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Adobe Photoshop: The Complete Guide Bootcamp

Lesson 109 of 118

Create an Antique Color Action

Ben Willmore

Adobe Photoshop: The Complete Guide Bootcamp

Ben Willmore

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Lesson Info

109. Create an Antique Color Action

Lessons

Class Trailer
1 Introduction To Adobe Photoshop 04:05 2 Bridge vs. Lightroom 06:39 3 Tour of Photoshop Interface 18:21 4 Overview of Bridge Workspace 07:42 5 Overview of Lightroom Workspace 11:21 6 Lightroom Preferences - Saving Documents 08:19 7 How To Use Camera Raw in Adobe Photoshop 2020 05:10 8 Overview of Basic Adjustment Sliders 13:09
9 Developing Raw Images 30:33 10 Editing with the Effects and HLS Tabs 09:12 11 How to Save Images 03:37 12 Using the Transform Tool 04:48 13 Making Selections in Adobe Photoshop 2020 06:03 14 Selection Tools 05:55 15 Combining Selection Tools 07:37 16 Using Automated Selection Tools 17:34 17 Quick Mask Mode 05:07 18 Select Menu Essentials 21:28 19 Using Layers in Adobe Photoshop 2020 13:00 20 Align Active Layers 07:29 21 Creating a New Layer 06:15 22 Creating a Clipping Mask 03:02 23 Using Effects on Layers 11:24 24 Using Adjustment Layers 16:44 25 Using the Shape Tool 04:39 26 Create a Layer Mask Using the Selection Tool 04:39 27 Masking Multiple Images Together 15:15 28 Using Layer Masks to Remove People 10:50 29 Using Layer Masks to Replace Sky 10:04 30 Adding Texture to Images 09:11 31 Layering to Create Realistic Depth 05:35 32 Adjustment Layers in Adobe Photoshop 2020 05:29 33 Optimizing Grayscale with Levels 10:59 34 Adjusting Levels with a Histogram 03:37 35 Understanding Curves 06:18 36 Editing an Image Using Curves 18:41 37 Editing with Shadows/Highlights Adjustment 07:19 38 Dodge and Burn Using Quick Mask Mode 07:14 39 Editing with Blending Modes 08:04 40 Color Theory 05:59 41 Curves for Color 16:52 42 Hue and Saturation Adjustments 08:59 43 Isolating Colors Using Hue/Saturation Adjustment 13:33 44 Match Colors Using Numbers 16:59 45 Adjusting Skin Tones 05:25 46 Retouching Essentials In Adobe Camera Raw 10:52 47 Retouching with the Spot Healing Brush 07:53 48 Retouching with the Clone Stamp 06:51 49 Retouching with the Healing Brush 04:34 50 Retouching Using Multiple Retouching Tools 13:07 51 Extending an Edge with Content Aware 03:42 52 Clone Between Documents 13:19 53 Crop Tool 10:07 54 Frame Tool 02:59 55 Eye Dropper and Color Sampler Tools 08:14 56 Paint Brush Tools 13:33 57 History Brush Tool 06:27 58 Eraser and Gradient Tools 03:06 59 Brush Flow and Opacity Settings 04:17 60 Blur and Shape Tools 11:06 61 Dissolve Mode 09:24 62 Multiply Mode 15:29 63 Screen Mode 14:08 64 Hard Light Mode 14:54 65 Hue, Saturation, and Color Modes 11:31 66 Smart Filters 11:32 67 High Pass Filter 13:40 68 Blur Filter 05:59 69 Filter Gallery 07:42 70 Adaptive Wide Angle Filter 04:43 71 Combing Filters and Features 04:45 72 Select and Mask 20:04 73 Manually Select and Mask 08:08 74 Creating a Clean Background 21:19 75 Changing the Background 13:34 76 Smart Object Overview 08:37 77 Nested Smart Objects 09:55 78 Scale and Warp Smart Objects 09:08 79 Replace Contents 06:55 80 Raw Smart Objects 10:20 81 Multiple Instances of a Smart Object 12:59 82 Creating a Mockup Using Smart Objects 05:42 83 Panoramas 13:15 84 HDR 11:20 85 Focus Stacking 04:02 86 Time-lapse 11:18 87 Light Painting Composite 08:05 88 Remove Moire Patterns 06:11 89 Remove Similar Objects At Once 09:52 90 Remove Objects Across an Entire Image 05:46 91 Replace a Repeating Pattern 06:50 92 Clone from Multiple Areas Using the Clone Source Panel 10:27 93 Remove an Object with a Complex Background 07:49 94 Frequency Separation to Remove Staining and Blemishes 12:27 95 Warping 11:03 96 Liquify 14:02 97 Puppet Warp 12:52 98 Displacement Map 10:36 99 Polar Coordinates 07:19 100 Organize Your Layers 11:02 101 Layer Styles: Bevel and Emboss 02:59 102 Layer Style: Knockout Deep 12:34 103 Blending Options: Blend if 13:18 104 Blending Options: Colorize Black and White Image 06:27 105 Layer Comps 08:30 106 Black-Only Shadows 06:07 107 Create a Content Aware Fill Action 08:46 108 Create a Desaturate Edges Action 07:42 109 Create an Antique Color Action 13:52 110 Create a Contour Map Action 10:20 111 Faux Sunset Action 07:20 112 Photo Credit Action 05:54 113 Create Sharable Actions 07:31 114 Common Troubleshooting Issues Part 1 10:23 115 Common Troubleshooting Issues Part 2 07:57 116 Image Compatibility with Lightroom 03:29 117 Scratch Disk Is Full 06:02 118 Preview Thumbnail 02:10

