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Get The Most Out of Your Photos With Capture One Pro 12

Lesson 14 of 48

Radial and Linear Gradients


Get The Most Out of Your Photos With Capture One Pro 12

Lesson 14 of 48

Radial and Linear Gradients


Lesson Info

Radial and Linear Gradients

There's two different types of additional masks that we can use a swell. So we have something called a radio mask and also called a linear mosque as well. So I think let's use the same in image. It probably makes sense. Yeah, let's use this one, which has been adjusted a little bit. And then if we click on the brush tool here, you can see as well as our drawer mosque on a raise mosque. We've got these two other things called Linea Ingredient Mosque and radio Grady in a mosque. So T and G, if you can remember those asses well, jeez, Pretty easy to remember. Grady. A mask had tea, maybe slightly more of a struggle. So let's bring this up T and we get a slightly different icon, which is this cross with a small circle. So where I start drawing this is going to be the center of our radio mosque on a radio mask is essentially this a circular shape, so it's a little bit similar to how the brush works. But now we've got these three lines. So 123 The outer line is where we are at 100% so if I t...

urn the mask on with them, that in a line is by the time we've got to 50% and zero is where we down to zero. So that's if you like the steps of feathering. Now, this mask we can modify any time so I can move it around a can increase the feathering like so by grabbing the outer circle. Or I can grab the inner circle, like so, the four dots here, these grab handles, which allow me to change the shape. So if we don't a perfect circle, we can squish it in either direction, like so. If you hold down shift, then it will pop out to a perfect circle, too. So let's just change this. We can also rotate it. So if we've got an oval shape like this and we just want to rotate it a little bit, if you hover over the center line, see the curse that changes to a slight rotation, Ayrault said. Then we can rotate and move it around as we wish. Soon as the cursor comes off the main interface, those lines disappear so you can see how the mosque looks like. So so now if I was to go in pris m to hide my mosque, and that's just changed the exposure that's going to darken the edges, maybe de saturate a little bit as well. That's a really simple way to create the Red Mosque. Now we can edit it at any point. So if I hover the cursor back over the top like so then I can go in and think that it's not quite right. Let's just tweak. Let's just tweak that like So if you want the opposite of that mosque, there's a couple of different ways to do it. So you want to invert the radio mosque. We can right click on our layer and we can say invert, and that will just do the opposite. Invert that mask. We can also, if we float back onto our radio mosque. If we drag the outer circle. So this one here and snap it over the inner one. Then you see our radio mosque inverts like so. So if we press em on our keyboard now, you see the mask is just in the center, so it's easy to flip him around. Or if I drag this one out over the edge. Then it flips like so, so infinite way to create various different radial shapes. Now, if I want to go on, perhaps manually, edit this a little bit, so you'll see what happens. Let's say I just want to change the shape a little bit like just filled this in here. If I grab my brush over here and I start to try to edit the radio mosque, I get a warning pop up because right now the radio mosque is in its radial shape, which we can edit infinitely, as we just explained. But if I want to treat it as a normal mask, that one I had hand drew, then it has to be rest arised, so that simply means lock the mask as it is. So if I say restaurants now, I can then edit the mosque as I want to. So just an important step. Let's put that radio Mars back again. So just to recap drawer radio ingredient mask where I start drawing that's the center of the circle. Handles to change the shape hover over the center to rotate to change the feathering weaken, drag the out to circle or inner circle like so mm to show and hide the mosque and then make already. It's as we see fit. And at any point, I can go back and edit it. Or if I want to, manipulated by hand by drawing or raising parts. That's when we have toe rest. Arise it. If you know you want to rest, arise it straightaway. You can right click and say, Restaurants Mosque. So that's one kind of mosque or Grady a mask. So that's the radio. There's also the linear, radiant, masked as well. So let's look at this image now, Grady, it masks. They're really sort of typically used on landscape images, but it doesn't have to be exclusive to that. I think the best way to describe the linear mask is the same as having a Grady, um, filter on front of the lens. So you see a radiant filter. It has like a fall off from top to bottom, and you could drop that on and then you can control the exposure at the time of capture. They're slightly limited because I only have one kind of fall off, whereas the fall off on a masking capture one you can change. So let's go to Linear Grady It Mosque. Let's G on our keyboard again, a slightly different cursor. So it has those three lines where I start drawing the mask will be its strongest. And then where I finish will be it zero. So if we press em to see our mosque here is 100%. Here is 50 and here is zero. So that's how it fades off. Now we can move this around again. We can rotate it like so if you hold down, shift it, lock it to horizontal or vertical If you want a perfect mask like so the difference between linear and the radio is that it can beat asymmetric. So if I go to the bottom line and we squeeze it up and down, we can have a very hard fall off or a very soft fall off. But if I want to change the fall off on either side, I can hold the okey down or option key. And then you see, I can change the fall off to be very rapid. After we hit the center line, for example, so much more control to again once we're happy with this if I brought him to turn the mask off, we can go ahead and we can make our adjustments like drop the exposure, increased the clarity and so on. And once again, if I want to edit that, I can just sneak back in and pull any of the lines. Okey again to make it asymmetric. If we hope downshift, then you see both lines will move about the center point like so So it's super versatile on you can create really complex shapes. Now we can only have one radio or linear per layer. So if I wanted to do like another linear or radio mask down here, I have to first go in and then making you life. So again, don't forget to name your layers slit school that sky. If we wanted to do another one here, we'd have to do that on a separate layer and so on. So it's a slight limitation, but it does mean you can keep them separated out. So, for example, in this one, we could up the contrast, brighten it a little bit, and so on

