Pre-Production: Importing Stems

 

Recording Metal with Eyal Levi: A Bootcamp

 

Lesson Info

Pre-Production: Importing Stems

So first thing I would do is get the tempo map in. Got that in. Got the markers in. They already have that done. If they didn't then I would do it in another order I would import their session. I mean their bounces. And then start creating the markers in tempo map from there. Now you just need to make sure that what they send you are actually stemmed out. Meaning that they're all consolidated to the zero point. So start by importing their Pre Pro stems. And the clicks. So, mind you, I'm hitting copy all. Because I actually want to copy these into my audio drive. If you're just one person and you never switch computers. This may not seem like a huge deal. But if you're going from room to room you wanna' make sure that those files are in the actual audio files folder for the session. So, copy them all in. Yes, I want them in the audio files folder. Any questions while this processes. Well Justin wanted to know I guess explain the zero point consolidation. Sure. Or what is consolida...

ting to (mumbles). I will show you an example when this audio gets in. Basically, what it means is that, if an audio file is cut up into various pieces or starts not at the start of the session that you basically create a version that glues it all together into one audio file that starts at zero. So that if you were to export it and someone else was to put into their DAW all they would have to do is pull in the stems line them up at zero and everything would work. They wouldn't have to hunt around for where everything goes. Which is one of the most annoying things ever to have to do. If you're getting audio from other people. Is to have to guess where it should go. You should just be able to pull it into the session; have it all work so. Hitting new tracks. Boom. And... So that's what it looks like when it's consolidated. Yeah so let's just say that... that's not consolidated now. So if I were to export these, if I was sending these. Say if this was the end of the line. You know, this is my recording and I'm sending it to somebody else to mix and I'm bouncing all this out and I send them this, and this, and this. See, all they have to do, whoever it is, is pull these into their session. Stick them against the zero point right here at the start. And everything will line up. However if I export this, like this. Then it'll actually start right there. If they line it up. That's not the right place clearly. Then they'll have to either, hit you up and tell you that you did it wrong or they'll have to guess that it goes right here. And that can't get rather annoying. Specially when you have lots of vocals. People are notorious for doing this with synths. When you get on the consolidated audio like this the true meaning of subjective comes... It really like comes forward because, it's really really interesting where you might think that a piece of audio should go as opposed to where the band intended for it to go. So you're kinda' lettin' people's creativity engage on stuff that it shouldn't engage on if you send unconsolidated stems. So on Pro Tools, the way you would do this is you would select that and then drag it all the way to zero and the Shift + Option + boom, problem solved. Okay, so, let's see what we got. First things first is I'm gonna' rename this stuff so that it's easier for me to look at 'cause everything is zero, seven dash. So... Remove this number and then I'm gonna' call this Pre Pro underscore Backup Vocals, okay. Pre Pro undescore, common', underscore, you bastard. Underscore Base Guitar. Okay (mouse and keyboard clicks) Pre Pro, underscore, Cleans. Explain why I'm doing this like this in a second. Pre Pro, underscore, Lead Guitars. Rhythms. Samples. And, you know, since I know that these are actually synths and I don't want any confusion between, these and drum samples for instance. I'm gonna' actually call this Synth. Whoops, did I miss anything? And... Okay so I'm gonna' call this Pre Pro Instrumental. (mouse and keyboard clicks) I'll just call this Click. You're Song No Click. All right, cool. The reason that I do this the way I do it is... Now you'll notice this also later on, some of you guys who have seen my other Creative Lives or heard the podcast or whatnot know that I like to do things this way. Basically, I always put what type of track it is in abbreviation up front. Like, if it's GTR, if it's guitars I'll put G/RH for rhythms or something or G/Cleans. That way when you export these or you look at the audio files menu if you do it alphabetically all the guitars will be together, all the pre pro will be together, all the vocals will be together. You won't have to hunt around for stuff. It's just one more step at being efficient with your life. So... And then the last thing I'll do is just kinda' group things together, kinda' in a logical order. Cool. Now... So let's check their instrumental. I'm actually gonna' add a master fader. Just in case the output is blaring or something. I don't wanna' kill you guys. I'll just put a trim on it. (mouse and keyboard clicks) I'll route this all to the master. (heavy metal music plays and stops) (heavy metal music plays) (heavy metal music stops) I'm afraid that's... (heavy metal music plays) (heavy metal music stops) Getting something like that from a band it's so great. Most bands aren't capable of doing something that sounds this good. But, God, what a relief when they can right?