Lesson Info

Create an Antique Color Action

in this image. I would like to give it a effect where I don't like having to go through all the steps all the time. I want to simplify a effect and make it so. It's just much more friendly by using actions. It's in effect. I think it did when we talked in a previous lesson on blending modes, I believe, although there is a chance it was in the one on filters. Uh, anyway, let's create one. I'm going to come in here and create a brand new action, and I'm gonna call this antique color. I'm gonna click record. And now here the steps I'd like to do first I wanna pull all the color out of this image, and I'm going to do that using an adjustment layer called black and white. Then I would like to take a copy of the original image and put it on top. So I'm gonna click on the layer that's underneath to select it, and I'm gonna move. While I'm not gonna move it, I'm gonna duplicated so one method for duplicated layers of type command J to jump it to its own layer control jam window salt type that,...

and then I'm gonna move that layer up in my layers stack. Then I want to apply the color that is found in that layer to the black and white version of the picture that's underneath, using a blending mode that's called Overlay and that will give its this kind of antique e look. But then the problem is, there's not enough shadow. Detailed dark portions of the much became much darker, so I want to do something to bring the original shadow detail back. Well, I would like to hide the dark portion of the image from both of these layers that air here, both the black and white and this layer that's on top. So I'm going to select both layers, hold down the shift key and click on that layer. And then I'm going to put it in a folder because when I put it on a folder, anything I due to the folder itself, will apply to all the layers that are contained within. So I'll come in here, and I will then choose, but not their FX blending options. And we had a lesson about advanced layers as part of the Complete Guide and it showed you that you could hide the dark portions of layer by pulling in a slider. Either one of these, in this case, he and split this part to make it blend in, just trying to bring back some of the darker areas. Then, to finish it off, I might as well name that folder, so I'll just double click on its name and I'm going to call this anti color, and now I'm done recording my action. So let's hit the stop button, and we might as well just test it. Let's revert the image to its original click on the name of reaction hit, play and see if it works. Certainly looks to. But then let's analyze our action and decide if it's gonna be universally applicable. Well, let's see what we did. We ended up making an adjustment layer. It's a black and white adjustment that should be universal. Oh, here we go. Look at what it says. It selects a layer, and it's called background. And that's because when we started this action, the only thing that document contained was a layer called background. Well, what if in the future, when I attempt to apply this. There is no later called background. Like if I revert this image right now in my layers panel, I double click in. I call this car now. It doesn't have a layer called background, so if I grab that action hit play, it's gonna give me an error. And it just says, Sorry. You told me to do something that that command simply is not available, so I'm going to stop. We'll refer to this image again because some of it has applied. And so let's figure out, How can we change what Layer is active without it recording the name of the layer as part of that? Well, the problem is, our steps in our action ended up going in here and creating a black and white adjustment layer. And then I move my mouse right down here to the layer below, and I clicked on it will, Any time you click on a layer like that, it's going to record the name of the layer. So let's figure out if there's a way to make the layer that's underneath active without actually having to click on it. And there is there's a keyboard truck cut for it If you look right now, I'm using my keyboard to switch between these two layers. The keyboard shortcut that I'm using to do so is holding down the option key That's Alton Windows and then using the square bracket keys on my keyboard. That's right about by Return Key and one of those bracket keys. The left one will end up getting the layer above in the opposite, and one will grab the layer that's below. So let's see if I can replace one of the steps in my action. Let's take a look here and right here. Made an adjustment layer and right there is where it switched layers and it has the name of the layer. So I'm gonna click on that particular step and I'll make sure over here in my layers panel, it looks like it did. At the time the action was being made at the stage. This was right when I was about to click in the layer below. I'll hit the record button and then I'm gonna hold on option and hit the left bracket key that switched. Which layer is active. I'll hit the stop button so we no longer record any more steps and let's see what we ended up with. It now says Select backward layer. I wish it said select underlying layer because backward doesn't make any sense to me. But anyway, that will do it without having the name of the layer in the action. So let's throw that step previous step away. All right, then layer via copy can work with any layer. Move current layer as long as it says current layer and doesn't say move background layer, then that should be fine. It says to layer three. Um, not sure there, but I'm assuming that means a certain number of layers above. We'll have to test it to be sure there, but there is a keyboard shortcut for moving a layer. Let me show you what it is before I showed. You have to unlock this layer to be able to move it, though I mentioned that option in those bracket keys changes, which layers active. If instead you do command in the same bracket keys, it would move a layer up and down, so one way I could have moved a layer instead of using my mouse, clicking on it and dragging it up