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Fine Art Photography: The Complete Guide

Lesson 132 of 138

Bad Vs. Good Prints

Brooke Shaden

Fine Art Photography: The Complete Guide

Brooke Shaden

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Lesson Info

132. Bad Vs. Good Prints

Lessons

  Class Trailer
Now Playing
1 Class Introduction Duration:19:06
2 Storytelling & Ideas Duration:27:34
3 Universal Symbols in Stories Duration:03:19
5 The Story is in The Details Duration:04:13
7 Guided Daydream Exercise Duration:04:20
8 Elements of Imagery Duration:02:19
9 The Death Scenario Duration:01:47
10 Associations with Objects Duration:03:01
11 Three Writing Exercises Duration:06:39
12 Connection Through Art Duration:30:35
14 Layering Inspiration Duration:23:13
15 Creating an Original Narrative Duration:07:42
16 Analyze an Image Duration:04:12
17 Translate Emotion into Images Duration:04:31
18 Finding Parts in Images Duration:06:02
19 Finding Your Target Audience Duration:04:05
22 Formatting Your Work Duration:06:08
26 Circle of Focus Duration:07:55
27 The Pillars of Branding Duration:06:18
28 Planning Your Photoshoot Duration:09:05
30 Write a Descriptive Paragraph Duration:09:37
31 Sketch Your Ideas Duration:17:27
32 Choose Your Gear Duration:02:50
35 Set Design Overview Duration:01:43
36 Color Theory Duration:19:50
37 Lighting for the Scene Duration:12:05
39 Locations Duration:04:31
40 Subject Within the Scene Duration:07:26
41 Set Design Arrangement Duration:05:46
42 Fine Art Compositing Duration:03:46
45 Analyze Composite Mistakes Duration:12:11
49 Shoot: Miniature Scene Duration:09:59
50 Editing Workflow Overview Duration:01:57
51 Add Fabric to Make a Big Dress Duration:08:35
52 Edit Details of Images Duration:08:09
53 Add Smoke & Texture Duration:10:47
57 Self Portrait Test Shoots Duration:22:30
58 Shoot for Edit Duration:04:21
59 Shoot Extra Stock Images Duration:10:01
60 Practice the Shoot Duration:25:07
62 Shoot: Vine Image Duration:10:40
63 Shoot: Sand Image Duration:09:50
64 Shoot: End Table Image Duration:04:59
65 Shoot: Bed Image Duration:06:18
66 Shoot: Wall Paper Image Duration:05:54
67 Shoot: Chair Image Duration:08:02
68 Shoot: Mirror Image Duration:06:57
69 Shoot: Moss Image Duration:05:48
70 Shoot: Tree Image Duration:07:33
71 Shoot: Fish Tank Image Duration:04:09
72 Shoot: Feather Image Duration:09:00
77 Organize Final Images Duration:21:37
83 Determine Sizes for Prints Duration:16:44
84 How to Choose Paper Duration:13:56
85 How to Choose Editions Duration:07:18
86 Pricing Strategies Duration:18:59
87 How to Present Your Images Duration:13:26
88 Example Pricing Exercise Duration:09:39
89 Print Examples Duration:08:23
93 Pricing Your Licensed Images Duration:12:33
94 Contract Terms for Licensing Duration:12:07
95 Where to Sell Images Duration:04:55
96 Commission Pricing Structure Duration:08:23
97 Contract for Commissions Duration:12:17
99 Working with Galleries Duration:08:58
100 Benefits of Galleries Duration:07:39
101 Contracts for Galleries Duration:10:32
102 How to Find Galleries Duration:05:22
103 Choose Images to Show Duration:08:53
104 Hanging the Images Duration:03:38
105 Importance of Proofing Prints Duration:08:04
107 Press Package Overview Duration:04:35
109 Write Your 'About Me' Page Duration:09:04
110 Importance of Your Headshot Duration:03:55
112 Writing For Fine Art Duration:04:44
113 Define Your Writing Style Duration:14:49
114 Find Your Genre Duration:06:41
115 What Sets You Apart? Duration:02:25
116 Write to Different Audiences Duration:05:10
117 Write for Blogging Duration:39:57
118 Speak About Your Work Duration:14:21
119 Branding for Video Duration:07:37
121 Types of Video Content Duration:31:45
122 Interview Practice Duration:13:22
126 Social Media Posting Plan Duration:04:01
127 Choose Networks to Use & Invest Duration:02:57
128 Presentation of Final Images Duration:19:13
129 Printing Your Series Duration:09:16
130 How to Work With a Print Lab Duration:13:39
131 Proofing Your Prints Duration:10:11
132 Bad Vs. Good Prints Duration:03:32
133 Find Confidence to Print Duration:10:50
134 Why Critique? Duration:06:55
135 Critiquing Your Own Portfolio Duration:10:39
136 Critique of Brooke's Series Duration:16:18
137 Critique of Student Series Duration:40:07
138 Yours is a Story Worth Telling Duration:02:09

Lesson Info

Bad Vs. Good Prints

I don't usually print my own work, so this is exciting to watch happen. Even though it looks really bad. But it's good. Thank you. Oh my goodness. This is something. Tori's having a hard time with this right now. She's like, I'm gonna come help you guys. (laughs) Okay. So if this were my first print that just came out of the printer and I was sitting with my printer, first of all, I would start to question my choice of printers, but aside from that, I would be proofing this in a number of ways. First thing is color. Colors are way off. And, in fact, let me step back to this print that I think is really nice. You can see the difference immediately. It's like night and day. We've got rich, saturated colors versus really de-saturated colors. Something that I can see that you guys might not be able to see, as well, is the detail and the shadows. Here, I can see lots and lots of gray detail, whereas in this, it's much darker. And it even has a red tinge to it. And this is all because of the...