Class Description


Recording Metal with Eyal Levi: A Bootcamp will give you access to one of metal’s most in-demand producers and educators. You’ll also get to watch the talented and seasoned performers of Monuments show you how to record flawless takes and how to prepare to enter the studio.

Recording Metal with Eyal Levi: A Bootcamp is the definitive guide to recording and producing metal. From soup to nuts, start to finish, A to Z, you will learn everything you need to know about recording and producing a metal song.

Eyal Levi will take you inside the studio with Monuments as they record a song from scratch at Clear Lake Recording in Los Angeles. In this bootcamp you will learn how to:

  • Prepare for a session in preproduction by choosing tempos and organizing the session
  • Record flawless drums from selection and reheading/tuning to mic choice and placement to editing
  • Record rhythm guitars
  • Record clean and lead guitars
  • Record bass guitar
  • Record, edit and tune lead vocals, harmonies, and screams
  • Mix and master from session setup to final bounce

What comes with purchase of the class?



Lessons

1Intro to Bootcamp 2Purpose of Pre-Production 3Technical Side of Preproduction 4Pre-Production: Setting Up the Tempo Map 5Pre-Production: Importing Stems 6Pre-Production: Click Track 7Creating Tracking Templates 8Intro and the Tone Pie 9Drums - Lay of the Land 10Bearing Edges 11Wood Types 12Depths and Sizes 13Hoops 14Sticks and Beaters 15Drum Heads 16Drum Tuning 17Drum Mic Placement Intro 18Basic Drum Mic Setup 19Cymbal Mic Setup 20Touch Up Tuning 21Microphone Choice and Placement 22Drum Tracking Intro 23Getting Tones and Final Placement 24Primary Tracking 25Punching In and Comping Takes 26Guitar Setup and Rhythm Tone Tracking 27Amplifiers - Lay of the Land 28Amplifiers & Cab Shoot Out 29Guitar Cab Mic Choice and Placement 30Guitar Tracking and Signal Chain 31Finalizing Amplifier Tone 32Guitar Mic Shootout Round Robin 33Intro to Rhythm Tracking 34Setting Up Guitars 35Working with a Guitarist 36Final Guitar Tone and Recap 37Guitar Tracking with John 38Guitar Tracking with Ollie 39Final Tracking 40Tracking Quads 41Intro to Bass Tone 42Bass Tone Setup 43Bass Tone Mic Placement 44Bass Tracking 45Intro to Clean and Lead Tones 46Clean Guitar Tones 47Lead Tones 48Vocal Setup for Tracking 49Vocal Mic Selection and Setup 50Vocal Mic Shootout 51Lead Vocal Tracking 52Writing Harmonies 53Harmony Vocal Tracking 54Vocal Warm Ups 55Scream Vocal Tracking 56Vocal Tuning and Editing Introduction 57Vocal Tuning and Editing 58Routing and Bussing 59Color Coding, Labeling and Arranging Channels 60Setting Up Parallel Compression 61Setting Up Drum Triggers 62Gain Staging and Trim 63Drum Mixing - Subtractive EQ 64Drum Mixing - Snare 65Drum Mixing - Kick 66Drum Mixing - Toms 67Drum Mixing - Cymbals and Rooms 68Drum Mixing Recap 69Mixing Bass Guitar 70Mixing Rhythm Guitars 71Basic Vocal Mix 72Mixing Clean and Lead Guitars 73Mixing - Automation 74Mastering - Interview with Joel Wanasek

Reviews

ceeleeme
 

I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.

user-eb82bd
 

Amazing knowledge is being presented here. If you want to start out recording, this should be your first step, it'll save you lots of time and get you awesome results. Highly recommended class.

Will
 

Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.