Scream Vocal Tracking

 

Recording Metal with Eyal Levi: A Bootcamp

 

Lesson Info

Scream Vocal Tracking

♫ Falling ... lost ground ♫ Believers wander without their lie. You sound pretty cool. Hey, why don't we check this out. Because the music is, it already sounds pretty cool. Alright. Let me just duplicate this so that we can do doubles and stuff. (microphone testing) (laughing) Make that booty. Just act like that. Alright, you ready? Let me test. From the top. Got it, I was just putting my guide in there so I know where the screams are. Is your guide live? Alright, you ready? Yes. Okay, go. (electric guitar music) ♫ Falling (unintelligible ♫ Believers (unintelligible Sounds pretty great, man. How is it sounding to you? I'm just adjusting my music level but I think that's okay. Yeah, let me listen to it in here. It's coming to me like a solid block, which is how I like vocals to come in. Okay. Let me listen to it. It's not pretty tremendously aggressive. ♫ Falling (unintelligible ♫ Believers (unintelligible Yeah, cool. I like that take. Yeah, hold on ...

to that. Okay, you want ... Can you do me a favor? Can you boost my click a little bit, though? I'm, like, literally all maxed out and it's still not loud enough. Yeah, just give me a second. (electronic guitar music with metronome) There we go. I know that's louder. That is loud. Alright, let's do this. Alright, you want to double what you just did? Sure. It sounds great. Cool. (electronic guitar music) ♫ Falling (unintelligible) ♫ Believers (unintelligible) Nice. Cool. Let me just try Vocal Lining it. We were having that issue, but I just want to try once. Alright. Okay? Okay. We're having an issue because of this older version of ProTools that we're on. Woah. Older version of Vocal Line, actually. ♫ Falling (unintelligible) ♫ Believers (unintelligible) This is pretty great, man. Cool. Look at the next line. Yep. Thankfully, he's awesome at screaming too. Alright, good to go. ♫ Falling (unintelligible) ♫ Believers (unintelligible) ♫ Burning mission. Be afraid, so afraid. ♫ That would be why she left. That was a lot better. Alright. Congratulations. Thank you. You win. My screams are still on five, right? Yes. Okay, cool. Just making sure. Ready? What're we doing? Are we doubling? Double that. ♫ Falling (unintelligible) ♫ Believers (unintelligible) ♫ Burning mission. Be afraid, so afraid. ♫ That would be why she left. That sounds great, man. Let me align that too. ♫ Burning mission. Be afraid, so afraid. ♫ That would be why Okay. Okay. Alright, next. Where's the next scream? Going into the chorus. Okay, you ready? Yep. ♫ (Unintelligible) ♫ Lost in the fire, concealing the dark. ♫ Locks up my desire I like how you went high at the end. Yep. Try to bring that out even more on the double. I will. ♫ (Unintelligible) ♫ Lost in the fire, concealing the dark. ♫ Locks up my desire Little over. That's okay, I can Vocal Line that. Give me one second. I think it's really important to align screams because if they're not aligned, they're gonna sound like garbage put together when they're played back at the same time. And so you've just gotta, you really just gotta know, on the spot, if they're gonna be workable. ♫ Locks up my desire. Yep, that works. Okay, well, what's next? After ♫ Save this confirmation, onto the revelry. Sure. This is where my notes have really affected me the most. Okay. My low scream has been the hardest thing to recover. So those, like, swoops that I used to be able to do pretty effortlessly have been problems. Do your best and if it's not working, we'll just come up with something cool to do. We will. Okay. Alright, ready? Yes. ♫ Save this confirmation, onto the revelry. ♫ Let it all go. Sounded good. That's the best I can do. Okay, well, double that. Okay. I just can't get that. ♫ Save this confirmation, onto the revelry. ♫ Let it all go. Let me here that aligned. Okey dokey. ♫ Let it all go We're good. Okay. (laughs) Awesome. Just let it roll from there. ♫ Let it all go. ♫ My (unintelligible) ♫ Lost in the desert of sin That was great until those last, like, three words. I'll punch in for that. Yes, please. Okay. ♫ My (unintelligible) ♫ Lost in the desert of sin Yeah, that had way more power. Okay, double? Yes. ♫ Let it all go. ♫ My (unintelligible) ♫ Lost in the desert of sin Let's do the same thing. Okay. ♫ My (unintelligible) ♫ Lost in the desert of sin. Much better. Okay. Hang on one second. Do you mind if we quad the scream? The high one? Yeah. Yeah. With, like, a low one? No, just with high so that I can add them stereo and just make it horribly awful it'd be awesome. Or you can try lows if you want but I was just thinking highs. Well, I did like having those