Class Description


  • Understand the interface and terminology in Capture One Pro 12
  • Setup your workspace and shortcuts to fit your habits
  • Build a workflow and editing strategy to save time and maximize results
  • Control the dynamics of color and texture with Capture One’s RAW conversion engine
  • Tackle a wide variety of image problems with photo editing
  • Learn the new features inside Capture One Pro 12
  • Master advanced image editing techniques
  • Shoot tethered photos -- and edit as you shoot


Capture One Pro 12 allows you to seamlessly capture, organize and edit your images all in one space. But the wide variety of tools and customization options in the photo editing program from Phase One can make the software a challenge for new users.

In this course, David Grover, a Capture One educator and expert, shows you how to overcome the initial hurdles of learning this program so you can hit the ground running. From basic techniques to advanced edits, you'll learn start-to-finish photo editing and asset management inside Capture One Pro 12.

Whether you are new to Capture One, are coming from an older version of the program, or are switching from another photo editor, you'll master everything from import to export. In this class, David shares everything from workflow to editing, exporting and even shooting tethered- all the while giving you helpful examples and visual aids to drive home each lesson. By the end of this intensive course, you’ll be ready to manage and edit your photos in one streamlined process.


  • Beginner and intermediate Capture One users
  • Photographers in need of a post-processing workflow that are working with one of the more than 500 compatible camera models
  • from Sony, Fujifilm, Nikon, Canon, Phase One, and others
  • Photographers who want to enhance RAW images and make them look extraordinary
  • Photographers incorporating tethered shooting into their process
  • Professional photographers switching from another editing program


Capture One Pro 12


As a member of the software team behind Capture One, David Grover is an expert on the ins and outs of Capture One Pro 12. But with experience running weekly webinars on the photo editing software, David is also a respected educator in the industry. Shooting since the age of 16, David is both a photographer and a photo editor. He lives in the UK with his wife and two children.


  1. Interface Overview

    Get acquainted with Capture One Pro with a quick overview of the program, including where the different controls and options are located. In the first half of the class, David walks through a quick start of the software before diving into the advanced tools.

  2. Customizing Your Workspace and Keyboard Shortcuts

    Capture One Pro offers full control of your workspace, allowing you to customize where the controls are situated. Learn how to design a workspace that works for you, along with tips for creating your own custom keyboard shortcuts. In this lesson, David also notes the differences between running the image editor on Mac and on a PC.

  3. Making Your First Catalog

    With a workspace in place, begin working with your images by creating your first catalog. Learn how to create an organized home for your photos in the editing software. Here, David also shares tips for organizing images and maximizing performance.

  4. Importing Your First Images

    Add your RAW files to the catalog in this lesson, picking up tricks for including subfolders and avoiding duplicate images. Work on asset management essentials like where to save files and renaming images.

  5. Virtual Organization

    Starting Capture One Pro with a basic organization scheme will save time and trouble in the long run. Pick up basics on getting images organized inside the imaging software -- and keeping them that way. Work with moving files, managing folders, finding images on the hard drive and more.

  6. Basic Tool Behavior

    Jump into image processing by learning how the different tools work. Pick up essentials like the hidden tools for returning the settings back to zero and reviewing the before and after of just a single adjustment. By starting with an understanding of the options that comes with each type of control, you'll be better poised to diving into the nitty-gritty of photo editing.

