Using Different Textures of Materials in your Drawing

Lesson Info

Using Different Textures of Materials in your Drawing

All right, So let's start working on different materials. When you have an interior, you always have to have a sense off how the materials will be rendered. Um, at this point, I don't have you work this way or not. They're different methods of working, but you always have to have an inquisitive mind. So what that means is I'm sure you watch TV shows and that you get into interior design where you like to just read magazines. Um, if you're at a library and you cannot really rape part that page, you take a picture off what you like, make an effort of taking a picture. And then, if you want, just print that out. Review the magazine is yours. You print that out and you start putting together a book off the materials and and or objects that you find that are interesting. So, for example, I have over here from the magazines that I have, I took some ideas for faucets, for example, how reflective the our living room, Who that's That's leather. Maybe I can use that to render this right. You jus...

t make a collection. He doesn't have to be as fancy as thes putting on sleeves. He could just be in a regular manila folder. And you just have a serious of photographs there. Let me tell you one thing. This is what you will never dio. Okay? I love this magazine. This pictures. I'll get to that later, and then I'll read them later. I can assure you, a month from now, you don't know where that magazine went. You might even have giving it to ah, somebody else for you. Discarded or recycled. Did you don't know where it is in the house. Do it in the moment. Just rip. It is your own magazine, You said for your own purpose, right? So in this case, I took some photographs that I thought would be good for leather because we'll be rendering it. And then we have wall to wall carpet over here. I love how these windows look. Since I have an interior with a living room with lots of windows over here, I certainly want to have a sense off that open view. All right, So collect your images, and later over here, I have some kitchen. When we get into the second part, we want to do it in white. I want to do it in grey and some wood tones. What I want to go in black. This is when it gets fun. Us. A designer in control on you. Just take everything. Everything is an excuse for you to know about materials and textures or colors. All those three combined okay? Materials, texture and color texture. You could have the same material, but finished it differently. Could be shiny. Rick would be more course. Think, for example, would right materials. It could also be would, but it could be stained where it could be would. But there so many different types of wood could be for almost purplish brown all the way. Teoh. Maybe kind of bleached wood kind of grayish brown. Did you have a wide variety? And then, of course, just the materials themselves. Chinese it not. It's a glasses. Sustained steel. Just gather. Be inquisitive. Gather what you think. It's fun and just get your own collection of materials, and this is changing all the time. So be curious enough to really have your collection

Class Description

Lessons

1. Introduction
2. Materials and Tools to Use when Drawing
3. Preliminary Furniture Plans on a Floor Plan
4. Using a Scale Ruler and Templates
5. Rendering Furniture on Floor Plan to give Volume and Depth
6. Line Weights and Adding Texture
7. Architectural Lettering
8. Complete House Floor Plan
9. Isometric Perspective
10. Why 3-Point Perspective Doesn't Work
11. Benefits of Two-Point Perspective
12. Preliminary Sketches for a Living Room
13. Using Different Textures of Materials in your Drawing
14. Adding Color to the Couch to Create Shiny Leather
15. Rendering Soft and Shiny Textures
16. Starting Elevation for the Kitchen
17. Full Rendering Elevation of the Kitchen
18. Putting the Elevation at a Different Scale
19. Two-Point Perspective for Kitchen
20. Canson Paper with Pastels
21. Transfer Line and Heights
22. Finishing the Rendering Using Canson Paper
23. Creating Chrome and Color Reflections