lows contrasted. Bro. Okay, cool. Alright, let's double the scream. Ready? Yes. (electronic guitar music) ♫ My (unintelligible) ♫ Lost in the desert Give me one second here. Okay. I just made it two new vocal tracks so that I can stereo them. Right now, I don't exactly have pan controls 'Cause of the way that we're listening to stuff, monitoring, but I'm putting them on two tracks here so that I can make them stereo. Okay, you ready to double that? Sure. Yeah, so without it being stereo now it's not gonna quite sound the way I envision it but I know it'll be cool. (electronic guitar music) ♫ Wait for us. ♫ Lost in darkness Thank you. No problem. Alright, what's next? Just let it roll from there. ♫ Wait for us ♫ Lost in the desert of sin. ♫ Safer than it seems ♫ Now trust can be had between the bars Hey. Hey there Let me get that scream at the end. Just that one? And there's one more part. Hang on a second. Yeah. ♫ Safer than it seems ♫ Now trust can be had between the bars. I really just wanna get the way it comes in. I kinda wanna do that first half, actually. Okay, cool. Ready? Yeah. ♫ Wait for us ♫ Lost in the desert of sin. ♫ Safer than it seems. ♫ Now trust can be had between the Way better. Yeah. Now let's get the scream. ♫ Safer than it seems ♫ Now trust can be had between the bars Way better, let's double this. Alright. ♫ Wait for us ♫ Lost in the desert of sin ♫ Safer than it seems ♫ Now trust can be had between the bars Let's get the scream. Okay? Fine. Alright. ♫ Safer than it seems ♫ Now trust can be had between the bars Okay, sounds great. Next line, okay. Ready? Yep, just let it roll. ♫ Now trust can be had between the bars ♫ In the south ♫ (unintelligible) I have to punch in for the last one. Yes. I will not be able to do that low scream on my own. That's fine. So this has to be studio magic. Not a problem. The rest was pretty sick. Yeah, okay. It's fine. Go for it, let's get the ending. Okay. ♫ In the south ♫ (unintelligible) You sound really good. Yeah, I think that will be it. Okay, double that. ♫ Whip the place ♫ In the south ♫ (unintelligible) Okay, let's double that last word. ♫ In the south ♫ (unintelligible) That works. Let me align this. ♫ In the south ♫ (Unintelligible) That'll do. Yeah, me too. Okay, what's next? Alright, so, just basically go to the end where the guitar breaks and it goes into the tempo change. Okay. 'Cause I gotta do that whisper voice in the middle. Alright. You mean before the modulation? Yeah, yeah, the tempo modulation. Okay. So just take it from ♫ Who will deny you're one of me Got it. Ready? Yes. ♫ Who will deny you're one of me ♫ One of me It comes in there. Okay. I'm gonna effect the hell outta that. Yeah. But for now, that's fine. Where do you start screaming again? It's a two pick-up into that. Okay, got it. ♫ Make it crawl ♫ Make it Double that. Woo. ♫ Make it crawl ♫ Make it I'm gonna align that. That was sick. Woo. ♫ Make it crawl ♫ Make it Cool. What's next? Just let it roll from "I am." ♫ Make it crawl ♫ My jam ♫ Inside all of my dreams lie ♫ Do what you know ♫ Who would deny Cool. Can I double that? Yeah. I love that he gets stuff right most of the time. It's so much easier. (heavy guitar music) ♫ My jam inside You got it. Cool. Okay, so what's next? It's just a low scream underneath. A call and response thing to "Who would deny." ♫ Who would deny Okay, got it. ♫ All of my dream lies ♫ Who would deny ♫ Who would deny that I could be That was it right there? That's it. Doesn't sound bad to me. Hang on a second. ♫ Who would deny ♫ Who would deny Sounds fine in there, double that. I mean, it should be a little bit lower but doubled, it'll fill up that frequency a little. Yeah, and it does. Okay. ♫ Inside all of my dreams lie ♫ Who would deny ♫ Who would deny Yeah, that's good. That'll do. Alright, what's next? I don't know ♫ Who would deny ♫ that I could feel afraid or so angry ♫ Nothing's forsaken Did I double that with the scream? On the album? Yeah. I do not remember. You know what, I'll just do it right now and if it's there it's there and if not, just take it out. Okay. Ready? Yeah. ♫ Dream lies ♫ Who would deny ♫ Who would deny that I ♫ Could feel afraid or so angry ♫ Nothing's forsaken ♫ In that, though, there is hope. I really have no memory of if you did that or not but it sounds kinda cool. Bonus addition. Alright, double that. Yeah. ♫ Who would deny that I could feel so afraid or so angry ♫ Nothing's forsaken Sounds great. Awesome. What's next? That's it. Congratulations, then. Hey! You're done. Album done. Thank you very much, everybody at home for putting up with me in here. Hopefully I'll see you next time. Thank you, Chris. Appreciate it. Thank you CreativeLive.

