Small Blemishes in Lightroom
Let's get on to detail work um we're listening to the image right so the intent here we have a minimal color palette doesn't feel that cold forman yeah but it's not that colorful you know their eyes match the background match your lips and with these kind of an images and we're entering into our john run what I mean by that writing if you're writing a poem you use words differently than if you're writing I don't know on essay versus journalism or something so in this case were to use our spot removal tool and just to go back here spot room weevil tools a cuchi right so that's our little shortcut and we'll grab this image we pressed the cuchi because we want to remove some spots are gonna close a panel over here and maybe minimize this down below so that we have a little more space for the image and the visual eye spots tool is phenomenal I mean it's such a helpful thing that we have in in like room and so I think of that is for california like surfing and skateboarding it is awesome yo...
u with me on that can't we just say this is awesome so a for awesome so so I throw that thing on there and what that's going to do for me is help me identify problem errors and let me crank it up and maybe zoom in a little bit here so we can see some of these issues and what I want us to think about is when we do our spot retouching is really important because let's say I do my spot healing and then I go back and add contrast, I'm going to see different spots or different details in there same thing with clarity so in our workflow that's going to affect notice out, you know, I mean it's it's really shifting what we're seeing there that's gonna affect what's happening. So while we tend to think, you know, kind of going back to that seal comment, we have a digital image it's a beauty photograph, there's problems I'm fixing goingto relax for a second, so okay, well, it's workflow workflow what? This image isn't a ton with lights pretty good, so maybe a little bit of contrast my shadows I like the detail there. Um, you know, maybe my color I am going to drop back the oranges and the reds a little bit a little bit less bright colors in that area and that's it then then I'll go to that tool, the spot healing brush, and here we press a key turns on our preview for awesomeness, which we can see these little things dialling the slider and part of the reason why this is important is when we're retouching away with the spot healing brush we can choose cloner he'll size and feather hit those in one second when we're doing that we'll want to occasionally tap again and just be able to see what we did and realize okay it's a freckle well if this was a portrait of a friend I would have to leave the freckle right because in that space that's part of their personality if it's a beauty image where it's really more idealism I'm going for this kind of ethereal perfection yeah that maybe I'm going to read move it but that is just going to give me in and out of there all right? So over to our tool brush size we can change with the slider on day one of the brush like shortcuts in photo shop in light room it's a key that makes a bigger smaller bracket kisa right bracket bigger left bracket smaller you can use that too and all that we want to do it is just work our way through an image space far and we're zooming in pretty close to do this work with a lot of little detail work we'll see in another project a little bit later we're going to get really close and what I tend to do is start with the bigger issues and hit my age to see if I'm missing anything crank this up and kind of show me texture maybe a little something over there I wouldn't have seen um we're gonna work with our bigger issues and then we're going to get teo smaller ones who had the egg and exit out of that this image we're not going to retouch start to finish but I do at least one highlight how we start to work with this tool the trick obviously is it almost looks worse because of all the circles you know in here like uh what I can't even see what I did so a couple of short cuts the each key hides overlays and light room and h will bring it back there's if we forget that in the two of our down below weaken choose different options otto is helpful because when you're cursors over the image there they are when you have her off of it they're gone but each can control goes on and off and then it's also helpful to kind of see our before and after in the before and after consuming even closer there before and after in light room does anyone know that shortcut backslash backslash not forward slash forward because this way but let's go back in time what did I just do? Where where was I before and that's so important and I know this may seem kind of kind of basic but in my class is where I work with these phenomenal seed it's like I said um if they had just looked at their before work they would have caught before they were derailed. And so what I have to do to catch myself is blink or look away and come back. Or just do the back slash. That helps, too, because retouching is easy to get carried away with.