  7. Starting Approach to Editing

    What do you edit first? Establish a basic editing workflow and optimize both your time and the image quality. Dan shares tips on which edits to tackle first and why. Work with tools like exposure and white balance, then move into levels for adjusting shadows, mid-tones, and highlights.

  8. Next Level Editing

    Continue layering on adjustments. Learn the difference between the brightness slider and the exposure slider, then move to next level tools like saturation, clarity, contrast, the RGB curve, and the luminosity curve. See a comparison between similar tools to see the difference between each one.

  9. Color Tools Overview

    Fine-tune the colors in images using the color editor and color balance tools. Learn the difference between the two options and how to use each one. Then, move into specifics like the skin tone tool and adjusting specific colors.

  10. Basic Copy Paste Workflow

    Capture One Pro includes tools to help you avoid repetitive work. See how to copy the adjustments from one image to paste them onto the next. Then, adjust the default options on how the tool works.

  11. Basic Export

    Once you are finished with a basic edit, images need to be exported for sharing or printing. Navigate the different export options like file type, recipes, and more.

  12. Getting Started on an Edit

    Capture One is good for more than just quick edits -- get started in more advanced editing tools in the second segment of the class. In this lesson, discuss topics like how much editing is too much, planning the edit, and more.

  13. Adding Layers to Your Toolkit

    In Capture One Pro, layers allow you to apply local adjustments, or changes made only to a small portion of the image. Learn how to use separate layers and masks to fine-tune an image using the brush tools and other local adjustment options.

  14. Radial and Linear Gradients

    The linear and radial gradient masks allow for creating layer masks that follow a shape for local adjustments without painting on with a brush. Work with these two types of masks to fine-tune the image through more local adjustment options.

  15. Luminosity Masking

    The luminosity mask tool adjusts images based on light, applying the masked effect to just the shadows or highlights, for example. Master this more advanced local adjustment to fine-tune the photograph.

  16. More Advanced Layers

    Now that you know how to use layers for local adjustments, see them in action. In this lesson, David walks through layer adjustments on a handful of images to demonstrate the different possibilities of these tools.

  17. Removing Simple Objects and Local Adjustments

    Learn how to remove an object from a photograph inside Capture One Pro. Using the clone and heal layers, remove distractions from images with this toolset.

  18. Advanced Color Edits

    Head back into the color editor tool and build in advanced techniques. Learn how to select and adjust specific color ranges, including helpful shortcuts.

  19. Using the Color Range to Select Just What You Need

    Put those color tools in action on sample edits. In this lesson, David demonstrates how to use the color editor tool to adjust a single object, without affecting the rest of the image.

  20. Editing Colors in General

    Expand your color editing repertoire with several real-world samples. Learn how to use the color tools to enhance the sky in a landscape image or to remove distractions in street photography.

  21. Editing Skin Tones

    Capture One Pro breaks out skin tones into a dedicated tab to better help photo editors easily work with portraits. Find out how to correct skin color to remove redness and other imperfections.

  22. Combining Color Selections with Layers

    What if you have an image with two objects that have identical color, but you only want to adjust one of them? Fine-tune your color adjustments using layers to adjust only a single area of color.

  23. Creating Masks From the Color Editor

    The same selections that you make in the color editor can be converted into masks to adjust more than just the color in that area. Unlike the color tools, this technique can be used to make a selection that adjusts other elements, like sharpness, contrast, and clarity.

  24. Color Grading with the Color Balance Tool

    Get creative with color grading by using the color balance tool. See how the tool works, then see real-life examples of the technique in action. Build your own color grading station by adding a custom tab into the workflow.

  25. Intro to Second Day

    Ahead of a live shoot, get a jump start on what's next: tethered shooting and sessions.

  26. Session Overview

    Unlike a catalog, a session is designed to organize a single event. Learn how sessions are organized, how the software manages the files, how to create a new session and more.

  27. Tethered Basics

    If you've never shot with a tether before, there are a few basics you need to know first. In this lesson, David shares beginner's tips on connecting the camera and computer for a tethered session. Then, see the camera and software prepped for the tether live.

  28. Setting Up Simple Sessions and Setting Naming Conventions

    Tethered sessions do not need to be organized into a single folder. Learn how to separate images into folders as you shoot and how to create a custom file name.

  29. Controlling the Camera

    Adjust camera options directly inside Capture One Pro. Here, David shows how to customize the tethered workspace, how to connect the camera, and how to remotely adjust camera settings.