He has to hold down the command key control on Windows and then use of square brackets to either move it up or down. Did that too many times of the keyboard? I was trying to get back to the same stage we had before, All right, so I'm assuming this will work. It says, Move to lay or three. I think that means later. Position three like the third slot in the layers panel. But we'll find out when we test the action. The problem that it could be with that is, what if the document had four layers to get begin with, then there's a chance that might not work. Okay, set current layer to overlay as long as it says current layer and not background layer. We're fine. Then here, it says, select the layer called black and white one. Well, what if there was already a black and white adjustment layer contained within the document? What this is doing is switching to this layer, and so that's something. Where if it was switching layers is something that it might not work, and so we could record that difference so it would not contain the name of the layer that's in there. I'd have to apply part of this action to get to that point, though, to figure out exactly what Layer was active. You could do that. I'm going to revert this image to the original, and I want it just to play down to right before that step. You see this little check boxes on the left? That means should I play or should I skip this step? I could tell it to skip those last few steps. Then if I just play this action, it's gonna end right there. There it's made it through. So the top most layer was active. Oh, I know what I needed to do. At that point, What I was doing was selecting both of those layers so I could put them in a folder. Well, just in case that layer wasn't called black and white one. What I can do is that same keyboard shark it. We used to switch layers, which is option, and the bracket keys. Just add the shift key to it, and that means don't switch layers, but add the layer that was underneath and therefore that's what could be used. So let's replace that step click on the name of the step will hit the record button and I'm gonna do shift option left bracket. That would be shift Ault left bracket windows and then I'll hit. Stop. Let's see what the difference is. So here it was saying to select the name of a very specific layer which might not always be in a document into added down here, it's saying, Select the backward layer, meaning the layer underneath in added, So that's more universally applicable. Okay, then let's see. Make group, uh, current layer. We're gonna call it Group one. That's fine. Um, we could have named it, but that little still work set the layer. Ah, these are the blending sliders and then set the layer to a name of anti color. That looks fine. Let's turn those check boxes back on so it will apply those steps unless test our action. Make sure we didn't break it in some way. Yeah, it ended up with that. Perfect. Now we could improve on this because this is the process I usually go through. But the best thing to do with that duplicate layer is to board it. And so what I could have done is when it was created. I could have turned it into a smart object and then at some point, Aiken blurry, because then it gives it more of an antique look. But we already have our action made, so sometimes you need to modify actions to improve them. And so let's just see if we can figure out at what point in here where various things created and moved. Well, here's where we moved current layer toe position three, which I think meant up here. And I think that right after that, that would be selected and I could turn into a smart object. So right at this point, that's where I want to deviate. And I'm gonna come down here, just hit record. And what I really want to do is go Layer. Where is smart objects? Convert a smart object, and so that's going to end up being a smart object. I think I wanna wait until it's already changed its blending mode. And that was the next step, I believe so. Let's hit Stop and let's see here. Yep, changing toe overlay and then right after it gets changed to overlay mode is what I want to blur it. Because when it's already in overlay mode, I'm going to get a preview. And in fact, I think it's gonna be even better if we do it after we make a group. And we had the blending sliders. So it's down here at the very end and see what the end step is. Okay, we're just naming it. Might as well just added at the very end of our action. So the end of our action, what I'm gonna do is it will have just named this group of the top. So most like that will be selected. I'm gonna hit record. I wanted to select the layer that's underneath, and I'll do that using my keyboard option left bracket. And then I'm gonna go to the filter menu and choose Blur. Click OK, and then we'll stop. The action in the very last thing I want to do is be able to choose the amount of blurring applied. So I turn on that. So you notice that what I'm going through in trying to add functionality to an action after it's been created, it's much harder to think about it. It's much easier to get confused about what you're doing. So for me, it's best to think through inaction in practice, the steps first. And when you're done practicing the steps, just ask yourself, Is there any more intelligent way I would want this done because it only takes time to create the action once you might as well spend the time to make a really good action. And that means, what should these layers be named? You might want to think about that so you don't just end up with default names. And is there any extra functionality that might be useful? Do incorporate. If so, work it right into the action. And if you do it the first time, it's much easier to think of than having to go back and modify. So now I'm gonna come over your here, Revert on. Let's just double check that the modifications I made work. So it just ends up with this blur screen and Aiken bring it down to not blur it all, or bring it up to get that soft kind of glowy feel in a work. Fine. It's best to try it out in a couple different documents, but I think we're doing all right here

