Depths and Sizes


Recording Metal with Eyal Levi: A Bootcamp


Lesson Info

Depths and Sizes

Our depth, which applies to all drums, we can get into that a little bit. Basically, the deeper the drum, the lower the fundamental pitch is going to be. However, the deeper the drum, the less sustain you're going to have out of the drum itself. And that's counter intuitive It is counter intuitive and we've noticed that the trend in bass drums at one point was to go super deep with the bass drums. That was to get a super low fundamental and also cut down the amount of resonance, so you didn't have to muffle it as much. The trend has since gone and settled in kinda an 18 inch depth on the bass drum in that area because they've found that you can get a little bit, you know, enough resonance and enough low end punch from the depth. With the toms, the same rule applies. If we're going to go shallower, we're gonna get a lot more sustain. The reason being is because there's less air between the two heads. When you hit the top head, it sends air to the bottom head, and then the bottom hea...

d reacts and sends air back to the top head. You have this sympathetic vibration. The shallower the capsule or the cylinder that it's working with, the quicker that's happening, and the longer it's going to sustain, or keep moving inside of the drum. When you increase the depth, it takes longer for the air to get to the bottom and the energy loses, loses over time, so as it's traveling longer distances, it's not gonna make as many repetitions between the two heads, so your sustain is going to be a lot shorter for a deeper drum. I think it's just important to note, because I think a lot of people think it's the exact opposite. Right People think deeper drum lasts forever, thunder. Right. It's literally the opposite. All of our rack toms, our 12 inch toms, are all the same depth. Our floor toms are, we have two that are the same depth, which are 14 inch depth, and the last one is a traditional 16 by 16. Even when the 16 by 16 is tuned to the same pitches, it's going to sound like it has a little bit lower fundamental, just because it's a little bit deeper on the drum itself. And we'll show you guys later. We'll do side-by-side AB comparison of the two, so you can hear exactly what we're talking about. Right. As far as cymbals go, we have several different to choose from. They're all from the Byzance line from MEINL, which is their more traditional and dark sounding cymbals, which actually end up recording really well, because they're not amplified in the high end. Yeah. We can rely on more microphone selection to get the characteristics from the cymbals that we want, as opposed to the cymbals dictating where they're gonna live all the time, which is great. It makes it a lot easier to work them in with high gain guitars, too, which also, anyone who works with high gain guitars know that they are a frequency hog. They swallow everything. Those upper-mids and high range, you really need to get those balanced with the cymbals right in order for a mix to work out and not get muddy. You actually get a lot more width that way, once you get those high-mids worked out. Cymbals like these make it a lot easier to deal with later. I think that pretty much covers the basics of what we're working with now. Now we're going to go and figure out how we're gonna pick what we're gonna pick.

Class Description

Recording Metal with Eyal Levi: A Bootcamp will give you access to one of metal’s most in-demand producers and educators. You’ll also get to watch the talented and seasoned performers of Monuments show you how to record flawless takes and how to prepare to enter the studio.

Recording Metal with Eyal Levi: A Bootcamp is the definitive guide to recording and producing metal. From soup to nuts, start to finish, A to Z, you will learn everything you need to know about recording and producing a metal song.

Eyal Levi will take you inside the studio with Monuments as they record a song from scratch at Clear Lake Recording in Los Angeles. In this bootcamp you will learn how to:

  • Prepare for a session in preproduction by choosing tempos and organizing the session
  • Record flawless drums from selection and reheading/tuning to mic choice and placement to editing
  • Record rhythm guitars
  • Record clean and lead guitars
  • Record bass guitar
  • Record, edit and tune lead vocals, harmonies, and screams
  • Mix and master from session setup to final bounce

What comes with purchase of the class?


1Intro to Bootcamp 2Purpose of Pre-Production 3Technical Side of Preproduction 4Pre-Production: Setting Up the Tempo Map 5Pre-Production: Importing Stems 6Pre-Production: Click Track 7Creating Tracking Templates 8Intro and the Tone Pie 9Drums - Lay of the Land 10Bearing Edges 11Wood Types 12Depths and Sizes 13Hoops 14Sticks and Beaters 15Drum Heads 16Drum Tuning 17Drum Mic Placement Intro 18Basic Drum Mic Setup 19Cymbal Mic Setup 20Touch Up Tuning 21Microphone Choice and Placement 22Drum Tracking Intro 23Getting Tones and Final Placement 24Primary Tracking 25Punching In and Comping Takes 26Guitar Setup and Rhythm Tone Tracking 27Amplifiers - Lay of the Land 28Amplifiers & Cab Shoot Out 29Guitar Cab Mic Choice and Placement 30Guitar Tracking and Signal Chain 31Finalizing Amplifier Tone 32Guitar Mic Shootout Round Robin 33Intro to Rhythm Tracking 34Setting Up Guitars 35Working with a Guitarist 36Final Guitar Tone and Recap 37Guitar Tracking with John 38Guitar Tracking with Ollie 39Final Tracking 40Tracking Quads 41Intro to Bass Tone 42Bass Tone Setup 43Bass Tone Mic Placement 44Bass Tracking 45Intro to Clean and Lead Tones 46Clean Guitar Tones 47Lead Tones 48Vocal Setup for Tracking 49Vocal Mic Selection and Setup 50Vocal Mic Shootout 51Lead Vocal Tracking 52Writing Harmonies 53Harmony Vocal Tracking 54Vocal Warm Ups 55Scream Vocal Tracking 56Vocal Tuning and Editing Introduction 57Vocal Tuning and Editing 58Routing and Bussing 59Color Coding, Labeling and Arranging Channels 60Setting Up Parallel Compression 61Setting Up Drum Triggers 62Gain Staging and Trim 63Drum Mixing - Subtractive EQ 64Drum Mixing - Snare 65Drum Mixing - Kick 66Drum Mixing - Toms 67Drum Mixing - Cymbals and Rooms 68Drum Mixing Recap 69Mixing Bass Guitar 70Mixing Rhythm Guitars 71Basic Vocal Mix 72Mixing Clean and Lead Guitars 73Mixing - Automation 74Mastering - Interview with Joel Wanasek



I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.


Amazing knowledge is being presented here. If you want to start out recording, this should be your first step, it'll save you lots of time and get you awesome results. Highly recommended class.


Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.