Mobile Workflow with Adobe Creative Cloud®

Lesson 2 of 34

Camera Settings on Location

 

Mobile Workflow with Adobe Creative Cloud®

Lesson 2 of 34

Camera Settings on Location

 

Lesson Info

Camera Settings on Location

The first thing that we're going to talk about then here in this setting is the idea of I've just taken a photograph. Now in our case, we're just traveling around and I met you at a cafe, right? Hi, my name's Jared. Hey, I'm Lisa. Lisa. Nice to meet you. Lisa I was over there taking your picture, I'm sorry, it's so creepy but can I show you some of the pictures? Sure, I'd love to see them. Awesome, I love the fact that you were looking at me while I was taking the pictures but so we're gonna take a look at them. That's when you were like angry with me for taking your picture. That's actually pretty sexy right there though. I like that one. Okay so, see that? I like those horizontals. See that? And then you're gonna, there, that's pretty sly right there, you're looking pretty sly. Are you, I'm gonna let the camera see this as well. So you can see that my focus point is on your eye there so that's one of my, I like to have that little there so that I know that your eye is in ...

focus 'cause that's where I was pointing the focus element. But that's pretty cute and do you like that one? I do, yeah. Okay so, I'm having a conversation with my client here or I'm just sitting at a cafe looking at images that I like and I want to register some kind of a note for myself that that's a good photo 'cause I was just scrolling through my camera. So what I'm gonna do and this by the way is a Canon 70D, seven, zero, D. So it's a, it's kind of an entry level camera, it's not very expensive, so it has a lot more menu operated things as opposed to some of the more professional ones have buttons that are more out in the open but on this particular camera, if I hit the, while I'm looking at an image, if I hit the cube button, I get a whole bunch of different options and one of those options is the star rating and so I can either use the, I can use like the, I don't know what this is called, joystick? You can tell I'm from like the 80's right? I can use that or I can use my finger to touch the stars and then I can rate it as a three star image. So now you can see right up there in that top right hand area there's a little three star button that shows up and then after that I just hit the cube button and it goes away. So we can kind of scan through and look for images, ooh I like that one, I like that one a lot. So I'm gonna hit the cube button again and then give it some stars. Now if you happen to be on a like a Canon 5D Mark III or a Nikon whatever, whatever floats your boat, there's probably a star button or a rating button. On the Mark III, there's actually a button that says rating or rate, rating I think. You click on that, give it some stars right and it just toggles through one through five stars. The idea here is that you want as much information, you've got the image here, this is a raw image that we're shooting and now we want that information when we send it out to our system. We want that, any kind of decisions I make in the camera, I want those decisions to be registered later. Otherwise it's a waste of my time to go back through and find the ones that I really liked. Alright, so that's the first thing that we need to talk about. The second thing we need to talk about is the idea of setting up the camera itself to be the most successful that you can possibly be in judging your images on the camera itself. So the first thing that we have to talk about and in this case it's not about what she looks like, it's going to be about what the exposure is. So when I'm looking at my, the back of my camera, this is the least useful view that I have, right? The image is the least important thing that I can have. What I need is to know whether I've got the exposure correct. So, if I'm showing it to a client, I'm gonna show it full screen. But if I'm not showing it to a client, I'm gonna go into the info and change it to that view. So now I can see the picture a little bit and I can see like composition, basic composition. But what I really want is the R, G and B, the red, green and blue. I want those showing so that I can make decisions as to whether I'm over or under exposed on the entire scene. That's so much more critical for me. The other thing that I have is I have the highlight alerts on. So when you're working in your camera, make sure that your highlight alerts are on and that you're seeing the R, G and the B. Some people would just have the the gray scale histogram, right. So the gray scale histogram is somewhat useful but it's not useful once you get into clipping situations. For instance, if I was recording this blue sky, and it's very, very blue out there right, there's no clouds in the sky, just a nice blue sky. If I was recording an image and I saw the sky blinking a bit but it was only blinking in the blue. So it's blinking and I looked at that histogram and then saw that the blue was clipping but all the other colors, the red and the green weren't, that tells me that I can probably recover the sky because it knows it's blue 'cause it's clipping in blue and then the red and the green are telling it what the total exposure is on that and so it can kind of manufacture that blue back in. So if only one color is clipping just a little bit, you can usually recover that inside of Lightroom because it's a raw image. Now if you're shooting JPEGs that's not the case. JPEGs you're not gonna be able to recover them because they lock it in, they're throwing away data. So, if you have those three colors out for yourself, you can make a lot of really informed decisions about how hot you can push an image before you're worried about not being able to recover it.

Class Description


“This is one of the best Creative Live classes ever! Jared provided so much practical information and made a complicated workflow easy to understand. I highly recommend this course!” - Diana Robinson

Being a professional photographer takes hustle and grit. You’re always on the move and you’re juggling multiple clients at once, making organization vital. It doesn’t leave you much downtime, much less the continuous hours it takes to edit all of your photos. Adobe Creative Cloud® has mobile workflow options that will allow you to edit on the go, and stay organized while you’re traveling from job to job.

Jared Platt is a successful wedding photographer, and one of the world’s leading Lightroom® and workflow gurus. Join Jared for this class, and you’ll learn:

  • How to edit your images on-location, using your camera or mobile device.
  • How to use applications like Lightroom Mobile®, Lightroom® on the Web, Adobe Capture®, and Adobe Creative Cloud®. 
  • How to use geotagging with Adobe applications for a streamlined mobile workflow.
  • How to share your images with the world, and receive feedback from clients and friends.
After taking this class, you’ll be able to edit your images on the go and have all your work instantly available at home on your computer. You’ll discover the most efficient way to select, adjust, and share your photography, no matter where you are. Jared will also teach you how to make stunning slideshows, movies, and interactive stories using your mobile devices. 


Software Used: Adobe Photoshop CC 2015 17.0, Adobe Lightroom CC 2015.2 - 2015.3

Reviews

JIll C.
 

I was able to participate in the live taping of this course in the CL San Francisco studios, and it was a great experience. Jared is an enthusiastic, entertaining and very knowledgeable trainer as well as an accomplished photographer. He not only understood every aspect of the Lightroom mobile technology, but was able to advise us on how to adapt it to our needs and develop an efficient workflow to leverage the capabilities of this emerging technology. There are complexities of the interface between your mobile devices, the LR Mobile Cloud, and your primary computer that would be challenging to figure out on your own, and I highly recommend this course as a way to provide a clear picture and help you develop a path to adopt this very useful technology. Whether you're a high volume professional photographer or an avid hobbyist, you will find ways to incorporate LR mobile into your workflow as a result of this very informative course.

Tracey Lee
 

Great course for those who are new to Adobe mobile products or for those who want to understand how to implement an organised and efficient Adobe Mobile Lightroom Workflow. I was in the live audience and over two days Jared covers everything from beginner to advanced in a logical sequence with clear demonstrations, excellent supporting visual materials, detailed Q and A and a fun and engaging delivery. I'm really excited about what is possible! Definitely worth buying and watching from start to finish.

Rick
 

This class is ESSENTIAL for anyone in photography. Jared's teaching style, humor and sheer knowledge have me so excited about everything I can do with Lightroom Mobile and all the FREE Adobe CC for products that go along with it. I am currently reorganizing my entire LR catalog in order to utilize these tools for my past, current and future work. I cannot emphasize enough the amazing value of this class. I was lucky enough to be in the audience for this class and had such a fun time. So many aha moments. He really knows how to make a seemingly complex subject simple and easy to use.