Class Description

All individual classes that make up this bootcamp are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Develop an understanding of how Photoshop works
  • Create your ideal workspace
  • Configure the essential preference settings
  • Set up Adobe Bridge and Lightroom for optimal integration with Photoshop
  • Navigate multiple images seamlessly

ABOUT BEN’S CLASS:

Adobe® Photoshop® 2020 is a feature-rich creative force, perfect for turning raw ideas into audience-wowing images. With Ben Willmore as your guide, you can master it faster than you think and take on a new decade of projects.

Ben takes you step-by-step through Adobe Photoshop 2020 as only he can. With an easy pace and zero technobabble, he demystifies this powerful program and makes you feel confident enough to create anything. This class is part of a fully-updated bundle – complete with 2020 features and more efficient ways to maximize the tools everyone uses most.

Whether you’re a 20-year designer or you’re opening the app for the first time, this is the perfect way to learn and love using Photoshop. From retouching to masking to troubleshooting, Ben unpacks all the essentials and hidden gems, while giving you real-world examples to drive each lesson home. By the end of the class, you’ll feel eager to make serious magic with Photoshop 2020.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Photoshop.
  • Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Photoshop fixes.

SOFTWARE USED:

Adobe Photoshop 2020 (V21)

Reviews

Noel Ice
 

I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!

a Creativelive Student
 

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!

marianne
 

The short lessons makes it easy to find things. Clear explanations, structured content, great examples, handbook plus practice images - this class is worth x10 the price! I have seen many of Ben's classes and I'm so happy you created this one, love it