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Lessons
Intro
1Workshop Intro
03:18Foundations
2Gear
12:14 3Gear - My Camera Bags
08:00 4Mastering Camera Settings
07:41 5Blue Hour, A How-To
10:45 6Photos That Move Us
07:19Visual Storytelling 101
07:51 8Endurance In A World Of Sprinting
06:27 9Keeping Your Ideas Fresh
08:31 10Building Your Story Arc
06:44 11Shooting More: Action Plan
02:01 12Conveying Emotions
07:52In the Field
13The Assignment: Himalaya Pre-Pro
12:08 14In the Field: The Himalaya Defender Shoot
20:29 15The Assignment: Canon Pre-Pro
10:25 16In the Field: Canon USA Shoot
15:06Editing
17Keywords & Organizing Images
06:42 18Commercial Grading
04:47 19Masking & Radial Filters
12:33 20Perspective Correction
05:39 21HDR (Hand-Held)
03:37 22Black & White Edits
07:00 23Before & Afters
01:33 24Moody Grading
13:15 25IG Export Settings
04:00 26Web Export Settings
02:44 27Clone Stamping & Patch Tools
05:51 28Grading in Lightroom
06:45 29Hand-Held Panoramas
03:41 30Radial Filters Pt 2
02:38 31Delivering Files to Clients
12:33 32Archiving & Organizing Images
10:15 33My Favorite Software
03:44Business
34Let's Talk Business
01:03 35Building A Desirable Portfolio
11:17 36How to Contact Clients
12:00 37Prospecting: Finding Brands That Fit You
04:16 38Getting Clients To See Our Value
10:16 39Paid to Travel the World
14:48 40The Art of Making Moodboards & Treatments
08:09 41Keys To A Fulfilling Career
07:40 42Three Things You Need To Know Before Pitching
06:19 43Finding Your Value Proposition
08:02 44Media Kit: A Walk Through
08:06 45How I Built My Audience
07:46 46Social Media Landscape
07:32 47Module Recap
03:08Bonus - Everything To Know About Filters
48Do You Need Lens Filters?
09:36 49Filters in The Field
12:40Bonus - Find Your Path
50Find Your Path
07:44Bonus - How To Print Your Work
51Why Print or Sell Photos
23:21 52Preparing Photos for Print
06:44 53Reviewing Major U.S Printers
06:57Lesson Info
Hand-Held Panoramas
(intro music swell) Now this episode is about handheld panoramas. You saw me shoot several, about 20, 15 photos of the car. And I'm gonna to show you how I assemble it. Most people think that making a panorama has to be this complicated process with a tripod and measurements, but with Lightroom and a lens that doesn't deform too much, like a 50, it's become really easy. So, we're in Lightroom, this is my first scene. Right, my top-left photo. I go from top-left to bottom-right. And this is my last one. (indistinct) All right, I go into photo merge, panorama. And then we're just waiting for this. (fast-forward scrubbing) Okay. 28 images actually. (laughs) 28 images are successfully merged. So, I usually don't use the fill edges feature because I don't want Lightroom to crop for me. You can use that. Oh it's not auto-crop, what is it doing? Yeah, okay. You can use Lightroom for that. So let's see what it looks like. More previews are being built. Okay, so, I don't like these automatic ...
things because it keeps making funny things out here. Like, I don't want Lightroom to be taking these decisions. So, I'm now going to fill the edges myself. I usually turn off auto-crop because, see how much I'm losing here. Like, I don't need all this area right. I'm just shooting my photo very big so I can just use pretty much this area here. So that's why I don't use auto-crop. I manually crop. I don't do any auto settings and there's three different modes of merging. Spherical is the one that usually works the best for me, but let's see what cylindrical does. So it stretches the car a little too much. And perspective, usually does some fucked up stuff. Yeah, this was perspective for you. So, maybe handy in other types of photos but not here. So, spherical and then I'm going to hit merge. It takes a bit of time to create. So while this merges let me tell you about why I did that. There's a few reasons. First one, having a massive file that I can crop into. Always nice for the client if they want to have a very high-res photo of the car, this is it. Second one is because I want to be able to get this cool looking image with a lot of depth of field. It's like a medium format vibe right? Where the car is sharp but it's a wide photo and there's a lot of background. Like there's a big background that's blurry. So you're achieving a lot of depth of field. You're achieving a very shallow depth of field on a massive wide landscape. It's almost like the new iPhones portrait mode wide. Except with much better quality and more pixels. Okay, the photo is now merged and I'm going to go crop it. So, I'm going to use the original camera crop for now. Two by three, three by two. I'm usually hitting my thirds up on my third line on the top of the scene here. On that line. Car on he lower third. Minimal distortion. And this is it. This is a 25 photo handheld panorama. (camera click)
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Jon
Not What I Was Expecting Let me just start by saying that the workshop was very good. There were lots of things that I learned and many insights I took away. Perhaps the greatest bit of wisdom imparted to me was not anything Alex said but how he approached every subject he talked about. I felt that he was talking to me as a friend, very personal and open book. This was both a blessing and a curse as the course tends to meander around and is not as structured as others I've taken. Alex's passion for the highest quality, and craftsmanship in every aspect of his business, is very evident. From the premiums he charges, to the attention to detail in client deliveries. This is where my review is going to give some hopefully constructive criticisms. For someone so focused on a premium experience I was a surprised to find the course a bit sloppily assembled, and the videography and editing lackluster. This is coming from a videographer and someone with a lot of experience in online training. A few short examples to illustrate my point include: repeating segments of the edit (in some instances the exact same segment), poor framing. Colors changing between cuts, and my biggest pet peeve, not leaving photo examples on for long enough to see them. These are all small things, but they add up, and along with the topics meandering, left me a bit disappointed. I'm curious who you would say this class is aimed towards. Amateurs, mid-level, or experts? The assumption of who you are addressing changes throughout the course. I feel like with a bit of work from an instructional designer, and some editing cleanup, you could help hone this course to be one of the best out there. I feel like I need to do a more in depth review than will fit here, to actually explain this well. Let me know if that would be helpful to you. One other note: When I signed up for a workshop on Adventure Photography, I honestly thought it would be more field focused. The field examples were all shoots for products, and not shoots documenting an adventure. I guess I had just hoped to learn that side of the storytelling process more. Getting into the nitty gritty of being wet, cold, and dirty, and still shooting bangers. The section on filters (going out and building the snow cave) was more what I thought this course was going to be. Anyhow, with all that said, I still found it valuable and worthwhile. To summarize, the course feels a bit unpolished and in some ways unfinished though there is still great value. I've taken Jimmy Chin's Masterclass on adventure photography and it felt very structured and highly polished. I purchased "Adventure Pro" on the "finish in a month" discount. I would have felt ripped off if I had paid full price with the course in its current state. Thanks for reading and I hope my criticisms come as helpful. As I've already mentioned I'd be happy to further elaborate.
Topher Hammond
One of the best photography investments I'm only 1/4 of the way through Alex's course and I feel like I already have a loose plan on how I can move forward in my own career as a photographer. I felt like my work was lacking a specific feeling. The way that Alex articulated ideas on how to convey emotion in your imagery and building that overarching story arc for your own life narrative were super helpful to focus on how to make my work better. Super looking forward to the rest of this course. Thanks Alex and team!
Sergi Mas de xaxars Rosell
Great Workshop I learned quite a lot with this workshop. Because I'm in the industry for 5 years now, there were a few things I already knew. On the other hand, Alex showed me different and more effective ways to improve my business. I like the way he gives the lessons, always in a personal and close way. This is the knowledge I wish I had when I started. Totally worth it!