Look For the Cleanest Composition
When we walk into a room especially when we're inside the first thing you need to be doing is identifying your light sources. Because we have our goals, right? Now, it's really important when you're entering the scene that you acknowledge where your light sources are immediately. Why do we do that? So that a; we can decide where the best place is to stand are in the room. Say my light sources are behind you there's a window and say this was also a light source. I would know in my mind one of the best places to shoot would probably be here facing this way. Because I'd have a side light and a light behind me, right? I know that if I shoot this way I'm probably gonna end up having to blow out the background because the light is in front of me but then I have this nice side light it might work. Shooting into your light sources could also be a source of distraction. And it's easier for me to actually show you once we look at my contact sheet how I navigate this. But you need to identify whe...
re your light sources are right away so you'd know how to use them and how to avoid them. And when we look at the last segment when we look at me shooting in the field then we're talking about that. It's like distracting or I'm gonna use this light it's creating a nice three-dimensional light that kinda thing. Know that if you shoot into the light you can either blow it out or make a silhouette. A lot of the times, those are your options, right? In the inside like this. I have a light source coming you can see where the light source is from the right. I'm purposely shooting straight on it so I can have this really nice directional light as they play on the bed, right? Versus very little amount of light source. So I know that for the most part my photos are gonna be flat. Right, and we deal with this a lot. It doesn't mean we, if it's dark and we have these ambient lamps on that we don't have light to work with but if there's any sort of overhead light in the house in the evening, it's gonna be pretty flat. So it's the first thing I do when I walk in the room is I'm gonna identify where my light sources are. The second thing I'm going to do is identify where is my cleanest composition? It's really important. I know right away when I walk in a room what is gong to be distracting to shoot towards and what is going to be cleaner to shoot towards. So if things are happening if there's action happening if I'm making a portrait any of those situations happening I'm specifically choosing where to stand to avoid distracting or messy backgrounds. So this is the idea. You should always identify what directions are more ideal than others. So it's more than just walking in a room and just shooting. You should be thinking about light and you should be thinking about your composition your backgrounds. Photo's a little bit cut off but I knew that I had a really clean background if I shot that way. What would've happened if I shot the other side photographing in this way? Well that bar would've been cutting him off and there's a living room behind him with like couches and lamps and stuff so I knew that my only place to shoot was from here because it will be clean. We've looked at that one a few times. That's Greg my husband. I love my assistant, help me put these photos in so. I'm also thinking about how can I use doorways interesting framing to include multiple people from different rooms by using the composition. I'm identifying that Greg and Birdie are in the other room and so I can layer Jenna and Emmiline and still have Greg and Birdie in there. My cleanest composition was from this point of view. If I had shot from the other point of view there was another building that was really messy with a lot of trees. At least shooting towards the white building left me a cleaner direction so I felt this was the only place I could shoot this from.
Building a successful family portrait business takes more than capturing a good image. Not only do you need the tools to create family memories that your clients will love, but you also have to know how to set up a business that will make money and keep your clients and their referrals coming back. Award-winning photographer and international educator Kirsten Lewis returns to CreativeLive to teach all of this and more in the third class in her series on family storytelling photography.
In this class Kirsten will cover:
- The psychology of photographing families and how to really “see” your subjects
- How she collaborates with families and other creative professionals
- How to stay present in the moment to capture authentic and timeless images
- How to set up your business for success and sales
Kirsten will pull back the curtain to show you the nuts and bolts of her business and how she continues to be successful in this unique area of family photography.