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HSL Secondary - Lumetri Color

Lesson 54 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

HSL Secondary - Lumetri Color

Lesson 54 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

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Lesson Info

54. HSL Secondary - Lumetri Color

Lessons

Class Trailer

Chapter 1: Introduction

1

Class Introduction

01:41
2

Starting a New Project and Premiere Pro Orientation

12:33
3

Importing and Organizing

07:24
4

Quick Win - Stablize Your Videos

02:40
5

CC 2020 Updates

02:31
6

Quiz: Chapter 1: Introduction

Chapter 2: Editing Your Video

7

Starting a New Sequence and Understanding the Timeline

05:55
8

Adding Clips to the Timeline, Syncing Footage, and Making Selects

12:17
9

Exercise Syncing Video and Audio

01:03
10

Exercise Review Syncing Video and Audio

03:09
11

Editing Tools

16:14
12

Adding bRoll Footage to Your Video

10:42
13

Adjusting Clip Size and Position

04:01
14

REVIEW Adjusting Clip Size and Position

01:49
15

Bonus - Editing Down an Interview

34:47
16

Editing a Narrative Scene

10:07
17

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

03:49
18

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

01:36
19

CC 2020 Update - Auto Reframe

05:42
20

Quiz: Chapter 2: Editing Your Video

Chapter 3: Adding Video and Audio Transitions

21

Class Check In

00:51
22

Adding Video Transitions and EXERCISE

08:25
23

Exercise Review Video Transitions

02:27
24

Adding Audio Transitions

03:36
25

Exercise - Create a Custom Blur Transition

07:18
26

Trouble with Transitions

06:36
27

Quiz: Chapter 3: Adding Video and Audio Transitions

Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

28

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

07:51
29

Update CC 2018 - Animating Your Title Cards

05:44
30

Update CC 2018 - Saving Titles as Preset Graphics

02:16
31

Update CC 2018 - Essential Graphics Updates

10:27
32

CC 2020 Update - Underlining and Renaming Shape Layers

01:56
33

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Chapter 5: Editing Audio

34

Adjusting Audio Levels in Premiere Pro

10:16
35

Adjusting Audio Channels

05:05
36

Update CC 2017 - Editing Audio with the Essential Sound Panel

07:57
37

Fixing Audio with the Low and High Pass Filters

04:17
38

Improving Audio with EQ (Equalization)