Class Description


Recording Metal with Eyal Levi: A Bootcamp will give you access to one of metal’s most in-demand producers and educators. You’ll also get to watch the talented and seasoned performers of Monuments show you how to record flawless takes and how to prepare to enter the studio.

Recording Metal with Eyal Levi: A Bootcamp is the definitive guide to recording and producing metal. From soup to nuts, start to finish, A to Z, you will learn everything you need to know about recording and producing a metal song.

Eyal Levi will take you inside the studio with Monuments as they record a song from scratch at Clear Lake Recording in Los Angeles. In this bootcamp you will learn how to:

  • Prepare for a session in preproduction by choosing tempos and organizing the session
  • Record flawless drums from selection and reheading/tuning to mic choice and placement to editing
  • Record rhythm guitars
  • Record clean and lead guitars
  • Record bass guitar
  • Record, edit and tune lead vocals, harmonies, and screams
  • Mix and master from session setup to final bounce

What comes with purchase of the class?



Lessons

1Intro to Bootcamp 2Purpose of Pre-Production 3Technical Side of Preproduction 4Pre-Production: Setting Up the Tempo Map 5Pre-Production: Importing Stems 6Pre-Production: Click Track 7Creating Tracking Templates 8Intro and the Tone Pie 9Drums - Lay of the Land 10Bearing Edges 11Wood Types 12Depths and Sizes 13Hoops 14Sticks and Beaters 15Drum Heads 16Drum Tuning 17Drum Mic Placement Intro 18Basic Drum Mic Setup 19Cymbal Mic Setup 20Touch Up Tuning 21Microphone Choice and Placement 22Drum Tracking Intro 23Getting Tones and Final Placement 24Primary Tracking 25Punching In and Comping Takes 26Guitar Setup and Rhythm Tone Tracking 27Amplifiers - Lay of the Land 28Amplifiers & Cab Shoot Out 29Guitar Cab Mic Choice and Placement 30Guitar Tracking and Signal Chain 31Finalizing Amplifier Tone 32Guitar Mic Shootout Round Robin 33Intro to Rhythm Tracking 34Setting Up Guitars 35Working with a Guitarist 36Final Guitar Tone and Recap 37Guitar Tracking with John 38Guitar Tracking with Ollie 39Final Tracking 40Tracking Quads 41Intro to Bass Tone 42Bass Tone Setup 43Bass Tone Mic Placement 44Bass Tracking 45Intro to Clean and Lead Tones 46Clean Guitar Tones 47Lead Tones 48Vocal Setup for Tracking 49Vocal Mic Selection and Setup 50Vocal Mic Shootout 51Lead Vocal Tracking 52Writing Harmonies 53Harmony Vocal Tracking 54Vocal Warm Ups 55Scream Vocal Tracking 56Vocal Tuning and Editing Introduction 57Vocal Tuning and Editing 58Routing and Bussing 59Color Coding, Labeling and Arranging Channels 60Setting Up Parallel Compression 61Setting Up Drum Triggers 62Gain Staging and Trim 63Drum Mixing - Subtractive EQ 64Drum Mixing - Snare 65Drum Mixing - Kick 66Drum Mixing - Toms 67Drum Mixing - Cymbals and Rooms 68Drum Mixing Recap 69Mixing Bass Guitar 70Mixing Rhythm Guitars 71Basic Vocal Mix 72Mixing Clean and Lead Guitars 73Mixing - Automation 74Mastering - Interview with Joel Wanasek

Reviews

ceeleeme
 

I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.

user-eb82bd
 

Amazing knowledge is being presented here. If you want to start out recording, this should be your first step, it'll save you lots of time and get you awesome results. Highly recommended class.

Will
 

Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.