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Using Lumetri Color Presets

Lesson 77 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

Using Lumetri Color Presets

Lesson 77 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

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Lesson Info

77. Using Lumetri Color Presets

Lessons

Class Trailer

Chapter 1: Introduction

1

Class Introduction

01:41
2

Starting a New Project and Premiere Pro Orientation

12:33
3

Importing and Organizing

07:24
4

Quick Win - Stablize Your Videos

02:40
5

CC 2020 Updates

02:31
6

Quiz: Chapter 1: Introduction

Chapter 2: Editing Your Video

7

Starting a New Sequence and Understanding the Timeline

05:55
8

Adding Clips to the Timeline, Syncing Footage, and Making Selects

12:17
9

Exercise Syncing Video and Audio

01:03
10

Exercise Review Syncing Video and Audio

03:09
11

Editing Tools

16:14
12

Adding bRoll Footage to Your Video

10:42
13

Adjusting Clip Size and Position

04:01
14

REVIEW Adjusting Clip Size and Position

01:49
15

Bonus - Editing Down an Interview

34:47
16

Editing a Narrative Scene

10:07
17

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

03:49
18

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

01:36
19

CC 2020 Update - Auto Reframe

05:42
20

Quiz: Chapter 2: Editing Your Video

Chapter 3: Adding Video and Audio Transitions

21

Class Check In

00:51
22

Adding Video Transitions and EXERCISE

08:25
23

Exercise Review Video Transitions

02:27
24

Adding Audio Transitions

03:36
25

Exercise - Create a Custom Blur Transition

07:18
26

Trouble with Transitions

06:36
27

Quiz: Chapter 3: Adding Video and Audio Transitions

Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

28

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

07:51
29

Update CC 2018 - Animating Your Title Cards

05:44
30

Update CC 2018 - Saving Titles as Preset Graphics

02:16
31

Update CC 2018 - Essential Graphics Updates

10:27
32

CC 2020 Update - Underlining and Renaming Shape Layers

01:56
33

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Chapter 5: Editing Audio

34

Adjusting Audio Levels in Premiere Pro

10:16
35

Adjusting Audio Channels

05:05
36

Update CC 2017 - Editing Audio with the Essential Sound Panel

07:57
37

Fixing Audio with the Low and High Pass Filters

04:17
38

Improving Audio with EQ (Equalization)