way that it's printing lighter, so it's not only printing fewer tones, it's also printing fewer colors. And this is something really important to consider when proofing, it's good to sit with your printer, good to watch these things come out of the printer. Just figure out what decisions is that person making, and how does that affect my workflow as well. Thank you so much for printing for me. We appreciate it. Yeah. Okay. This is an example of an unusable print. I'm sure you can see the dent there. And this is a print that I've had for years, and years, and years. It was one of the first things that I ever had printed. And this was when I was printing on canvas. And the reason why I stopped printing on canvas is because, first of all, I was tricking people a little bit. I didn't like that. Second thing is that it dented super easily. Let me go back, back. Back just a little, there. Okay, this is another example of that same print, and can you see how it's really white down here? Where the ink got rubbed off? And I think I mentioned this before, but I would go in with a black Sharpie and just color it in. And hope that nobody noticed. Bad, very bad. I was new, I was new at this, okay you guys? So, that's what I would do, and I discovered that canvas prints are really hard to take care of. That they dent really easily, they scratch really easily, and it just wasn't for me. And that's not to say it's not for you. If it is, go for it, and obviously, just take better care of yours than I did mine. But I found myself transporting prints very frequently. I was often just piling the prints into my car, going to different shows over and over, and they get really beat up sometimes in that process if they're not framed, or if they're not packaged properly. So just something to consider when you're proofing, is that some prints are unusable.

Class Description

Creating a great photo for a client is one thing - but turning your passion and ideas into a series that is shared, shown, and sold is a whole different business. If you do it right, you’ll be shooting what you love all the time. Learn how to choose which ideas to create, how to turn your concept into a production, and steps to getting your work seen and even sold in Fine Art Photography: A Complete Guide with Award-Winning Photographer, Brooke Shaden.

This is an all-inclusive workshop that provides the tools you need to run a successful and creative business as a fine art photographer. You’ll learn creative exercises to find and develop your ideas, how to create an original narrative, how to produce your own photo series, post production techniques and skills for compositing and retouching, how to write about your work, ways to pitch to galleries and agents, and how to print your pieces so they look like art.

This workshop will take you on location with Brooke as she creates a photo series from scratch. She’ll walk through every step for her photo shoots including set design and location scouting, she’ll cover techniques in the field for capturing your artistic vision, post-production and compositing techniques, as well as printing and framing essentials.

She’ll round out this experience by discussing all of the details that will help make your career a success like licensing, commissions, artists statements, social media plans, gallery prep, and pricing your work.

This comprehensive course is a powerful look into the world of fine art photography led by one of the world’s most talented photographers, Brooke Shaden. Included with purchase is exclusive access to bonus material that gives exercises and downloads for all of the lessons.

Reviews

April S.
 

I tuned in for most of Brooke's lessons in this course and watched some of them more than once as they were rebroadcast. First I want to say that Brooke is a very good instructor. Her easy-going, friendly, down-to-earth, somewhat quirky manner cannot be mistaken for unprofessional. She is very prepared, she speaks well (not a bunch of hemming and hawing), she is thoughtful, she is thorough, she is very relatable and at ease, and she is definitely professional in her presentation. I really thought when I first tuned in that it would mostly be background noise while I was at work, sound to keep me company. Not because I didn't like Brooke but I really didn't think I was into fine art photography nor did I think I cared about the business side of things much. Not now anyhow. I was really wrong. Brooke sparked a deep interest in me to delve into fine art photography, to consider creating images for myself, from my imagination. In fact, I realized that this was something I'd been thinking about for a couple of years though I hadn't put a name to it (the idea of creating pre-conceived images based on my own creative goals). I gleaned many little treasures from her about image sizes, working with printers, different types of paper, selling, interacting with galleries, and so much more. I may not need all of what she taught right now because I'm definitely headed in another direction at the moment, but she planted ideas and information in my head that I know will be useful at some point. Things I may not have thought of on my own, but that seed is in my head now so when the time comes, I'll know. I'd really like to buy her course but at the moment, with the holidays right around the corner, it's not in my personal budget. I'm grateful to have caught the live and rebroadcast lessons though, and her course is on my list to own. I think it's a great reference to be consulted over and over again, not watched once and forgotten. Kudos Brooke for really putting together an excellent course.

Ron Landis
 

I'm retired now, but spent decades in the people and training business. Brooke is extraordinary! Even though this course is extremely well organized and she's left nothing unattended, she moves through it with friendly conversational manners and without a sense of it being stilted. It's as though we are all her friends, not students, as she shares her heart and passion with us. What a joy it is to listen to her. And what a clear, unambiguous command of her subject. Wow! She explains it with such ease using explanations and techniques that won't overwhelm artists just starting their portfolio or the Photoshop-squeamish among us; but despite its simplicity her resulting art is breathtaking and beyond original. I wish more of my professors at school were as engaging. This was by far my best buy at Creative Live yet.

Angel Ricci
 

When the title says comprehensive, it means comprehensive! I loved every part of this course. It's inspirational, motivating, and insightful towards creating art work. Even if you are not necessarily considering a fine art specialty, the concepts discussed in this course are applicable to many areas! I find this super useful as a videographer and photographer and look to apply all of these exercises and concepts for my personal and business work moving forward. It is lengthy, but you will not regret a single minute. Brooke Shaden is an amazing artist and educator. I recommend keeping up with her work, presentations, and any future courses that may come in the future.