  30. Handling Next Capture Adjustments

    Start shooting from inside Capture One, then learn how to make adjustments that will apply to all the subsequent photographs. Explore advanced options for tethered shooting.

  31. Using Live View Focusing and Overlay

    See what your camera sees while working remotely using Live View. In this lesson, David shares how to use the Live View feature, along with the Overlay option when working with composites or images with text.

  32. Selecting Images and Using Smart Albums

    With the tethered shooting session finished, choose the images from the live shoot using tools like color tags and ratings. Then, work with filtering options and smart albums.

  33. Saving a Session Template

    Starting a new tethered shoot doesn't necessarily mean starting everything over from scratch. Learn how to save a session template so you can easily re-use that organization scheme.

  34. Overview of Process Recipes

    Process recipes make exporting simple. Build your own process recipes for working with image files inside Capture One.

  35. Tokens Overview

    In Capture One Pro, tokens help organize images with metadata and keywords. Learn how to use tokens to create custom file names based on factors like when the image was shot. Use tokens to save images in specific folders based on their color tag or rating, rather than doing multiple exports.

  36. A Simple Round Trip

    Capture One Pro plays well with other image editors. Learn how to take a photo out of Capture One and into Adobe Photoshop or other programs, then bring the file back into the catalog. Work with a PSD file inside Capture One.

  37. Sharpening Workflow

    Sharpening can be adjusted in three different ways in Capture One. In this lesson, work with lens corrections to apply specific sharpening algorithms, sharpening sliders, and sharpening at the export.

  38. Creating a Recipe for Web Output

    Quickly share files online by creating your own recipe for exporting images. David walks through the options and some of the best settings for prepping images for the web as well as how to preview what the file will look like compressed.

  39. Selecting with a File Name List

    Design a process recipe for uploading to cloud storage and adding a watermark. Then, learn how to easily select images based on a list of filenames, such as when a client sends you a list of the photos that they like.

  40. Using Plugins and Sharing to Clients with PRODIBI

    Plugins can expand Capture One's capabilities. In this lesson, lean how to install plugins and how to use the PRODIBI option for online proofing and galleries.

  41. Image Review 1 - Sometimes Simple Works!

    In the final segment of the course, walk through full edits for various types of shots. In the first set, work with an image that needs just a few basic adjustments.

  42. Image 2 - Radial or Gradient Masks, Object Removal

    Continue perfecting real, RAW images with this pet shot. Work with a radial gradient mask, apply selective sharpening, and more.

  43. Image 3 - Keystone Tool and Aspect Ratio

    Correct perspective on architectural images using the Keystone tool. Then work with structural adjustments, lens corrections, and other adjustments.

  44. Image 4 - Using Styles in Capture One

    Work with styles to make quick adjustments to an entire image. Learn how to work with styles as a layer and further fine-tuning tips.

  45. Image 5 - Black and White

    Continue building your editing strategy and workflow and work with a black and white conversion. Customize the look of a black and white conversion and make monochrome-specific edits.

  46. Image 6 - Landscape

    Correct a landscape image, using tools common for the category like the Keystone tool, saturation, radial gradients, and more.

  47. Image 7 - Portrait

    Explore the tools for editing a portrait. Revisit skin tone adjustments, remove distractions and more in the edit for a casual portrait.

  48. Image 8 - Action in Lowlight

    Editing low light images is often a challenge -- see how to tackle this type of edit. Work with gradient masks, selective brightening, color grading and more. Finally, gain additional insight from student questions.



This is a superb course. David is an excellent teacher. I'm coming to the end of it and have learnt so much. I've been using the software for a year, self-learning as I went along. I had watched the odd David Grover video on YouTube, but never got much further in my understanding of the software. Capture One is brilliant software and to do it justice you need to learn it properly from an expert. Highly recommend this course if you want to produce professional results.


Excellent course and a very engaging speaker. If you are starting with Capture One 12, this is the best class to take. The lessons are presented and explained in an organized way that it shortens the learning curve. Thank you, David. Cheers!

Jino Lee

One of the best course I've purchased. Very helpful and I learned so much more with this course and in a short period of time, than all the official Capture One You Tube videos put together! Anyways David Grover is the same guy who does the Phase One C1 official YouTube videos, so there's no better person to conduct this course than him! Truly excellent and if you think you know all about C1 Pro 12 interface, wait till you watch this course.