Arriving at the Ceremony
Okay, now we go to the church. 664 images, so that's how many I shot. A very small church; it was a Macedonia service, very tight. One thing I wasn't happy was this is the beautiful icons on the wall, and the videographer was permanently standing there, so I had to move on a different angle so I can avoid, but I wanted the wall in the background. So it's important, then, I took weird angles to capture it without having the videographer in the thing. So, this is from 1:30 to 2:30. Usually we're looking one hour of capture. We arrived there because it took us about an hour to arrive there. Dani was in a hurry to go to the church. I said, "Dani, you know this. It's not going to happen." And half an hour, she had to go around the block because at Macedonian church, the groom's family forgot the cake, they must have a special cake. The priest said, "You can't get married without the cake," so they had to get a cake. So Dani was going around and around, and at first I was worried. Where is s...
he? She change her mind or something? But they were waiting for the cake. So ... (overlapping voices) Look down for a minute. Here, here, go on the side. That's it. Yeah, I'm going closer. I'm shooting quite a wide lens. (camera shutter clicks) And open the door, open the door now. Look at your dad, Dani. Give her your hand, Tom. And, steady. Perfect, okay, got it. (car door slams) Laurel with Laura, Dani. Because you two, hold the flower very on your waist. Don't hide. (overlapping voices) Okay, you see I captured at different angle, lower a little bit so I can capture the car more wide because I was using wide lens. If you realize I had two cameras there because my assistant couldn't come into the church. That's how tight it is, so I had my two cameras with me. So when I work in the church, I've got one wide one. And most probably, I used a lot more wide than the ... So I can capture it. So that's arriving in the church. You know, the groom is coming to me. I take that he is gonna say hi to me but I captured that. The cute thing is that little boy in the background, you know, looking at the thing. It's become so photojournalistic. And then there's the bride arriving at the church. This wouldn't have gone in the album because I have either moved the guys at the background. It doesn't be part of, or just avoid it. So sometimes I convince the bride where to go, how to go. There's a bit of reflection, and that's the low angle I started to shoot so I can get, you see what I was looking for. The reflection of the church in the window. I tried to get reflection to show us where we are. And then a different angle with her father waiting in the background. You know, my assistant photographer will take the main shots and I move into a different angle to capture the more candid-looking picture. So again, 640; this is a winter wedding. In Australia, we are winter now, so it's quite cold. We make sure that we do it quickly without the bride getting too cold. But again, concerned Dani: is he there? Is he dressed correctly? Is he ... ? And capture moments again. I'm basically capturing as much as I can without interrupting. There's the candles there, I thought it was a good shot to walk in while she was walking. A back shot; I love to take the back shot but at the same time my assistant will be at the front to take the shot. But because it was a tight church, there's already two video guys there, I had to not have the assistant at the front. Then I move quickly to the front and capture coming in.