Bride & Groom on Location
Yervant
Lessons
Class Introduction
12:07 2Client Focused Wedding Business
05:43 3Marketing for the Wedding Business
21:55 4Pricing & Sales Strategies
29:28 5Wedding Client Interaction
11:01 6Find Your Photographic Style
28:40 7Gear, Lighting & Camera Settings
11:40 8Capture the Bride Getting Ready
03:30Bride with Dress
05:13 10Connection with Family
04:00 11Bride Dressed with Bridesmaids
06:25 12Detail Shots with the Bride
04:02 13Putting the Veil on the Bride
03:42 14Bride with Family & Bridesmaids
09:34 15Leaving the House for the Ceremony
04:02 16Arriving at the Ceremony
04:49 17Capture the Ceremony
03:56 18Formal Pictures After the Ceremony
09:13 19Detail Shots at the Location
05:08 20Bride & Groom with Bridal Party at Location
10:18 21Bride & Groom on Location
03:52 22Street Location Shoot with Bride & Groom
15:29 23Demo: Bride Interaction
14:04 24Shoot: How to Pose Your Brides
17:48 25Capture the Wedding Reception
16:16 26Shoot: Capture Reception Look
12:41 27Equipment & Accessories for Post Production
13:21 28Lightroom® Workflow
15:02 29Client Image Proofing Online
23:55 30Retouch Images in Lightroom®
04:31 31Photoshop® Editing Overview
14:41 32Photoshop® Workflow
08:49 33Color Correction in Photoshop®
10:27 34Soften Image & Retouch Skin in Photoshop®
14:57 35Black & White Edit in Photoshop®
07:45 36Remove Distractions & Extract Details in Photoshop®
16:11 37Edit Outside Bridal Party Image in Photoshop®
27:04 38Printing Your Images
10:45 39The Power of the Album
11:17 40Album Design & Final Product
23:17 41Graphi Album Design
20:02 42Create an Impactful Slideshow
08:12 43Paper for Printing
03:07 44Yervant & Anie Workshops
14:48 45Final Album Layout
06:48Lesson Info
Bride & Groom on Location
This is even more inside the location. Robby I need light now. (mumbling in background) okay, more the light. Yeah, okay, Chris. I need you to be here. Good? Yes. Okay, go closer, heads closer. And take a walk again. And closer, closer, beautiful. And take a few steps forward, few steps. And stop stop stop. That's it. And go Chris. Put your arm around her now. That's it. And Chris, turn this way. That's gorgeous. Stay there. Robbie closer. Yeah that's it. Hello? Okay Robbie, closer to me. That's it. What? Yeah that's it. Perfect. Stay there. I'm quite forcing it. Yeah he's doing alright now. There that's it. Nice lighting again. Look up. Look up. Nice that's it Dani. Close your eyes. That's it. And perfect. Next stop. Where are we going? A cake. Wherever you want you pick. You want to go Can you go that way and we'll go back to the compound. Okay. Uh You saw that now it's gone really dark this is the last session of the day. I want the actors to be photograp...
hed. I introduced the warm light, the modeling light of pro photo. I'm still not using flash. I'm still refusing to use the flash. But that gives me nice warm light. So introducing the nice warm light, this is what I get. A lot of blue, so the day lights have become blue. I love this is a European style of the cinema. The European cinema uses these techniques. A lot of daylight in the background. Blue, and the light and the tungsten light on the subject and you correct the skin tones and you get even more blue in the background. That is the correct one in this but that's the idea. And then using that tungsten light, yeah you see the tungsten light a bit of daylight coming into the picture. Just gives, but the big thing is if I use flash here, there was going to be somewhere shadows, somewhere the details where going to go. This keeps the mood of gothic look into the picture. And that's why she's there, she wants to capture this mood of the place. And again from the background shoot with a bit of tungsten light. Her walking away and that's not posed. She gave me that look okay lets go. And then we go under the arch. So this is a bit of back light coming. You see it's very important for me to frame the building in the background perfectly so I go a bit lower on an angle. There's a destruction there of the light there but Doesn't matter it's not dominant. And then when I was there I was seeing this light, the day light coming in on the subject. It was side light. You know it's coming from behind Chris into Dani's face. So I took some really romantic shots there. You know how beautiful is that? And look at that.
Class Materials
Ratings and Reviews
Claudia Montero-Kubli
I love it!!!!!! I am so inspired, I learned a lot! thank you Yervant for sharing your Talent with us this two amazing days! Thank you to all the CREATIVE LIVE staff you are awesome!!!! best time! I want to come again!
a Creativelive Student
I am SO grateful to CreativeLive as well as Yervant for taking the time to put on this class. So many times while sitting in this class I thought to myself "what have I been thinking?!" I have so much to learn! I loved hearing about Yervant's process for creating images, but what inspired me even more was his advice on how to view, and treat yourself as a professional. I completely agree when he said photographers are creative but we are "terrible business people." But I aim to change this in my business from this point forward, thanks to this class! Yervant's advice on how to value, protect, and sell your art is priceless. I have always valued printing and creating products clients can hold, but I don't think I understood the real emotional value in it until this class. When he pulls those images we just watched him create for the last two days, off of that printer, and they are there before our eyes, I had an emotional reaction to it. I want my clients to experience the same, so I must value it and create opportunities to educate my clients. Thanks for the kick in the pants that we all needed Yervant! And I hope this will not be the last time I get to experience your education in my life. I said this many times to other students during the class, but I will say it again here, I want to carry a mini Yervant with me every where I go! Thank you Creative Live and thank you Yervant!
a Creativelive Student
Yervant’s ardent love for wedding photography and capturing his brides in their best light is unquestionable. His love for this photography community and his regard for our respect in the world hierarchy is without reservation. Yervant’s willingness to share his knowledge and skill for all these things to come together is beyond generous. These are some of the things that help Yervant to effortlessly stand out as a photography master and this is exactly what this class is about… plain and simple.
Student Work
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Wedding Photography