39

Adjusting Audio Tracks with Effects

02:14
40

Exercise - Fixing Bad Audio

00:41
41

Exercise Review - Remove Bad Background Noise

04:32
42

Adding Music to Your Project and Making a Song Shorter

11:24
43

Easily Removing Background Noise with Audacity

05:17
44

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

02:47
45

Parametric EQ Tutorial in Premiere Pro

04:42
46

Remove Echo in Premiere Pro with Parametric Equalizer

05:28
47

Quiz: Chapter 5: Editing Audio

Chapter 6: Color Correction and Grading

48

Color Correction with Lumetri Basics

08:43
49

Exercise - Fix White Balance UPDATE

00:38
50

Exercise Review - Fix White Balance UPDATE

02:30
51

Creative Tab - Lumetri Color

05:30
52

Curves Tab - Lumetri Color

03:50
53

Color Wheels - Lumetri Color

01:51
54

HSL Secondary - Lumetri Color

03:40
55

Vignette - Lumetri Color

02:49
56

Exercise - Matching Exposure

00:55
57

Exercise Review - Matching Exposure

04:43
58

Color Correction with Adjustment Layers

06:08
59

Update CC 2018 - Adding Multiple Lumetri Color Effects

03:42
60

Update CC 2019 - Selective Color Grading

02:30
61

Applying Color Effects to Specific Parts of Video with Mask Tracking

04:16
62

Quiz: Chapter 6: Color Correction and Grading

Chapter 7: Motion in Premiere Pre

63

Adding Motion to Title Graphics

04:37
64

Add the Ken Burns Effect to Photos

02:22
65

Exercise - Add Motion to Video to Make it More Dynamic

01:14
66

Exercise Review - Add Motion to Video to Make it More Dynamic

06:14
67

OPTIONAL Adding Motion to Screenshots

08:05
68

Quiz: Chapter 7: Motion in Premiere Pre

Chapter 8: Exporting Your Video

69

Exporting a High-Quality, Small File-Size Video

05:32
70

OPTIONAL - Export Settings - In Depth Review

12:02
71

Export a Full Resolution Video

01:28
72

Exporting Small File-Size Preview Video

01:45
73

Practice Exercise - Finish Class Project

01:03
74

Quiz: Chapter 8: Exporting Your Video

Chapter 9: Visual Effects and Advanced Premiere Pro Tips

75

Adding and Adjusting Effects to Your Video Clips

06:55
76

Adjusting Effects with Keyframes

04:42
77

Using Lumetri Color Presets

03:35
78

Stabilize Shaky Footage with Warp Stabilizer

05:21
79

Exercise - Stabilize Shaky Video

00:36
80

Exercise Review - Stabilize Shaky Video

02:46
81

Make Footage More Cinematic with Overlays

06:44
82

Capture Still Images from Video

01:41
83

EXERCISE - Remove Noise and Grain from Video Clip

02:55
84

Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips

Chapter 10: Video Speed in Premiere Pro

85

Adjusting Clip Speed

05:10
86

Time Remapping and Speed Ramps

03:54
87

CC 2020 Update - Time Remapping up to 20,000%

02:20
88

Slow Motion Video By Interpreting Frame Rates

01:56
89

Exercise - Speed Ramps

01:28
90

Exercise Review - Speed Ramps

00:57
91

Quiz: Chapter 10: Video Speed in Premiere Pro

Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

92

Green Screen Tutorial (ChromaKeying) in Premiere Pro

07:37
93

Adding a Background to Green Screen Video

05:45
94

Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

Chapter 12: Conclusion

95

Conclusion

00:55

Final Quiz

96

Final Quiz

Lesson Info

HSL Secondary - Lumetri Color

let's learn about this H. S. L. Secondary panel. Now I've already edited this last clip here. I can turn off and on that effect so you can see what I've done with this last clip of Anthony cruising down the street. This is a way to affect just a specific color in your frame. And there is more different ways to choose that color that we're using. So first we have these color pick colors by selecting a color. But with this I picker, I dropped her and then finding a color. Say we would click this red car back here, see what happens on the H. S. L. We have hue saturation and luminescence. So Hugh is the colors that we're selecting, s is the saturation and Ella's luminous the brightness. If we click on these triangles on the bottom and the top here and drag we can see what we have selected and dragging to the left and expanding. This will increase what we've selected down here. Same with the saturation this will increase or decrease what we've selected and then the lieutenant's again we can...

see what we've selected. So we haven't selected much because the color we click we selected. It wasn't much in this frame. We can add color to this by clicking this odd color and say we want to add that color or maybe pick something back here so that address. Just a little bit too, we can remove color. Say we want to remove something that was selected like his skin tone. If we don't want his skin tone to be selected. So this is how you select the color or you can just pick any of these presets up here. So say I just picked this magenta right here. That will just pick the magenta in this frame. I'm going to undo that though with command Z control Z. If you're on a pc and then down below we can refine our selection blur, will blur the edges of our selection and the noise. If there's very small speckles that were selected, increasing the D noise will get rid of those small speckles. So that might work good for this because we don't want to select much of his beard or him that much. We just want to select this car in the background. Then we have the correction. This is how we adjust just the selection. So if I click into the middle and I want to change the color of this car in the background, I can do that. And if I go too far though, you can see what happens that the other things that were selected his hair, the building over here are also affected a lot. So we don't want to go too far with it. But see how cool that is. We can change this red car to a blue car and then we can change the tint the temperature down here. If we want to make it even more changed or whatever we want increase or decrease the luminous of it over here. And the cool thing is it affects the entire video. It's not just for that one frame, it's the entire video. Pretty cool. Huh? And then again we have our sliders for contrast sharp and saturation down here. The difficulty is fine tuning the selection so you're just affecting what is on what you want to affect. So that's where you're going to have to spend a little bit more time. But this is the H. S. L. Panel. Next we're going to be moving on to the vignette panel.

Class Materials

Bonus Materials with Purchase

Interview Clips for Windows Users
Exericise Resources
Resources for Premiere Pro Course

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