it should continue the action. And right away it asked me what kind of vibrant setting I want. Cool Click OK, and it finished so that action works fine.

Class Description

All individual classes that make up this bootcamp are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Develop an understanding of how Photoshop works
  • Create your ideal workspace
  • Configure the essential preference settings
  • Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
  • Navigate multiple images seamlessly

ABOUT BEN’S CLASS:

Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.

Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.

Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Photoshop.
  • Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.

SOFTWARE USED:

Adobe Photoshop 2020 (V21)

Reviews

a Creativelive Student
 

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!

marianne
 

The short lessons makes it easy to find things. Clear explanations, structured content, great examples, handbook plus practice images - this class is worth x10 the price! I have seen many of Ben's classes and I'm so happy you created this one, love it

Madelaine Enochs
 

Ben's class has been extremely helpful for understanding how everything works in photoshop. I am so grateful for his classes. Easy to understand and thorough. Thank-you Ben!