in the old days before auto focus. Wildlife photographers like me as well as sports photographers or indeed, anyone photographing a moving subject would use depth of field to make sure this subject was sharp at a day. We could be far more accurate because with modern focus systems, not only do we have auto focus, we also get focused tracking and the purpose of focus tracking is, with the camera toe automatically maintain. Focus as a subject moves around. The image space is clever stuff, and how it works depends on how the subject is moving. Movement could be straight towards or away from the camera across the frame, left the right or right to left or diagonally across the frame from corner to corner. You can also be predictable or unpredictable. Tell the camera how to track the different types of movement using the auto focus area modes. Now, before I go, one is important not to confuse auto focus area modes with focus modes. The A F area mode refers to how much of the focus grid or th...
e number of F sensors used. When focus tracking every camera manufacturer has its own fancy terms for a F area modes, but generally they could be distilled into a single area or multi area, with a subject moving predictably, let's say across the frame, with a camera set to continuous auto focus and single point area mode by panning the camera, I can keep the active auto focus sense on the subject, and the camera will accurately track and adjust any changes in focus distance. Things get trickier when movement becomes unpredictable. For example, if I'm trying to find a car for horse coming straight onto the camera, although I can predict the general movement, I know where the horses and where it's going. If I'm focusing on the horse's head, which is where I want to be focusing to get the I sharp, the head is gonna be moving up and down is the horse gallops and is much harder to predict his position when I make the shot. That means there's a good chance it will deviate from the coverage of my single A F point, and if that happens, I'll lose focus on the head on. Whatever was behind the horse will come into focus. So with movement like this, where there's an element of unpredictability. I switch from a single point to multiple points. The question is how many points? Well, the basic principle applies. The more unpredictable the movement, the more points you need going back to the horse galloping towards me. Because the movement is within restricted area, the head's going to move only so far. I would only select the sensors immediately adjacent to the active sensor. What I'm doing, in effect, is creating a zone of focus that directly relates to the area within which the subject might move on to enable me to compose the image. How I want. I can choose the area of the focus grade that the zone covers, in this case, the center of the viewfinder. By limiting the number of a F points, I'm giving the camera less to do with. That speeds up the whole process of focus tracking. Then his movement gets unpredictable. I want to add more points, take birds in flight birds have a wide area in which to move. That makes it harder to predict when the frame they're going to be at any given point. And that unpredictability means I want to set more F points for a wider zone of focus on a better chance of getting more than one sharp image. Another option is to use a function called focus tracking delay. Now, this isn't available in all cameras, so you need to check your camera specifications when turned on focused tracking, DeLay tells the camera to pause briefly before it starts the tracking process, using example of birds in flight. If the bird I'm photographing suddenly drops out of my point of focus rather than immediately focusing on whatever is behind the bird, the camera will wait a moment to see whether the bird comes back into focus and how long it pauses. You can change in the menu settings. Another time you may want to use this function is when there's a chance of another object momentarily obscuring your subject. I'm focusing on the writer in pink, but as the opposing writer comes into view in front of my subject, the camera refocuses. I've lost my shot. To prevent this from happening. Aiken, turn on Focus DeLay, which will tell the camera toe hold focus on the original subject so the focus tracking delay mode is a useful function to bear in mind because it can make the difference doing getting the shot and the shot that got away
AFTER THIS CLASS YOU’LL BE ABLE TO:
- Set up your camera with confidence
- Better understand shutter speed, aperture, and ISO
- Capture perfect exposures in camera
- Get sharp, focused images quickly
- Understand white balance and the difference between RAW and JPEG
- Quickly and confidently capture images “in the moment”
- Become a better photographer by building an understanding of basic photography techniques
ABOUT CHRIS' CLASS:
CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course.
Turn terms like aperture, shutter speed and ISO from a bunch of obscure photography jargon to a toolset that you can easily manipulate to capture great photos. Led by landscape photographer Chris Weston, this class covers everything beginners need to know to master photography basics from exposure to focus.
Turn that camera dial off of auto and learn how to properly expose a photograph. With a few basic camera settings, get the most image quality and the best colors from your mirrorless or DSLR camera. Then, master focus modes and techniques for sharp photographs.
Learn the basics of photography in a series of short, memorable lessons. Chris' straight-forward teaching style is great for newbies that find the task of learning photography daunting, while the to-the-point lessons make it possible to spend just a few minutes a day mastering your camera with easy photography tips and techniques.
WHO THIS CLASS IS FOR:
- Beginner photographers
- First time DSLR or mirrorless camera users
- Any photographer that wants to get off automatic mode to shoot better photos
ABOUT YOUR INSTRUCTOR:
Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.