39

Adjusting Audio Tracks with Effects

02:14
40

Exercise - Fixing Bad Audio

00:41
41

Exercise Review - Remove Bad Background Noise

04:32
42

Adding Music to Your Project and Making a Song Shorter

11:24
43

Easily Removing Background Noise with Audacity

05:17
44

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

02:47
45

Parametric EQ Tutorial in Premiere Pro

04:42
46

Remove Echo in Premiere Pro with Parametric Equalizer

05:28
47

Quiz: Chapter 5: Editing Audio

Chapter 6: Color Correction and Grading

48

Color Correction with Lumetri Basics

08:43
49

Exercise - Fix White Balance UPDATE

00:38
50

Exercise Review - Fix White Balance UPDATE

02:30
51

Creative Tab - Lumetri Color

05:30
52

Curves Tab - Lumetri Color

03:50
53

Color Wheels - Lumetri Color

01:51
54

HSL Secondary - Lumetri Color

03:40
55

Vignette - Lumetri Color

02:49
56

Exercise - Matching Exposure

00:55
57

Exercise Review - Matching Exposure

04:43
58

Color Correction with Adjustment Layers

06:08
59

Update CC 2018 - Adding Multiple Lumetri Color Effects

03:42
60

Update CC 2019 - Selective Color Grading

02:30
61

Applying Color Effects to Specific Parts of Video with Mask Tracking

04:16
62

Quiz: Chapter 6: Color Correction and Grading

Chapter 7: Motion in Premiere Pre

63

Adding Motion to Title Graphics

04:37
64

Add the Ken Burns Effect to Photos

02:22
65

Exercise - Add Motion to Video to Make it More Dynamic

01:14
66

Exercise Review - Add Motion to Video to Make it More Dynamic

06:14
67

OPTIONAL Adding Motion to Screenshots

08:05
68

Quiz: Chapter 7: Motion in Premiere Pre

Chapter 8: Exporting Your Video

69

Exporting a High-Quality, Small File-Size Video

05:32
70

OPTIONAL - Export Settings - In Depth Review

12:02
71

Export a Full Resolution Video

01:28
72

Exporting Small File-Size Preview Video

01:45
73

Practice Exercise - Finish Class Project

01:03
74

Quiz: Chapter 8: Exporting Your Video

Chapter 9: Visual Effects and Advanced Premiere Pro Tips

75

Adding and Adjusting Effects to Your Video Clips

06:55
76

Adjusting Effects with Keyframes

04:42
77

Using Lumetri Color Presets

03:35
78

Stabilize Shaky Footage with Warp Stabilizer

05:21
79

Exercise - Stabilize Shaky Video

00:36
80

Exercise Review - Stabilize Shaky Video

02:46
81

Make Footage More Cinematic with Overlays

06:44
82

Capture Still Images from Video

01:41
83

EXERCISE - Remove Noise and Grain from Video Clip

02:55
84

Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips

Chapter 10: Video Speed in Premiere Pro

85

Adjusting Clip Speed

05:10
86

Time Remapping and Speed Ramps

03:54
87

CC 2020 Update - Time Remapping up to 20,000%

02:20
88

Slow Motion Video By Interpreting Frame Rates

01:56
89

Exercise - Speed Ramps

01:28
90

Exercise Review - Speed Ramps

00:57
91

Quiz: Chapter 10: Video Speed in Premiere Pro

Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

92

Green Screen Tutorial (ChromaKeying) in Premiere Pro

07:37
93

Adding a Background to Green Screen Video

05:45
94

Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

Chapter 12: Conclusion

95

Conclusion

00:55

Final Quiz

96

Final Quiz

Lesson Info

Using Lumetri Color Presets

the new versions of w premiere Pro Creative Cloud also have some lou metric color presets. So earlier in this course we learned how to use the loo metric color panel too, do color correction or color grading. There's actually some presets in our effects been under lou metric presets. Let's drop down this folder. You'll see four different bin. Cinematic film stocks, monochrome and speed looks. Cinematic will have some more cinematic Effects. So if we go down here it will actually give us a preview of kind of what it looks like. So you can see this in a space 100 for example, makes everything very warm and contrast. E while some of these other ones sent a space 25 faded film makes it look more faded and to apply any of these effects, we can just simply drag it onto our clip and applies that effect. So you're very faded. I'm going to undo that. Next we have film stocks which will make our footage look like actual film stock from Fuji Kodak. You see these different film stocks. So these ha...

ve some different types of effects because different film has different looks. You can see here this F 1 25 looks very contrasting, very dark while the 2 50 D. Makes things a little bit brighter and faded, which is a popular look right now monochrome. These are going to be all of your black and white. So we have a range from very very contrast E to something that is very un contrast. E very faded. And lastly we have our speed looks which go with different cameras. So these are set up for different cameras that you shoot on this shot at this wedding was shot with a Canon five D. So I can just go to the five D. Folder and you can find an effect that I want. These are very stylistic. So if we want this to be a day for night scene we can apply this day for night footage. The shot doesn't look too good because you can obviously tell that the sun is out shining harshly on their shoulders. But if you did have a shot with some more overhead lighting that looks like a street light or something during the day then that might look good for you. There's lots of effects if we want, this is already very warm so we wouldn't want to make it more warm. At least I probably wouldn't. But these are different specific effects or filters to add for your camera. If your camera's not here you can just go ahead and use the universal effects. But the cool thing is that lou metric has kind of gone through each camera and tweak the settings so that it does a better job depending on what kind of camera you are using. So these are great ways to quickly add a look a grading to your footage and with all of these, if we do apply them, say we apply this one right here, we can then go into our blue metric color panel and continue to edit it so we can make changes so you can see that it has this input that we added right here. That's this input right here. But we could say if this is a little bit too dark for us, we could boost the shadows back up a little bit to bring back some of those details. Thank you so much for watching. That's how you use the blue metric presets. Have fun with it and we'll see you in another lesson.

Class Materials

Bonus Materials with Purchase

Interview Clips for Windows Users
Exericise Resources
Resources for Premiere Pro Course

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