Draw Hair in Photoshop
Alright so we went ahead and let's back out of the image here let's take a look at it and see. So I can already tell this eyebrow area there's some stuff that is not similar to the texture that's nearby so we're gonna go ahead and work on that. Very good. Same thing here. This area with the hair is kinda tricky. So you have to be really careful as you work on these hairs I will show you guys something here that's kinda cool. Let me finish this area 'cause this is something that I do to a lot of my images. I wasn't planning on showing you guys this but you guys are cool, so I'm gonna do it, we're gonna go there. Alright so I feel like that's cleaner, let's see before and after, that looks good. When you're doing a beauty image this might be a scenario where you have her eyebrows are actually really good but sometimes you'll photograph people and they have very thin eyebrows in this area. So what you could do is you could actually draw hair to fill it in. I do this semi often. We'll go e...
yebrows, clear brand new layer. We'll go to our brush tool and what I'm gonna do is I'm gonna make this brush really thin, and really small, about the size of a little hair here. I'm gonna choose my color and what I'm gonna do is if I hold down let's see on a Mac we're gonna hold down Option and it gives you this little eye dropper tool and I'm gonna select the color of the hair. All I gotta do is just tap so I hold down option, select the color and it's basically picking if I look here this is the color of those hairs. It samples that specific color. Then what we're gonna do is I'm gonna go ahead and I'm gonna make sure that my brush is set to 100 and 100 to begin with and I'm basically gonna start drawing hair. Now as soon as I draw that I look at it and I say, well, it's a little lighter than what I would like so I'm gonna go backwards and what I'm gonna do is I'm gonna double click on this and I see that it's here, this is what it thinks is the right color. But I'm actually gonna go ahead and dip it down a little bit into the darker area and hit okay. We'll go ahead and look at it again now it's a little bit closer to what it is there and it might be kind of obvious to you like oh you drew that but check this out. So again having the tablet really helps in this process. You're basically doing what these hairs would normally do which is to draw them in a very random pattern. You don't want them to be like super mega long 'cause that's not how that's not how these hairs actually operate. Come in a little closer. Basically all these little areas here that the hairs are a little bit thin I'll basically draw these in. And we're not done yet, I know you're looking at them like, "Miguel, I can see all the ones that you drew." So we'll back out of this here a little bit. So you can tell that when you back out of the image, and here's the before and here's the after, it's very hard for you to tell that you actually drew in those hairs and if you need to you can go into the opacity slider if it's too obvious that it's really dark, and you can lower the opacity. We'll do before and after and you'll notice that you can kind of thicken that area without having to give away your secrets here. So just like that and you don't wanna go too crazy 'cause then you'll start to notice that they're not real. But this is something that happens quite a bit in beauty ads. You can kinda play around with the opacity and flow here as well. She actually, she's got great great eyebrows. She's not the best example to to do this. Here's before and after. So little tiny things like that will add up to really sell this whole beauty image once it's all said and done.
"Miguel's class was exactly what I needed! He lets you in on his practical and streamlined approach to creating dramatic portraits that deliver every time, and I can't wait to use his 'Jedi' posing techniques." - April, CreativeLive Student
Allowing your subjects to feel relaxed and natural when taking their portrait can be a challenge, especially when you’re worried about the technical side of your camera while interacting with clients. Join Sony Artisan Miguel Quiles as he discusses the pros of choosing mirrorless cameras to focus on the creative side of your images. Most mirrorless cameras are built around the same size sensors and have similar lens options as DSLRs. Become more portable while staying professional with your lightweight camera.
Miguel will share:
By the end of this class, you will feel more confident connecting with your portrait subjects, and less concerned with how you use your camera to take the image.
- How to use the correct lighting when shooting with a mirrorless camera
- Tethering techniques using Capture One
- Why it’s important to develop the connection with your subject for a stronger image
- Techniques to help you focus more on the creative parts of an image and less on the technical aspects